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17th Century Oil on Canvas Spanish Religious Antique Painting, 1680

1680

Antique Italian painting from the late 17th century. Framework oil on canvas depicting a religious subject Virgin with child of good pictorial quality. Framework of excellent proport...

Antique Italian painting from the second half of the 17th century. Oil on canvas artwork of great pictorial quality depicting a mythological subject, infant Zeus and the goat Amalthe...

Antique Italian painting from the second half of the 17th century. Oil on canvas artwork depicting a portrait of an old lady, The widow of the pharmacist from Trento, of good pictori...

Splendid religious painting from the second half of the 17th century. Oil on canvas artwork depicting a subject dear to pilgrims, Tobias and the angel. Having set out to collect a de...

Antique Italian painting from the 17th century. Oil on canvas artwork, first canvas, depicting a biblical subject, King David admonished by the prophet Nathan, of good pictorial qual...

Oil painting on canvas. Venetian school of the seventeenth century. Entirely in the foreground, this scene of a group of sacred figures, which presents the faces of Mary and the Chil...

Oil painting on canvas. Lombard school of the seventeenth century. The large scene presents in the center the seated Madonna proposing her breast to the Baby Jesus, who instead stretches out to try to pick a fruit from the basket that St. John gives him, standing under them; around, five figures of saints, recognizable by their iconographic attributes. From the left you have: St. Paul, holding the sword, St. Anna, lovingly watching over his daughter and grandson, St. Peter holding the keys to the Kingdom, St. Joseph with his stick and a carpenter's tool at his waist , and finally, last on the right, San Carlo Borromeo...

Oil painting on canvas. It is a vintage copy of the engraving of the same name made by Annibale Carracci (1560-1609), which had immediate success and gave rise to a series of printed replicas and painted copies. It presents the moment of the Passion in which Christ is crowned with the crown of thorns, the object of torture, the disparaging symbol of his proclamation as King of Kings. The act is performed by two figures, the Roman soldier and the Jew, representing the two people who they took part in Christ's death sentence. The figures, vigorous and sanguine, those of the two tormentors paler and more inert than the victim, create an intertwined composition of bodies, with that of the central Jesus joining the other two, uniting them in the shared responsibility of what they are doing; placed sideways, Jesus has his head bent forcibly to the left by the soldier who imposes the crown of thorns on him, while the Jew on the right places the bamboo cane in his hand, replacing the scepter. The scene is dominated by gloomy and dark colors, among which only the bright red of Christ's robe stands...