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17th century style Dutch figure drinking from a Stein in a Tavern or Inn

1850

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    By Henry Pether
    Located in Woodbury, CT
    Henry Pether, late 18th-century Moonlight lake Landscape. Born into a family of artists, Henry was the son of Abraham Pether (1756-1812), a talented la...
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    1790s Old Masters Landscape Paintings

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  • 18th century Portrait of a young girl, Miss Cator in a landscape, white dress
    By John Russell
    Located in Woodbury, CT
    Portrait of a young British Girl, in her white dress with Pink Sash. Choosing to acquire an 18th-century portrait of a young girl by English artist John Russell is an opportunity to...
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  • Five mid 20th century Italian oil landscapes with figures, castles, Churchs
    Located in Woodbury, CT
    A very interesting set of five mid-20th-century Italian oils on copper. All five are classical landscape subjects and are signed Roger, though we don't know which artist with the n...
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    1950s Old Masters Landscape Paintings

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  • Early 19th century English Antique Still life of peaches, grapes, melon outdoors
    By George William Sartorius
    Located in Woodbury, CT
    Wonderful Early 19th-century Still life of different fruits on an earth bank. Very much painted in the same way as George William Sartorius painted his still lives this piece has al...
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    1810s Old Masters Still-life Paintings

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  • 18th century oil painting English portrait of a gent in armor, wearing a wig
    By studio of Sir Godfrey Kneller
    Located in Woodbury, CT
    Outstanding early 18th century English portrait of James Bellevue. The portrait was always believed to be the work of Sir Godfrey Kneller who was known to have painted James Bellevu...
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    Early 1700s Old Masters Portrait Paintings

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  • 17th century European oil, Christ and his disciples seated around a table.
    Located in Woodbury, CT
    17th century European oil, Christ and is disciples seated around a table. An interesting and very unique painting. Possibly a fragment originally from a piece of furniture. The s...
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    1650s Old Masters Figurative Paintings

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    Adoration of the shepherds, Cercle of Ambrosius Francken, Early 17th century Antwerp school Oil on oak panel: h. 55 cm, w. 43 cm (21.65 in x 16.93 in) 17th c. ebonized and moulded f...
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  • Huge 18th Century Italian Oil Painting Shipping in Merchant Port Many Figures
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    The Merchants Port Italian School, 18th century oil painting on canvas, framed framed: 37 x 58 inches canvas: 32 x 52 inches provenance: private collection, UK condition: very good a...
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  • Fine English Georgian Period Oil Painting Portrait of a Country Squire Gentleman
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  • Antique battle painter - 17th century figure painting Battle Knight
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  • Job Cursed by His Wife
    By Giovanni Battista Langetti
    Located in New York, NY
    Provenance: Alfred (1883-1961) and Hermine Stiassni (1889-1962), Brno, Czech Republic, by 1925; thence London, 1938-1940; thence Los Angeles, 1940-1962; thence by descent to: Susanne Stiassni Martin and Leonard Martin, San Francisco, until 2005; thence by descent to: Private Collection, California Exhibited: Künstlerhaus, Brünn (Brno), 1925, as by Ribera. “Art of Collecting,” Flint Institute of Art, Flint, Michigan, 23 November 2018 – 6 January 2019. Literature: Alte Meister...
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  • 18th century allegorical painting of The Triumph of Beauty
    Located in London, GB
    Exhibited: London, Royal Academy, 1800, no. 93 What was happening in British history painting in around 1800? In recent discussions of the emergence of a British School of history painting following the foundation of the Royal Academy in 1768, this is a question which is rarely posed and one which is not easily answered. Examination of surviving Royal Academy exhibition catalogues reveals a profusion of artists’ names and titles, few of which remain immediately recognizable, whilst endeavours to explain the impact of exhibition culture on painting - such as the 2001 Courtauld show Art on the Line - have tended to focus on the first and second generation of Royal Academician, rather than young or aspiring artists in the early nineteenth century. This makes the discovery and identification of the work under discussion of exceptional importance in making sense of currents in English painting around 1800. Executed by Edward Dayes...
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