Unknown

1897, Large Oil Painting, impressionist style. "Serious encounter"

1897

Large, enticing and very decorative painting. Oil on canvas. Signed lower left. G. Koch. (Georg Koch) Motive of a lively horse market. Beautiful paintin...

Large, enticing and very decorative painting. Oil on canvas. Monogrammed lower left. G.A. Portrait of a pretty lady. Beautiful painting in impressionist style. Frame partially damaged. Dimensions about: With frame 84.5 cm x 97 cm Without frame 55.5 cm x 68 cm The veiled lady.

Large imposing and very decorative painting. Oil on canvas. Signed A. Maurer (under the dressing table). Around 1907. Motif of an elegant lady dressing up. Beautiful painting in im...

Large, enticing and very decorative painting. Oil on canvas. Signed Imre Goth 1931. 1931. Motif of an elgant, young girl with her doll. Beautiful painting in impressionist style. ...

Artist: Ashot Muradyan Work: Original Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2022 Style: Impressionism, Subject: Sun Bath, Size: 20" x 26" x 0.8'' i...

"Pierrot and the Butterfly" is an early 20th century Impressionist oil portrait. The painting is indistinctly signed lower right and m...

'La Feria' a very busy figurative middle eastern market scene with various characters. Jewellery seller, women, children and animals. John Haynes-William...

Harry Leslie Hoffman (1871 - 1964) The Artist's Wife (Beatrice Pope) at the Loom, circa 1915 Oil on canvas 30 x 32 inches Housed in a period Newcomb-Macklin frame Provenance: Estate of the artist Private Collection, Massachusetts This painting depicts the artist's wife at the loom, producing textile versions of Hoffman's underwater paintings. The screen shown behind Bea is an underwater scene also painted by Hoffman. The study of this painting is held in the collection of the Wolfsonian Museum in Florida. Harry Leslie Hoffman was born in Cressona, a small community in Pennsylvania's Schuylkill Valley. His mother was an amateur artist who encouraged her son to pursue a career in the arts. In 1893, Hoffman entered the School of Art at Yale University and studied with John Ferguson Weir, the son of Robert Walter Weir. After graduation in 1897, Hoffman moved to New York to continue his studies at the Art Students League. He also traveled to Paris and took classes at the Académie Julien. In the summer of 1902, Hoffman attended the Lyme Summer School of Art, in the town of Old Lyme on the Connecticut coast. The school was headed by Frank Vincent Dumond and was located in a boarding house owned by Florence Griswold. The school eventually grew into an artists' colony and a center for American Impressionism. When Hoffman first arrived as a student, he was not permitted to stay in the house which was designated for the professional artists only. However, his outgoing personality soon won him many friends at the colony. In 1905, Hoffman settled in Old Lyme and worked as a full member of the artist colony. He was particularly influenced by Willard Leroy Metcalf, an Impressionist also working in Old Lyme. Fellow artists later fondly recalled Hoffman's antics at the Griswold house, which included playing the flute and banjo, tap-dancing, singing humorous songs, and performing magic tricks. In 1910 Hoffman...