Unknown

19th Century Oil on Canvas Italian Antique Religious Painting Saint Anthony 1860

1860

Great Spanish painting from the second half of the 17th century. Oil on canvas artwork depicting a religious subject, Pope Innocent III confirms the Franciscan Rule, of good pictorial quality. A large, impactful painting adorned with a 19th-century carved and gilded wooden and plaster frame. Artwork that develops horizontally, ideal for placing in an important hall or study, for antique dealers and interior decorators. A painting that shows various signs of aging and old restorations (see photo), in a beautiful patina. The perspective offered by the painter is pleasant. The main subject, in the foreground on the left, connects to the view with architecture and characters on the right through the checkerboard...

Antique Italian painting from the late 17th century. Framework oil on canvas depicting a religious subject Virgin with child of good pictorial quality. Framework of excellent proport...

Antique Italian painting from the second half of the 17th century. Oil on canvas artwork of great pictorial quality depicting a mythological subject, infant Zeus and the goat Amalthe...

Antique Spanish painting from 18th century. Framework oil on canvas depicting a religious subject Piety, Virgin with deposed Christ, of good pictorial quality. Large size and impact ...

A very beautiful mid-19th century oil-on-canvas painting of a young Saint Francis praying at an altar, circa 1860. The artist is Juaquin Vayreda (1843-1894). This painting is a copy ...

This small painting (oil on canvas 35 x 24.5 cm) represents an episode in the life of Saint Peter, as reported in the Acts of the Apostles. Once he was in the town of Lydda, together with Saint John, he met a man called Heneas, who was paralytic for 8 years, and the saint made a miracle and healed him. It can be attributed to Antonio Ciseri...

Unknown artist, 19th century oil on canvas. Unsigned. Biblical motif with Christ after Titian. In very good condition. Measures 51 x 41 cm. The frame measures 7 cm.

Oil painting on canvas. It is a vintage copy of the engraving of the same name made by Annibale Carracci (1560-1609), which had immediate success and gave rise to a series of printed replicas and painted copies. It presents the moment of the Passion in which Christ is crowned with the crown of thorns, the object of torture, the disparaging symbol of his proclamation as King of Kings. The act is performed by two figures, the Roman soldier and the Jew, representing the two people who they took part in Christ's death sentence. The figures, vigorous and sanguine, those of the two tormentors paler and more inert than the victim, create an intertwined composition of bodies, with that of the central Jesus joining the other two, uniting them in the shared responsibility of what they are doing; placed sideways, Jesus has his head bent forcibly to the left by the soldier who imposes the crown of thorns on him, while the Jew on the right places the bamboo cane in his hand, replacing the scepter. The scene is dominated by gloomy and dark colors, among which only the bright red of Christ's robe stands...