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Antique Greek Orthodox 17thCentury Icon Gilded Egg Tempera Christ Enthroned 1650

Circa 1650

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Italian Renaissance Tempera on Parchment Painting Holy Family by Giuseppe Cesari
Located in Portland, OR
A rare & important Italian Renaissance tempera on parchment painting, Giuseppe Cesari Il Cavalier d'Arpino (Giuseppe Cesari, 1568-1640), the painting c...
Category

16th Century Renaissance Figurative Paintings

Materials

Parchment Paper, Egg Tempera

18th Century Italian Old Master Tempera on Panel Painting "Jesus Road to Emmaus"
Located in Portland, OR
An important 18th century Italian Old Master tempera on copper panel Baroque painting, "The Road to Emmaus", circa 1700. The painting represents the early resurrection biblical story...
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Early 18th Century Baroque Figurative Paintings

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Copper

Antique French Oil Painting Claude Rouget de LiIsle Singing "La Marseillaise"
By Isidore Alexandre Augustin Pils
Located in Portland, OR
A fine antique French oil painting on canvas by Isidore Alexandre Augustin Pils (1815–1875), the painting depicting Claude Joseph Rouget de Lisle (1760-1836) singing "La Marseillaise", circa 1849. Isidore Pils was an academic painter, very often painting military subjects. Claude Rouget de Lisle was a French army officer from the French Revolutionary Wars and famously wrote the words to "La Marseillaise" and first performed it to the Mayor of Strasbourg; Baron Philippe-Frederic de Dietrich. This painting dates to the middle of the 19th century and could be by the hand of Pils or possibly a talented copyist who was also a classically trained artist. The painting is in excellent condition and is housed in a gilded frame. Isidore Pils produced a number of paintings with this famous scene and one such painting is housed in the collection of The Louvre in Paris. At sight without frame 26.50" x 22" Pils was born in Paris as the son of a soldier François Pils. At the age of twelve, he studied with Guillaume Guillon-Lethière for four years. In 1831 he became a student at the École des Beaux-Arts and studied under François-Édouard Picot. He competed for the Prix de Rome, which he won in 1838 for a history painting, St. Peter Healing a Lame Man at the Door of the Temple. Although in poor health, Pils then spent the customary three years at the French Academy in Rome at the Villa Medici, which then had Jean Auguste Dominique Ingres as its director. While in Italy he visited Naples, Venice, and Florence. Pils's earlier paintings have religious themes. In 1849 he completed his most famous work, Rouget de L'Isle Singing La Marseillaise, which now resides at the Musée historique de Strasbourg. After experiences travelling with French troops through the Crimea, his themes took on military and nationalistic subjects. He later produced many military scenes during the siege of Paris during the Franco-Prussian War of 1870. Pils was appointed professor of painting at the École des Beaux-Arts in 1863 but left the same year for two years in Algeria. In 1868 he was elected to seat #14 of the Académie des Beaux-Arts. Among his students were Adrien Moreau, Paul Adolphe Rajon, Julien Dupré, Luc-Olivier Merson, Ludovic Piette...
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1840s French School Figurative Paintings

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Oil, Canvas

Antique Oil Painting Aristocratic Portrait of John Ogle Kirkley Hall Northumbria
Located in Portland, OR
An important & fine antique George IV period oil painting; a portrait of John & Sara Ogle of Kirkley Hall Northumbria, England, by Sir John Hayter RA, signed & dated 1829. Sir John ...
Category

1820s English School Figurative Paintings

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Oil

Antique French Portrait Miniature Oil Painting Vigee Lebrun Mother Daughter 1860
Located in Portland, OR
Antique French Portrait Miniature oil Painting, Jenny Savy, circa 1860. The painting being larger than most portrait miniatures and painted by Jenny Savy, a renowned French portrait...
Category

19th Century Figurative Paintings

Materials

Oil

Italian 17th Century Baroque Oil on Canvas Painting Coastal Landscape Fishermen
By Salvator Rosa
Located in Portland, OR
Italian 17th Century oil on canvas Baroque painting, attributed to Salvator Rosa (1615-1673), a coastal landscape scene with fishermen, circa 1650. The painting depicts a rocky coast...
Category

1650s Italian School Figurative Paintings

Materials

Oil, Canvas

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Icono of Saint Nicolas in the style of Russian icons of the 18th century. Egg tempera and gesso on wood, covered by a metal oklad made by the artist himself. The oklad, in principle, were made to cover damaged parts of highly revered ancient icons...
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"Birth of Christ" after a Russian icon of the 15th century. Oliver Samsinger
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"Birth of Christ", after a Russian icon of the 15th century. Tempera and gold leaves on gesso, wooden board. Dimensions: (H) 68 x (W) 52 x (D) 4 cm. This icon sums up the events of the birth of Christ. At the top left the three wise men from the Orient approach on horses. ABOUT THE ARTIST Oliver...
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Icon of Our Lady of Jerusalem with oklad by Oliver Samsinger
Located in Segovia, ES
Icon of Our Lady of Jerusalem. Egg tempera on gesso and over a wooden board. Dimensions in centimeters: 42 x 34 x 2 cm / In inches: 16.54 x 13-39 x 0-79 " Author: Oliver Samsinger...
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Virgin of Kataphyge and St. John, after a Byzantine Bulgarian Icon 14th Century
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The Virgin of Kataphyge with Saint John the Evangelist, after a Bulgarian Byzantine icon of the 14th Century. Egg tempera and gold leaf on gesso and wood. Author: Oliver Samsinger...
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The Virgin of Tijvin (after a Russian Icon in the style of the 18th century).
Located in Segovia, ES
The Virgin of Tijvin (after a Russian icon in the style of the 18th Century). Egg tempera and gold leaf on gesso over wood. Measurements in centimeters: 45 x 36.5 x 3 cm / In inch...
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Christ Pantocrator" After an Icon in the style of the Moscow School
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"Christ Pantocrator". After an Icon in the style of the Moscow school (15th century). Somewhat similar to that of Rublev. Author: Oliver Samsinguer Egg tempera and gold leaf on gesso and on wood. Dimensions; (H) 42 x (W) 33.5 x (D) 3.5 cm. (H) 16.54 x (W) 13.19 x (D) 1.38 in. This is how the artist sums up the technique used by him to create the icon: “The aim of these steps is to create a durable painting. The icon is eternal. The first step is to choose a support, traditionally made of wood, from the center of the trunk to avoid warping it. For this purpose, two hardwood bolts were often used on the back to give the picture panel additional stability. Often a frame is milled out. Then the image carrier is sanded smooth and now 12 or 14 thin layers of gesso are applied and sanded smooth as well. Then the preliminary drawing is applied and the drawing board is prepared with a special preparation called bolus. This bolus can be polished to a high gloss. Afterwards, the gold leaf is "shot" with special brushes. It dries up within a few hours and can now be polished with an agate. Gold leaf is real 24-carat gold . Now, the actual process of painting begins. Egg tempera is made fresh from egg yolk, water, and a little vinegar. This is used to prepare the color pigments. Tempera painting is done in numerous layers from dark to light. When the icon is finished, it is left to dry for a few months and varnished with a special varnish called Olifa made from boiled linseed oil and other ingredients”. ABOUT THE ARTIST Oliver Samsinger...
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