Unknown

Early 20th-Century English School, John Lovibond & Sons, Cannon Brewery, Fulham

c. 1901

This charming Lowry-esque late 19th-century oil painting by Swedish artist Ernst Philip De Fine Licht (1855-1929) depicts the old town hall at Helsingborg, Sweden. De Fine Licht was ...

This late 19th-century oil painting by British painter George William Mote (1832-1909) depicts a shepherd and his flock before an extensive view across the Surrey countryside near Gu...

This idyllic late 19th-century oil painting by English artist Edward William Cooke RA (1811-1880) depicts a west-country cove with two cottages, donkeys, figures, and fishing boats. Cooke was a highly renowned painter of marine scenes and landscapes who exhibited extensively at London’s Royal Academy. From our elevated vantage point, the view extends between two quaint cottages and across the beach before sweeping around the sandy coastline. Crystalline waters lap the shore, where moored craft rest. It’s an accomplished rendering of a challenging composition. It’s enhanced by trees, which essentially ‘frame’ the right side, while a wooded track provides interest on the left. Cooke was a keen admirer of the Dutch old masters, and the spirit of the Golden Age underpins this splendid work. In diaries, he recorded how he travelled by donkey to access elevated spots in the southwest, so it’s conceivable that he did so here. In his catalogue raisonné, it lists a work from the same year titled ‘Bay with Donkeys’. Born in Pentonville, London, Cooke was raised in the company of accomplished artists as both his father, George Cooke (1781-1834), and his uncle, William Bernard Cooke (1778-1855), were engravers. As such, they were associated with a circle of Victorian painters who aided Cooke’s early development. These included the highly regarded marine painter Clarkson Frederick Stanfield RA RBA (1793-1867), who provided frequent advice and inspiration. Indeed, as a teenager, Cooke produced numerous drawings after Stanfield’s works. A precocious talent, by the age of nine, he was already displaying an advanced understanding of engraving, particularly for ships, coupled with a natural, seemingly in-built skill as a draughtsman. Many of his early drawings depict pastoral landscapes after the masters, such as Nicolaes Berchem (1620-1683), Paulus Potter (1625-1654), and Karel Dujardin (1626-1678). In an extraordinary turn of events, in 1820, his advanced abilities led to his first commission when he provided botanical illustrations for John Loudon's 'Encyclopaedia of Plants’. These were followed by drawings published in the 'Botanical Cabinet...

This mid-19th-century oil painting, attributed to English artist George Clarkson Stanfield (1826-1878), depicts a small vessel approaching a shipwreck, close to the coast. Stanfield ...

John Charles Maggs Painting - English - W7910 In excellent condition with no damage. This is a John Charles Maggs Painting, circa 1850. Maggs (1819 - 1896) was a painter best known...

T Harrison (British, 19th Century) Villagers before a pub at dusk Oil on canvas Indistinctly signed and dated `THarrison…1899’ 15 x 22 in. (38 x 56 cm.)

Copy of a painting by American Regionalist Thomas Hart Benton titled,"Boom Town" showing industry in motion in a rural town Condition: Good; Wear consistent with age and use

A delightful oil painting of a delivery wagon selling produces at the gate of a large farm house. Free range chickens and a dog roam in the road, while two figures converse to the re...