Unknown

Female Nude in Front of a Curtain with Clothes - Oil on Canvas - 18th Century

18th Century

Woman is an orignal modern artwork realized by Antonio Feltrinelli in 1930s. Mixed colored oil painting on canvas. Signature on the lower margin. Provenance Galleria Pesaro, Milan...

Sitting model is an orignal modern artwork realized by Antonio Feltrinelli in 1930s Mixed colored oil painting on canvas. Not signed. Antonio Feltrinelli (Milan, 1887 – Gargnano, 1...

John Braden (Brady, American, XX), Two Nude Female Figures, Oil on Canvas, depicting one standing and one sitting female figure, signed lower right, signed and marked "Lanning (Eve)"...

"Entering the Bus" Expressionist Figurative Composition Original Oil on Canvas Dynamic figurative composition by Bay area Figural, Abstract expressionist and notable Burning Man artist Jakob Bokulich (American, b. 1974). Several figures are crowded together, some of which are nude. Others are wearing typical clothing, and appear to be going out their daily lives. The expressive, slightly distorted faces and close placement of the figures is reminiscent of some of Francisco Goya's paintings. Titled, dated, and signed on verso: "Entering the Bus" May, 1992 Jake Bokulich No frame, but the artist has affixed black tape to the edges. Jakob Bokulich (1974, Santa Cruz, CA) is a self-trained, multi-disciplinary artist known for his paintings and kinetic sculptures. His work is in the collection of the Croatian Embassy in Paris, and he was awarded an Honorarium grant in 2018 by Burning Man for his 21 foot-tall sculpture "Big Pollinator," which was years in the making and involved the work of over 100 volunteers. The son of an auto mechanic, Bokulich began painting at age 12 after a house fire left his family homeless and he stayed temporarily with a local landscape painter. At 17 he left home for Europe - his art education was living in art squats and artist communities, and immersing himself in the museums and galleries of Europe. Drawing inspiration from living in a war zone in Croatia between 1993-1995, he exhibited in galleries in Paris, Saint-Tropez, Chamonix, and Split, Croatia. Transitioning back to the U.S, the artist helped build artist communities in San Francisco and Oakland, being deeply involved in spaces such as Cellspace, The Artship, and The Creamery. In this phase of his practice, Bokulich explored performance and ritual, co-writing and performing in the film Hysteria by Antero Alli. This prompted his stay in LA working in film and set design. In 2015 the seasoned and well rounded artist moved to New York City to return to a studio practice, now informed by his experiences in ritual, meditation, and unconventional self exploration. Bokulich’s work reinforces modes of seeing in a world where the senses have become neglected. Solo Exhibits MICHELE MACK GALLERY New York, 2021 THIRTY SIX GALLERY Beacon, New York, 2020 ARTSHIP Oakland, 2003 LIGHT San Francisco, 2001 LE LION d'OR Chamonix, France, 1994 CROATIAN EMBASSY IN PARIS Paris, 1994 MICHAEL ANGELO GALLERY Santa Cruz, 1994 GALERIE DANS LE KIOSQUE FLOTTANT Paris, 1993 GALERIJA PORTA AUREA Split, Croatia, 1993 LAVOIR PUBLIC VASSEROT Saint-Tropez, France, 1993 Selected Group Exhibits CHASE CONTEMPORARY New York, 2022 SOTHEBY'S New York, 2021 ART MIAMI/CONTEXT (Elizabeth Clement...