Unknown

Dipinto Adorazione dei Magi fine 700

1700s

In the panel depicting the mythological episode of the Rape of Europa, the foreground is occupied by the two main characters: Zeus in the guise of a bull, his neck and horns adorned ...

Oil on Canvas. Set in a classical, richly vegetated landscape, the scene depicts the biblical episode from the book of Genesis that tells how the people of Israel, who are crossing t...

Oil on canvas, applied to wooden plate. The saint is depicted in the foreground, half-length: the naked torso of the body is partially covered by a fur falling from the shoulders, ov...

Olio su tela. Scuola nord- italiana del XVII secolo. La scena raffigura l'episodio biblico tratto dal Primo libro di Samuele che così racconta :"Ora quando il cattivo spirito permess...

Painting of Jewish Temple in Miami Beach Modeled after the Great Synagogue in Oran, Algeria, it endures as an historical landmark in the Art-Deco cityscape of Miami Beach. Architect...

From a collection by a long time Miami Beach art dealer on the old Lincoln Rd. This is a piece he brought back from hungary. from a collection of good Hungarian artists and Illustrat...

the Shop Window New York City, 1940s 17.75X25 sight size. Maurice Becker (1889–1975) was a radical political artist best known for his work in the 1910s and 1920s for such publica...

This artwork "Coastal Landscape" c.1970 is a oil painting on canvas by Russian artist Irina Belotelkin Roublon 1913-2009. It is signed lower left by the artist. The canvas size is 18 x 24 inches. It is in very good condition. About the artist. Irina Belotelkin Roublon, née Roudakoff, was born in Elisavetgrad, Ukraine to the Russian noblesse ancienne, descendant of Catherine the Great, she was a student at the Mariinsky Noble Ladies' Institute , Novocherkassk, Russia. She was orphaned at the time of the Russian Civil War after her father, General Paul Roudakoff, was fatally wounded in battle; 5 days later her mother died of typhus. Still unaware of her parents' death, and after witnessing her two sisters' deaths from starvation, the young Irina, then 8 years old, made her way over 1,000 kilometers, alone and through many privations to Moscow and the Estonian embassy there, with whom her Estonian uncle Volodya Blonsky had made arrangements. After a year in Moscow, and appeals to the Estonian consul, Irina was aided in a dramatic escape from the Soviet Union, to her aunt Anna Blonsky Lassburg (1882–1940) and her husband Doctor Genrick Lassburg in Tallinn, Estonia. Eventually, after in 1929, traveling through Ellis Island and admitted as a student, of voice studies, she joined her brother who had settled, in 1923, in the United States. Irina came to San Francisco during the Second World War, Among Irina's devotions were ballet and opera. She often entertained friends Rudolf Nureyev, Mikhail Baryshnikov, and Sergei Leiferkus when they were in town. Natalia Makarova and Yuri Possokhov were often guests at Irina's Russian Christmas and Easter parties. From the early 1960s through the late 1980s, Irina studied and prolifically created still life and portrait paintings in oil and water color, excelling in flower compositions. She held studio and feature exhibitions; she competed and won prizes. Her work is in holdings throughout the San Francisco Bay area, Europe and Russia. In 1965 she undertook private study with two prominent Russian painters, including Serge Ivanoff; she executed a portrait of her two masters. She cherished her portrait as executed by Serge Ivanoff. Among her most accomplished pieces are those of iris and the large white Matilija poppy...