Unknown

Mid Century Abstracted Figurative -- Red Hands White Card

1950

Wonderful impasto Bay Area Figurative Movement painting with bell tower (possibly Berkeley Campanile?) and abstracted figures on path and ...

Stunning large-scale, Bay Area Figurative School, painting of a woman sitting by a window overlooking a lakeside view, influenced by her teacher Richard Diebenkorn, by Sally Kissing...

Dynamic abstract expressionist painting with crow titled, "Night call" by Kristin Cohen (American, b. 1963), circa 1980. Kristin is a California abstract expressionist artist she studied at Humbolt State University and with Michael Dee Cookinham...

Stunning large-scale, Bay Area Figurative School painting of a couple, dog and clown by Sally Kissinger Wilt (American, 1936-2004). Signed "...

The White Horse - Abstracted Landscape, In The Style Of Charles Heaney Abstracted landscape oil painting depicting a white horse. Attributed to and painted in the style of Charles Edward Heaney (American, 1897-1981). A white horse grazes alone in a grass field, as mountains of brown are intertwined with abstracted white clouds. Deep greens, browns and reds make up this piece. Presented in a distressed wooden frame. Frame: 21.5"H x 39"W Image: 15.5"H x 32.5"W Unsigned. Charles Heaney lived in Oregon and was primarily known for his landscapes of Oregon and Nevada. From 1917 until well into the 1920s, Heaney studied intermittently at the Pacific Northwest College of Art. One of his primary instructors was legendary painter Harry Wentz, who befriended and inspired him. A fellow student was Kyuzo Furuya who, Heaney recalled, goaded him into taking himself seriously as an artist. But Heaney's deepest friendship was with Clayton Sumner (C.S.) Price, an artist twenty-three years Heaney's senior who settled in Portland in 1929 and who would become a pioneering figure in Oregon modern painting. Heaney admired and emulated Price's dedication to art-making and found in the older man an important companion. Heaney's prints of the 1920s and 1930s were mostly woodcuts, a technique he learned from Catherine DeWitt MacKenzie, a fellow student at the Pacific Northwest College of Art. In the 1930s, he experimented with etchings with his friend William McIlwraith and studied intaglio processes with William Givler...

Colorful figurative landscape of a woman walking through a San Francisco park with two children, while another woman sits on a nearby bench with a b...

After touring Europe on a motorcycle, he arrived in Berlin in 2012, where he won a residence for artists with a pictorial series on massification and nihilism. In 2014 he was invited for a residence in Colombia, and subsequently he has travelled to Mexico, Guatemala and Cuba. The experience of Central America affects his painting so much that it becomes gestural and dominated by strong and bright colors. Contact with indigenous communities contributed to the formation of his thought and poetics, which suggests accessing an irrational dimension that cannot be explored through science and technology.

After touring Europe on a motorcycle, he arrived in Berlin in 2012, where he won a residence for artists with a pictorial series on massification and nihilism. In 2014 he was invited for a residence in Colombia, and subsequently he has travelled to Mexico, Guatemala and Cuba. The experience of Central America affects his painting so much that it becomes gestural and dominated by strong and bright colors. Contact with indigenous communities contributed to the formation of his thought and poetics, which suggests accessing an irrational dimension that cannot be explored through science and technology.

Bible motive. Oil on canvas, 80x40 cm

Bible motive. Oil on canvas, 73x60 cm

This is an oil and acrylic painting depicting a female Afro-Latinx figure with surrealist plant forms in the style of Salvador Dali against a gold background. In the Venezuelan coastal Afro-Caribbean community of Borbures, religious and social syncretism provided a unique vision of the African Diaspora in the Americas with its symbolism and iconography. Henry Bermudez is a seasoned Latino contemporary artist born in Venezuela and based in the US. Emerged from the Caribbean tropics, his artistic life has been an unexpected hybrid of ideas informed by an acute sensitivity to the past, stenciled as part of a personal inventory onto different foreign places that throughout his life have become his home and his artistic working territory. "My paintings are steeped in mythical dream imagery within an otherworldliness of carefully constructed creature and plant forms. Further defined by my identity as a Latino, my work combines symbols and myth from ancient pre-Hispanic cultures with the iconography of contemporary art. The result of this autobiographical vision is a blend of cultural diversities that further defines itself through my immersion in societies other than the one I was born into. Through my exposure to religious and social syncretism, my visual itinerary became charged with powerful influences which provided a unique vision of the African Diaspora in the Americas, its symbolism, and iconography." - Henry Bermudez Bermudez’s journey of unique geographical, artistic and human observation has taken him from educational experiences in small isolated communities in the Caribbean up to representing Venezuela in the Venice Biennial. His work can be found in the permanent collections of the Philadelphia Museum of Art (PA); Neuberger Museum of Art (Purchase, NY); Modern Art Museum of Mexico (Mexico City); Irish Museum of Modern Art (Dublin); Venezuela National Gallery (Caracas); Museum of Contemporary Art (Maracay, Merida, Maracaibo, Caracas); Modern Art Museum of Costa Rica; Museum of Art a Ralli @Punta Del Este Uruguay; and many private collections across the globe. Since his arrival in the USA in 2003, Bermudez has been commissioned by the Mural Arts Program of Philadelphia on several major projects. In 2011, he was one of a handful of artists chosen to work with the Philagrafika print collaborative founded by artistic director and curator Jose Roca. In 2012 Mr. Bermudez received a Pollock-Krasner Foundation Grant. He was elected to present an installation at The Philadelphia International Airport Art...

THE SALE INCLUDES TWO WORKS BY THE ARTIST, AS APPEARED IN THE PHOTOGRAPHS. Landscape painted by Luis Moscardo, from his series with oil paintings "Land of Storms", in which he paint...