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Robert Hayden: Winter Axe, Oil on Panel Painting by Daniel Duford, 2020

2020

Odessa: The High Priestess, Oil on Panel Painting by Daniel Duford, 2020

Victory. 1 - 1933, Oil on Canvas Painting by Max Presneill 2025 Additional information: Medium: Oil, acrylic, spray paint on canvas Dimension: 30 × 24 in (76.2 × 61 cm) About artis...

Dreaming Chief Painting by Kenneth Craft, 2015 Additional information: Medium: Oil, acrylic, India ink Dimension: 28 x 22 inches About artist: Ken Cra...

Surrounded, Crylic ink on Canvas Painting by Kenneth Craft, 2015 Additional information: Medium: Oil, acrylic, and India ink on canvas Dimension: 48 x 38 inches About artist: Ken C...

This is a one of a kind original oil and acrylic portrait of Salvador Dalí by Southern California artist, Gina Palmerin. Its dimensions are 2...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...