Three Graces Large Neoclassical Grisaille Painting after Canova 1920
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 15
UnknownThree Graces Large Neoclassical Grisaille Painting after Canova 19201920
1920
About the Item
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
1stDibs seller since 2018
25 sales on 1stDibs
Typical response time: 2 hours
More From This SellerView All
- Post- Impressionist Venetian Nude Painting the Bathing Nymphs Signed SeibezziBy Fioravante SeibezziLocated in Rome, IT“Bathing Nymphs,” Oil on Canvas cm 115×110 with frame cm 140×135 Fioravante Seibezzi (Venice, 1906-1974), Post-Impressionist Venetian painter, he devoted himself to landscape en plein air, translating the immediacy of impressionism through pure, bright colors. His debut at the Venice Biennale in 1938, participates in the Quadrennial Roman (1931, 1935, 1948, 1951, 1959) and several exhibitions abroad. He received important awards during his long career. In 2010 the exhibition “Settepittori Settemondi. Palazzo Carminati La Bohème “at the Maximilian Tower of St. Erasmus, Venice, sponsored by the Cultural Paolo Rizzi in collaboration with the Institution Lagoon Park – City of Venice. One hundred works from a single collector who chose Aldo Bergamini, Neno Mori, Marco Novati...Category
20th Century Post-Impressionist Nude Paintings
MaterialsOil
- Four Oval Shaped 19' Century Allegorical PaintingsLocated in Rome, ITSet of four delicious putto figures , oval shape oil on canvas . Fine tromple oeil painted frame . Very good original condition.Category
19th Century Figurative Paintings
MaterialsCanvas, Oil
- Pair of Large 18' Century French Oil Paintings after Francois BoucherBy François BoucherLocated in Rome, ITAmazing works of the genre scene, dates to the late 18th century. After the famous French artist Francois Boucher, who was the court painter to King Louis XV. It is in its origina...Category
18th Century Rococo Nude Paintings
MaterialsOil
- Post- Impressionist Venetian Nude Painting the Bathing Nymphs Signed SeibezziBy Fioravante SeibezziLocated in Rome, IT“Bathing Nymphs,” Oil on Canvas cm 115×110 with frame cm 140×135 Fioravante Seibezzi (Venice, 1906-1974), Post-Impressionist Venetian painter, he devoted himself to landscape en plein air, translating the immediacy of impressionism through pure, bright colors. His debut at the Venice Biennale in 1938, participates in the Quadrennial Roman (1931, 1935, 1948, 1951, 1959) and several exhibitions abroad. He received important awards during his long career. In 2010 the exhibition “Settepittori Settemondi. Palazzo Carminati La Bohème “at the Maximilian Tower of St. Erasmus, Venice, sponsored by the Cultural Paolo Rizzi in collaboration with the Institution Lagoon Park – City of Venice. One hundred works from a single collector who chose Aldo Bergamini, Neno Mori, Marco Novati...Category
20th Century Post-Impressionist Nude Paintings
MaterialsOil
- Post- Impressionist Venetian Nude Painting the Bathing Nymphs Signed SeibezziBy Fioravante SeibezziLocated in Rome, IT“Bathing Nymphs,” Oil on Canvas cm 115×110 with frame cm 140×135 Fioravante Seibezzi (Venice, 1906-1974), Post-Impressionist Venetian painter, he devoted himself to landscape en plein air, translating the immediacy of impressionism through pure, bright colors. His debut at the Venice Biennale in 1938, participates in the Quadrennial Roman (1931, 1935, 1948, 1951, 1959) and several exhibitions abroad. He received important awards during his long career. In 2010 the exhibition “Settepittori Settemondi. Palazzo Carminati La Bohème “at the Maximilian Tower of St. Erasmus, Venice, sponsored by the Cultural Paolo Rizzi in collaboration with the Institution Lagoon Park – City of Venice. One hundred works from a single collector who chose Aldo Bergamini, Neno Mori, Marco Novati...Category
20th Century Post-Impressionist Nude Paintings
MaterialsOil
- Venus with Putti Oil on Canvas with Gilt-wood FrameLocated in Rome, ITFrench 19' century painting oil on canvas . Young Venus nude figure surrounded by delicious playing putti . Finely carved and gilt-wood frame of the same period . Measurements w...Category
Mid-19th Century Romantic Nude Paintings
MaterialsOil
You May Also Like
- OrientaleBy Henri Fantin-LatourLocated in New York, NYSigned, lower right: Fantin Provenance: Gustave Tempelaere (1840–1904), Paris; possibly by descent to his son: Julien Tempelaere (1876–1961) and with F. & J. Tempelaere, Paris, prob...Category
1890s Romantic Figurative Paintings
MaterialsPaper, Canvas, Oil
- Boy Oil on CanvasBy Arthur Bowen DaviesLocated in Rio Vista, CAExquisite oil on canvas painting by artist Arthur Bowen Davies (American 1862-1928). The work depicts a young nude man walking through a lush green, ethereal landscape. Thick earth-t...Category
19th Century American Impressionist Figurative Paintings
MaterialsOil, Canvas
- Separation of Creation Oil PaintingBy John U. AbrahamsonLocated in Rio Vista, CADramatic oil on canvas surrealist painting by John Abrahamson (American 20th Century) depicting a nude male with the motto Partitus Ero or I wager in Latin. Abrahamson is known for h...Category
20th Century Surrealist Figurative Paintings
MaterialsOil, Canvas
$3,600 Sale Price20% Off - Hercules and Omphale, Old Master Painting, Mannerism, Baroque, Mythology, PragueLocated in Greven, DEHercules and Omphale Oil on panel, 52 x 41 cm According to legend, Hercules had to make atonement and became a slave to the Lydian queen Omphale. When she found out who her slave was, she married him. Falling for his mistress and made effeminate by the luxury of court life, the former hero allowed himself to become the laughing stock of the court. He dressed in women's clothes, spun wool and did other women's work, whereas Omphale wore his lion's skin and carried a wooden club. When the time of punishment was over, the hero realised his delusion and left Omphale. So far, the painting could not be clearly assigned to an artist. Nevertheless, it impresses with its fluid and convincing painting, whose colourfulness and conception are reminiscent of the Prague School around Bartholomäus Spranger. This work follows an engraving and an etching made by Michel Dorigny in 1643 after a design by Simon Vouet. It shows the same scene but the print differs in minor details from the present painting (see e.g. the head of the lion) and the treatment of the faces seems to be painted more detailed and refined. So far there is no painting...Category
17th Century Baroque Figurative Paintings
MaterialsOil, Panel
- Amor Cutting Bow, Parmigianino, Old Master, Mannerism, Prague, Large PaintingLocated in Greven, DEAlready in the collection of Emperor Rudolf II in the first decade of the 17th century this composition was famous. The original is by Parmigianino and Rudolf's court painter Joseph Heintz...Category
17th Century Mannerist Figurative Paintings
MaterialsCanvas, Oil
- Rococo Painting, The Brunette Odalisque, Nude Woman, Studio of Francois BoucherBy François BoucherLocated in Greven, DEA voluptuous woman lies prone on a divan, bearing her backside and turning her head flirtatiously to the viewer, though averting her eyes slightly, as if to maintain a coy demeanor. Surrounded by lush fabrics of deep blues, the creamy tones of her skin and dressing gown are thrown in sharp contrast, making the figure glow luminously. The whole painting is ordered by folds - of flesh, of fabric, of cushions, of the rug - inviting the viewer's eye to look closely across the topography of the canvas. One of Boucher's cabinet paintings (that is, paintings made for private collectors rather than official exhibition at the Salon), the open eroticism of this work invites a voyeuristic gaze. Although it was created for a private audience, it was later displayed at the Salon of 1767, where the critic Denis Diderot found it shocking and lascivious. Nonetheless, Boucher would later paint another iteration of this reclining pose, this time using Marie-Louise O'Murphy, a favorite mistress of King Louis XV, as his model, suggesting that the provocative composition was a stock figure for Boucher's private commissions. "The Brunette Odalisque" (French: L'Odalisque or l'Odalisque brune) is a painting of c. 1745 by François Boucher, now in the Louvre in Paris. He later produced two other works in the odalisque genre, both known as "The Blonde Odalisque". The present painting is another version of Bouchers painting which differs in minor details. The quality of the paint is very fine and the whole technique and style allows a dating to c. 1750. As Boucher's Painting was very famous there were several copies and versions which were made by his studio. The present painting can be attributed to the close circle of Boucher. The Painting is framed in a golden frame which was built in the Rococo style in c. 1990. Both the title of Boucher's painting and the objects found in the interior fix the subject as an odalisque, a concubine within the harem of the Ottoman sultan. The sumptuous textiles and exotic, decorative objects suggest early traces of Orientalism, although the figure appears European. Odalisque paintings...Category
18th Century Rococo Nude Paintings
MaterialsCanvas, Oil
Recently Viewed
View AllMore Ways To Browse
Three Graces Painting
Grisaille Scene
Grisaille Neoclassical
Zeus Painting
Three Graces Oil Painting
Sandro Botticelli
Pop Art Lips
L Taylor
Painting Of St Francis
Indian Army
Guitar Oil Painting
Mexican Wood Figures
Lugano Art
Lace Man
Old Master Oil On Wood Panel
Algeria Oil
Renaissance Art Religious
Peter Max Signed Painted