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The Wrestlers, dated 1962 signed EE dates 1962

Noughts & Crosses, 19th Century William Bromley (1816-1890) Large 19th Century Victorian Classroom interior of a teacher and his class playing noughts and crosses...

"AMAZONS", circa 1937 by Isobel Françoise Rodmell (1899–1972) French Huge 1930's Cubist Surrealist scene titled "Amazons" oil on canvas by Isobel Francoise Rodmell. Large exhibitio...

The King & The Beggar Maid, early 20th Century by MARJORIE MCGILL (BRITISH, 1908-1996) Large early 20th Century English Arts & Crafts School scene of the King & The Beggar, oil on...

Hero And Leander, 17th Century Studio of DAVID II TENIERS (1610-1690) Large 17th century Dutch Old Master classical scene of Hero and Leander, oil on canvas. Excellent quality an...

Antique American modernist painting of a circus by Dennis Meighan Burlingame (1901 - 1964). Oil on canvas, circa 1935. Signed on verso. Displayed in a period modern frame. Image...

Early Morning St. AM 1987 (Impressionist Figurative City Scene by William Clutz) Impressionist Painting of A Man Crossing a Street in Manhattan in the Early Morning Sunlight Colorful Painted by William Clutz in 1987 50" X 40" x 2", oil on canvas This figurative oil on canvas was painted in 1987 by William Clutz as part of a series of works called "Crossings". These paintings were a study of NYC dwellers engaging in the simple, daily activity of crossing the street. Clutz discovers the extraordinary in the ordinary, simply by studying how the sunlight bounces and reflects off the human form. In New York in the early 50's and 60's,, abstract expressionism was the orthodox approach to art at the time. However, Clutz was committed to his personal style that focused on abstracted human figures within urban tableaux. Working in a context of artists who challenged abstract expressionism's popularity in New York, Clutz established himself as a significant proponent of abstract figuration. His paintings focus on human figures within the urban environment, often exposing the transfiguration of his subjects as they travel through the complex light of city streets or summer parks, as shown in two of his early works. Clutz's interest in working from direct observation of urban life was influenced by a long-standing interest in German Expressionism, as well as artists like Henri Matisse, Arshile Gorky, and Nicholas De Stael...

Rudolf Kosow’s Wrong Place, Wrong Time is a haunting surrealist composition that juxtaposes disparate elements to create an unsettling yet mesmerizing scene. A colossal chimpanzee, i...

Observing and understanding the world around us are the foundations of her reflections. Her approach to the world of Art has been largely influenced by the diversity of media underwr...