Vero Cristalli

When Black Lantern seem to be Green

2017

Being Human Gold Version Mixed Technique: glueing, aerosol spray, acrylic Linen canvas on frame Size of the work: 50 X 70 X 2 cm perfect condition neat shipment

Rose-Agathe Steiner This " Male is not Fake "! In this Table RAS (Rose Agathe Steiner) highlights the " so very male " Lino Ventura! let yourself be tempted b...

Vero Cristalli is successfully tested in small formats. While retaining the strength of his large canvases. With a reasonable budget for an original work of art / Smell like sweet sp...

New revelation and blow of heart for the gallery: Rose-Agathe Steiner. We like its themes (comics, superheroes, series and sagas), its technique (linen cloth, glossy varnish ...) an...

New revelation and blow of heart for the gallery: Rose-Agathe Steiner. We like its themes (comics, superheroes, series and sagas), its technique (linen cloth, glossy varnish ...) an...

Dans ce Tableau, RAS (Rose Agathe Steiner) met en avant Charlotte Gainsbourg Laissez vous tenter par cette Star... Technique Mixte : collage, bombe aérosol, acrylique Toile de coton...

Mixed media on aluminum and framed. Cédric Bouteiller is a French multidisciplinary urban artist known for his complex and layered mixed-media works...

Gyre acrylic, spray paint on canvas 80" x 96" 2022 Part of the New Minority Series Dennis Jones was first introduced to the use of a bidet while being extremely ill in Hurghada, Egypt. He has played the game of ‘Jenga’ with prostitutes in Phuket, Thailand. Once he hiked down to the bottom of the Grand Canyon from the North Rim and back in twelve hours. Jones has also visited fifty US National Parks. The work of Dennis Jones is growth oriented. There is diversity among his oeuvre and much risk in such an approach. Eschewing a ‘signature style’ that he considers to be boring, creatively limiting and market driven, he prefers to consider how method and expression intermingle and form a conceptual basis. A cursory glance may consider his prodigious output to lack focus, but a deeper reading reveals that he remains true to himself and allows his work to take him where it needs to go. There has always been the presence of a figure in his work, either implied, or directly visible. One can trace several years of development from his interest in figurative and cartoon-like imagery in, Toyland (2006), through his foray into text based work (2007-13) and a later influence of abstraction (2012-18). Following this trajectory brings one to his current body of work that combines figuration, cartoons and abstraction. He is a visual artist, educator, and architect. Each of the ‘hats’ he wears directly influence his work. He states that ‘a fascination with an integration of material, process and expression, truth of emotion and visually communicating thought are what sustain and drive him as an artist. Jones has participated in over seventy solo and group shows that include local, national and international venues. His creative output includes paintings, sculptures, drawings, installations, videos, photos, books, teaching and residential architecture. Jones’ work was selected to be included in the New American Paintings 2019 Midwest Competition Publication, juried by Staci Boris, Associate Director of Exhibitions, School of the Art Institute of Chicago. Currently, his focus is on a growing body of paintings, in mixed media, on canvas that combine abstraction, figuration and cartoon imagery. Jones had a one person exhibition at the University of Michigan in September through December of 2018. A review of the show can be read on the page titled, Candyland Review. Earlier the same year, He curated an exhibition titled, SIX, that opened in January of 2018, at The Janice Charach Gallery; a five thousand square foot space, located in West Bloomfield, Michigan. The exhibition featured the work of six Detroit artists and provided adequate space for each to show a body of work…essentially six individual shows in one space. Selected venues that have shown Jones’ work include: The OK Harris Gallery, New York; Galerie Protege, NY; The Mary Washington Galleries, Mary Washington University, Fredericksburg, Maryland; The Kraft Lieberman Gallery, Chicago; The Drift Gallery, Portsmouth, NH; The Project Room, Lincoln, NE; The Art Gallery of Windsor, Windsor, Canada; Artcite, Windsor, CA; The Thames Gallery, Chatham, Ontario, Canada; The Kenderdine Art Gallery, University of Saskatchewan, Saskatchewan, CA; Definitely Superior Gallery, Thunder Bay, ON, CA; Gallery Lambton, Sarnia, ON, CA, WKP Kennedy, North Bay...

"In 'Love Wild,' Natasha Lelenco engages in a playful and stylistic exploration with clear references to the recurring portraits of the early Renaissance, such as those by Giorgione, from a contemporary perspective and with the technical precision that characterizes her work. In this piece, she presents a character with a certain sexual ambiguity, lost in thought, snuggled up with a small creature, a little monster, and sporting tattoos on the fingers that read 'Love' and 'Wild,' a nod to Charles Laughton's famous film 'The Night of the Hunter...

The title for this work was inspired by the ruminations of Charles Manson in the 2010 publication Charles Manson NOW. “When you come to prison and you stay the fifteen years, all the dogs of the world are dead when you come back out, there is no dog that was a live when you were out last time. The three dog...

JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fa...

This original acrylic, enamel, oil stick and metallic spray paint on silkscreen board by Ceravolo titled "Woman 1" is from the Women series of paintings he is currently creating. Th...