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William NelsonFish Killer2024
2024
About the Item
Signed verso
Artist Statement
The intention of this work is to generate conversations about values and identity by assembling unlikely pairs, Hollywood film icons and nostalgic comic book environments. Each entity reveals a partial narrative. The nature of a comic and the personas of the movie stars, presented in the ethos of the Hollywood studio system, act as blank canvases for us to project our personal experience, principles and standards of behavior. There is a connection and a disconnect between these entities beyond technique. They exist within a single frame and are aware of each other’s existence yet there is an element of obliviousness. Something is happening and they can’t seem to take it in. Their dissociation, the separation of the two entities, compels comment.
- Creator:William Nelson (1961, American)
- Creation Year:2024
- Dimensions:Height: 60 in (152.4 cm)Width: 48 in (121.92 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Greenwich, CT
- Reference Number:1stDibs: LU18115327412
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Unframed dimensions: 48 x 36 inches
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William Nelson’s paintings are wildly-imaginative pastiches of popular culture past and present, often reflective of the artist’s personal history. He draws wide-ranging inspiration from film and television of his youth, retro toys...
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Signed lower left
Elizabeth Higgins (Canadian, b. 1960)
Elizabeth Higgins describes herself as an abstract figurative and landscape painter. Everything around her serves as a potential subject, an inspiration to begin a painting. Fidelity to the landscape, the figure, or the still life is relative, as she isn’t interested in literal depictions; instead, it’s the abstract relationships of these shapes and colors, the abstract pictorial design that drives her work.
Higgins’ paintings are rooted in the tradition stemming from Courbet, Derain, Bonnard, Matisse, Morandi, German Expressionism, and the Canadian Group of Seven (also known as the Algonquin School of landscape painters, 1920–1933). She is influenced by the work of her artist-teachers Paul Resika—himself a student of Hans Hofmann—and Robert De Niro, Sr. (1922-1993), as well as the paintings of contemporary artist Peter Doig. Her artistic evolution stretches across this continuum.
It is the “in-between”, the hovering between representation and abstraction, that interests her, not the labeling effect of details; instead, she aims directly at the spirit of the painting—of making something come to life. John Goodrich wrote in her catalog essay, “Elizabeth Higgins’ direct brushwork and simplified forms suggest an energy, but crucially, reveal a painter who knows the power of color…”
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