William Rushton

Adelai Bischoff / oil on canvas - interior scene in vivid color

2016-2017

'In the Garden with Matisse' by artist Mimi Jensen. Whimsical and striking objects ranging from blue and green to red, with reflective silver, make up this patterned and textured sti...

Artist Jill Keller Peters is a colorist whose abstract color-field oil paintings communicate ideas through color. By juxtaposing pure and vivid hues...

Artist Jill Keller Peters is a colorist whose abstract color-field oil paintings communicate ideas through color. By juxtaposing pure and vivid hues that speak to each other when combined, Keller Peters choreographs rhythm and space through a poetic visual language. Her geometric abstract work is informed by keen observations of nature and years of realist landscape painting and photography. Utilizing a full-spectrum radiance of light, which is both, practical and inspirational, her traditional oil on canvas paintings delight the senses while celebrating light as the source of all energy and sustenance for life, itself. Here is 'In the Woods...

Artist Jill Keller Peters is a colorist whose abstract color-field oil paintings communicate ideas through color. By juxtaposing pure and vivid hues that s...

"Cactus Bouquet" Oil Painting 55" x 47" inch by Mohamed Abla Mohamed Abla was born in Mansoura (North of Egypt) in 1953. There he spent his childhood and...

"Arabian Cafe II” Figurative Oil Painting 47" x 47"in by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concep...

"Cactus in Beige" Oil Painting 27.5" x 24" inch by Mohamed Abla Mohamed Abla was born in Mansoura (North of Egypt) in 1953. There he spent his childhood and finished school. In 1973...

"Arabian Cafe I” Figurative Oil Painting 47" x 47"in by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan...