William Weintraub

The Shepard Boy, Modern Mid-Century Israeli Painting

Jean Jansem (Hovhannes Semerdjian) 1920-2013 Hand signed upper left corner Dimensions: 14 X 9.5 Framed 21 X 16.75 Jean Jansem (Hovhannes Semerdjian) 1920-2013 Bursa, Ottoman Turki...

This depicts Middle Eastern jewish men of Sefardic descent. At least one appears to be a Rabbi. ALBERT GOLDMAN Born in Alexandria, Egypt in 1922, Albert Goldman started drawing and painting at the age of 8. He began his art education 1936 Art with Italian and Greek artists at the "Atelier", in Alexandria, Egypt; continuing 1956 with Avraham Yaskiel and Zvi Mairovich, Haifa and with Moshe Propes, in Tel Aviv. In 1940 he obtained a diploma of commerce and opted for a career in the hospitality industry, following in the footsteps of his parents who operated the Majestic Palace Hotel in Alexandria. He moved to Cairo in 1942 to study Swiss Hotel Management at Egyptian Hotels Limited, the largest hotel company in the Middle East at the time. In 1946 he decorated an evening gown for an American singer, Catherine Essex, who sang before King Farouk. By 1947 he was the manager of the Luxor Hotel. In 1948, during an air raid over Alexandria, he was attacked by an Arab mob accusing him of signaling Israeli planes. He miraculously survived 12 stab wounds to the back. In March 1950 he married Lucette Blumenthal. He was put on the blacklist by the Ministry of Interior in Egypt, and in 1951 he managed to leave Egypt and came to Israel in September 1951 aboard the ship Artza. In 1956 he attended a drawing and painting course with Meirovich and Avraham Yaskiel in Haifa. He organized the Jerusalem Art Cellar in 1958 and settled in Jerusalem. He paints mostly Israeli landscapes, particularly of Jerusalem. This is done in a style reminiscent of Tully Filmus and Itzhak Holtz. Albert Goldman was born in 1922 in Egypt Awards And Prizes 1983 Bnai Brith Prize, Dan region 1990 Certificate of Registration in the Golden Book of Keren Kayemet LeIsrael Exhibition of Paintings The Municipal Museum - Bet-Emanuel, Ramat Gan Artists: Pinchas Abramovich, Lea Avisedek, Albert Goldman, Shaul Ohaly, Robert Baser, Claire Szilard, Itamar Siani...

Framed 24.5 x 28.5 image 19.5 x 23 inches. Franz Anton Coufal (Austrian, 1927 - 1999) Painter and sculptor known for figure painting, bronze sculpture, genre paintings and as a graphic artist. After completing an apprenticeship as a locksmith, Franz Anton Coufal attended the Graphic Education and Research Institute in Vienna from 1947 to 1949 as a student of André Roder and from 1949 to 1953 took lessons from Ignaz Schönbrunner. From 1953 to 1959 he finally studied with Fritz Wotruba at the Academy of Fine Arts (diploma and master school award 1959). Coufal then went on study trips to Germany and Italy and then settled in Vienna as a sculptor and graphic artist. His work bears the influence of Austrian Magic Realism and the artists Friedensreich Hundertwasser, Arik Erich Brauer and Ernst Fuchs. THis work also has Expressionist elements to it. He organized exhibitions in Vienna (from 1955), Paris (1962, 1970) and Brussels (1964) as well as in other Austrian cities. His most important works include the honorary grave for Leopold Figl in the central cemetery (1966). In 1979 he provided the design for the face of the silver 100 schilling coin "Festival and Congress House Bregenz", in 1980 he created the Lehár monument for the city park, and in 1987 he received the special prize in the "Danube Region Vienna" competition. A select list of his sculptures in public spaces "Standing youth" (19, Hameaustraße - Celtesgasse, urban residential complex; 1960) "Reclining youth" (22, Kagran [Meißnergasse - Maißauer Gasse - Anton-Sattler-Gasse]; artificial stone, 1962) "Flammender Turm" (16, Thaliastraße 159; marble) Cubist marble sculpture (11, Molitorgasse at 15) Drinking fountain (20, Adalbert-Stifter-Straße primary school; 1968) Figldenkmal (1, Minoritenplatz, 1973) Coufal created some of his later works for the "Harmonie" rest home for the blind in Unterdambach near Neulengbach (memorial for the 144 blind people who perished in concentration camps, unveiled in 2000; stone sculpture "Monument to Humanity" on the terrace; rose-thorn cross and tabernacle for the in-house Odilien- Chapel; bronze portrait sculpture by Robert Vogel in the entrance hall, unveiled July 3, 1994). Bibliography Rudolf Schmidt: Austrian artist lexicon. From the beginning to the present. Vienna: Tusch 1974-1980 Who's Who in the world. Volume 2: 1974-1975. New Providence, NJ: Marquis Who's Who 1974 Who's who in the world. Volume 3: 1976-1977. New Providence, NJ: Marquis Who's Who 1976 Who is Who in Austria with South Tyrol part (Hübner's "Blue Who is Who"). Zug: Who is who, Verlag für Personalenzyklopädien 12 1995 Otto Breicha: Franz Anton Coufal In: Franz Anton Coufal. Österreichische Staatsdruckerei, December 9-22, 1964. Vienna: Staatsdruckerei 1964 The press, July 30, 1963 Of the generation of Viennese artists Alois Mosbacher, Josef Mikl, Oswald Oberhuber, Christian Ludwig Attersee, Peter Sengl, Max Weiler, Franz Ringel, Gunter Brus, Hubert Schmalix, Wilhelm Kaufmann, Paul Flora, Oscar Larsen, Hans Staudacher, Siegfried Anzinger, Ernst Huber...

Framed 41.5 x 29.5 image 35.5 x 23.5 This large painting depicts a man and woman, Adam and Eve, interlocked and embracing one another. The woman holds an enticing apple as they are thrusted from the Garden of Eden. This is an original painting. Zamy Steynovitz was born in Liegnitz Poland, in 1951. He immigrated to Israel in 1957. The aspiration to be a painter stems from his childhood and before leaving Poland, he won the first prize in an art competition for children. Zamy was formally educated at the Art School in Tel-Aviv and at the Royal Academy of London. Upon completing his studies, Zamy earnestly pursued his career and establish his place in the art world by displaying his work in one man exhibits and arts fairs around the world. His art displays chromatic and thematic richness and his choice of subjects has been strongly influenced by Jewish tradition, his Eastern European Jewish heritage and folklore. Zamy’s popular themes include Paris cafes, still-life, flowers, circuses and landscapes. Circus with acrobats and Harlequin. In the early stages of his career, he was partial to rich pastels and light brush strokes. In the early 1980s, Zamy visited South America, where the new surroundings enhanced his work with local brightness and color. His art gained chromatic power and his palette became richer in tones as the textures became thicker and the background darker and more colorful. These changes coupled with his thematic persistence allowed him to develop into a sensitive and mature artist. Zamy expresses a universal humanistic vision in his creations: man’s connection to his heritage and physical surroundings, two imperative aspects of our lives that should be heralded during these estranged technological times. As a result of his devotion to world peace, Zamy is known in the circles of the Nobel Institute for Peace in Norway. He is acquainted with many Nobel Prize winners including Anwar Sadat, Menachem Begin, the Dalai Lama, Itzhak Rabin, Shimon Peres, Elie Wiesel, Desmond Tutu and Oscar Arias, the ex-President of Costa Rica, along with many other politicians and artists. Zamy tragically passed away in September 2000. Exhibitions One Man Show 1970 - Museum - Ramat - Gan 1973 - Brussels - Gallery L'Angle Aigu 1974 - London - International Gallery 1974 - Paris - Grand Palais Gallery 1975 - Milan - Brera Gallery 1976 - N.Y. Valentino Gallery - N.Y. Hilton 1977 - N.Y. Valentino Gallery - N.Y. Hilton 1978 - Basel - Actual Gallery 1978 - Geneve - Bohren Gallery 1978 - Oslo - Nobel Peace Prize Exhibit 1979 - London - Hamilton Gallery 1979 - N.Y. - Art Israel Kalt - Waldinger Gallery 1979 - N.Y. - Canty Art Gallery 1979 - Amsterdam - Schipper Gallery 1979 - Washington - International Art Fair 1980 - Cleveland -Jewish Museum 1980 - Tel-Aviv - Habima National Art Fair 1981 - Abraham - Goodman House N.Y. 1981 - San Lucas Galley - Bogota 1982 - Pedro Gerson Gallery - Mexico City 1983 - Simon Bolivar...

A painting by Diego Rivera. "Portrait of Enriqueta G. Dávila" is a modern portrait, oil on canvas in a palette of whites, browns, purples, and reds by Mexican artist Diego Rivera. The artwork is signed in the lower left, "Diego Rivera" and dated and inscribed in the upper center, "Señora Doña Enriqueta G. de Dávila. Fue pintado el año de MCMLII". Think of artists from Mexico...

Image Dimensions: 34.5 x 48 cm Ref: Published in the catalogue "Vincenzo De' Stefani", Rizzoli Editore, Milan, 1939, tav.III.

Painterly scene of boats and boats being built at the docks in old Pacific Grove, California by an unknown artist (American, 20th Century). Signed"WHM" lower left. Presented in a fau...

Mid Century figurative painting of a pensive sitting nude figure with moody, mid-century color palette in the background. Attributed to Elmer S. Albritton, unsigned (American, 1922-...