Yves Diey

French Artist Yves Diey Oil on Canvas, Les Baigneuses

circa 1940s

Oil on Canvas by post-impressionist French artist Francois Gall (1912-1987). Signed lower right and titled on the verso “Jeunne Fille de Coiffan.” Painting measures: 16” H x 13” W. ...

Original Oil on Canvas by Jose Salazar Ruiz Esparza signed by the artist lower left. The work presents in the original frame and is in excellent condition. Created circa 1960's. The...

Wonderful impressionist painting by highly regarded New Jersey artist and teacher John R. Grabach, (1886-1981) This work is oil on canvas laid on board and measures: 12 1/4" H x 16" ...

Wonderful oil on board of swimmer’s in Bali by Carl Brandien (1886-1965) Signed lower left and dated ‘30. Titled lower right “Bali.” Measures: 11 3/4" H x 15 3/4" W. Frame: 19.5" H x...

Signed oil on canvas figures in riverscape circa 1910 by sought after French impressionist painter Pierre Eugene Montezin. The work depicts bathers in a river on a sunny summer's day...

"River Nymphs" Two nudes lounging by pond - Oil on board , signed lower left and dated 1910 - Framed dimensions: 20 in x 17 in.

Oil on canvas by Suzanne Blanche KAEHRLING, representing two girls on the beach. The painting comes with its frame. Suzanne Blanche KAEHRLING, painter from Alsace, lived and worked ...

Signed oil on canvas nudes in landscape circa 1910 by Belgian neo-impressionist painter Georges Lemmen. The work depicts nude bathers on a sunny beach beside the sea. Signature: Signed lower left with the cachet of painter Dimensions: Framed: 23.5"x24.5" Unframed: 14.5"x15.5" Provenance: Olivier Bertrand (expert on the painter) has confirmed the authenticity of this work Georges Lemmen was the son of an architect and studied under Amédée Bourson at the academy in St Joost-ten-Node. He was invited in 1889 to join the Group of Twenty ( Cercle des XX) which had been launched in 1884 by Oscar Maus and had in the interim emerged as an influential force in Belgian artistic circles, not least by bringing to public and critical attention the work of such artists as Georges Seurat and Paul Signac. The Cercle des XX would be reborn in 1894 as La Libre Esthétique. In the early days of the Cercle des XX, Lemmen espoused a pointilliste technique. His earlier painting was clearly influenced by the Neo-Impressionists; over time, however, his style became more subtle and nuanced - recalling, perhaps, that of his compatriot Van Rysselberghe, another Cercle des XX member. With the group's rebirth as the Libre Esthétique, Lemmen's work became more intimiste in character, most notably in his portraits, nudes and still-lifes, where the influence of Bonnard and Vuillard is unmistakable, as is that of Renoir, particularly after Lemmen's travels in the Midi in 1911. From this point onwards, he would go on to make a major contribution to the renewal of the graphic and decorative arts in terms of his input to the new 'free' aesthetic and to Art Nouveau. Although his draughtsmanship retained its essential purity and elegance of line, his painting became more fleshy, imprecise and sensual, his compositions governed less by technical considerations than by the urgent need to express his emotions. Between 1889 and 1893, Lemmen exhibited at the Salon des Indépendants in Paris, aligning himself with the Neo-Impressionists. In 1893, Henry van de Velde invited him to participate in the Pour l'Art association that had been created in Antwerp. He travelled to the south of France in 1911. By this juncture, he had already exhibited solo on two occasions (in 1906 and 1908) at the Galerie Druet in Paris. A further solo exhibition in 1913, his first in Brussels, cemented Lemmen's reputation. Museum and Gallery Holdings: Bremen (Kunsthalle): Standing Nude Combing her Hair Brussels (Mus. royaux des Beaux-Arts de Belgique): Children's Room (watercolour); Reading; Couture; Young Girl by the Sea...