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Zack Zdrale
Biathlon, Original Oil Painting of Two Shirtless Males Running, Framed

2023

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Introspectator - Portrait of a Bearded Man on Red Background, Oil on Panel
Located in Chicago, IL
Artist Zack Zdrale takes a traditional approach to his work although his subjects and compositions place his work in the present. His paintings are imbued with stillness and silence ...
Category

21st Century and Contemporary Realist Figurative Paintings

Materials

Oil

Ophelia - Hamlet Inspired Still Life Painting with Plaster Mask and Flowers
By Matthew Cook
Located in Chicago, IL
Matthew Cook Ophelia Oil & Acrylic on Aluminum 24 x 24w in 38.25h x 38.25w x 1d in (framed) 97.16h x 97.16w x 2.54d cm MLC021 Bio: Matthew Cook is a realist painter, born in Toledo...
Category

2010s Old Masters Still-life Paintings

Materials

Oil, Acrylic

The Curse - Female w/ Sunflowers, Ode to Alfred Lord Tennyson's "Lady Shalott"
By Matthew Cook
Located in Chicago, IL
This is my take on the classic Pre-Raphaelite painting subject and poem “The Lady of Shalott,” by Alfred Lord Tennyson. It is also inspired by the John Everett Millais painting, “The...
Category

2010s Old Masters Figurative Paintings

Materials

Oil, Acrylic

Elly May Kelly, Three Panel Abstract Oil Painting of a Figure - Wesley Kimler
By Wesley Kimler
Located in Chicago, IL
Spanning across three canvas panels, Kimler uses vibrant colors of blue and yellow to background a deep red abstracted cyclops figure. Kimler's use of expressive brushstrokes and bri...
Category

2010s Abstract Expressionist Abstract Paintings

Materials

Canvas, Oil

Union - A Group of Uniformed Soldiers Standing in an Open Field, Oil on Linen
By William Blake (b. 1991)
Located in Chicago, IL
A group of uniformed soldiers gather in a grassy field. We see cannons yet must bring our own decisions about what is about to transpire. Painted in the loose style of Winslow Homer, "Union" by William Blake captures a scene in a Civil War Reenactment as the Union Army's Artist Reporter. Portraying Homer as an Artist-reporter, Blake has to be more than merely good draftsmen. He has to be an astute observer, have an instinct for story and drama, the ability to sketch quickly and accurately, and no small amount of daring, as he faces battles first hand. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. Please contact the gallery for framing options. William Blake Union, 2022 oil on linen 24h x 36w in 60.96h x 91.44w cm WIL034 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines...
Category

2010s Contemporary Figurative Paintings

Materials

Linen, Oil

Palm Sunday -A Contemplative Lone Soldier Sanding in an Open Field, Oil on Linen
By William Blake (b. 1991)
Located in Chicago, IL
A solitary figure, hat in hand, bows his head in contemplation of what has just taken place or what is about to take place. "Palm Sunday" channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to reflect upon the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options. William Blake Palm Sunday, 2022 oil on linen 36h x 24w in 91.44h x 60.96w cm WIL033 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines...
Category

2010s Contemporary Figurative Paintings

Materials

Linen, Oil

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