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Zoran ŠimunovićGROWING UP (#1) by Zoran Šimunović -Large framed painting, bright colours, green2021
2021
About the Item
GROWING UP (#1) is a unique oil on canvas painting by contemporary artist Zoran Šimunović, dimensions are 180 cm × 150 cm (70.9 × 59.1 in). The artwork is sold framed. Dimensions of the framed artwork: 182 cm x 152 cm (71.6 x 59.8 in).
The artwork is signed and comes with a certificate of authenticity.
For Zoran Šimunovović, art is primarily play and pleasure. His attitude to life is extremely optimistic, with his creations he hopes to awaken positive emotions or happy personal memories in the viewer. For this, he uses complex bright and attractive colours in his paintings. The artist is inspired by his surroundings and ordinary objects that are part of his life: toys, fruit, furniture, plants... These ordinary but important little things attract his attention and creativity and are reflected in his paintings.
- Creator:Zoran Šimunović (1984, Croatian)
- Creation Year:2021
- Dimensions:Height: 70.87 in (180 cm)Width: 59.06 in (150 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803113141362
Zoran Šimunović
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Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso.
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He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy.
Nugzar's color preferences
The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life.
Source of inspiration
Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties.
Working style
But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality.
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1987 - Exhibition of Georgian Artists in the Museum of Ethnography, Saint-Petersburg, Russia
1989 - Exhibition of Artists of Leningrad-Lenexpo, Russia
1990 - Exhibition of Van Gogh's memory, "Palette" , Russia
1991 - Exhibition Gallery Palette
1991 - Festival of Leningrad galleries in Manege, Saint-Petersburg, Russia
1992 - Exhibition at Gallery Pinatin, Berlin.
1993 - Exhibition of Piraeus, Athens, Greece.
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