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Gav Banns
Lazy day in the Paris Park, Buttes-Chaumont, Painting, Oil on Canvas

2018

$920List Price

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Neuilly Parc Paris, Park Saint-James impressionism, Painting, Oil on Canvas
By Gav Banns
Located in Yardley, PA
Although a smaller shadow of what the park once used to be (reduced from 12 hectares to 1.8), le jardin clos Art déco et la Folie, just west of Paris, is a welcomed retreat in a well-to-do residential area. It encapsulates the very formal French garden design...
Category

2010s Impressionist Paintings

Materials

Oil

Paris Boating Lake in park Bois de Boulogne, Painting, Oil on Canvas
By Gav Banns
Located in Yardley, PA
The parks in Paris are always a peaceful means to 'leave' the city behind, to immerse with a well tended spot of nature before embracing the lively bustle of the city again. This is...
Category

2010s Impressionist Paintings

Materials

Oil

Paris Park Bois de Boulogne Boating Lake with dog, Painting, Oil on Wood Panel
By Gav Banns
Located in Yardley, PA
I was lucky enough to live within walking distance to Paris' Bois de Boulogne park. At 2.5 times the size of New York's central park, it was a nice escape from the city. The boating ...
Category

2010s Impressionist Paintings

Materials

Oil

Outdoor oil of a public garden in France, Painting, Oil on Canvas
By Christine Jacquel
Located in Yardley, PA
Original oil painting painted on the outdoor pattern. Painting of a public garden in France in summer at the end of the afternoon. It was necessary to paint with energy and speed to ...
Category

2010s Impressionist Paintings

Materials

Oil

Outdoor oil of a public garden in France, Painting, Oil on Canvas
By Christine Jacquel
Located in Yardley, PA
Original oil painting painted on the outdoor pattern. Painting of a public garden in France in summer at the end of the afternoon. It was necessary to paint with energy and speed to ...
Category

2010s Impressionist Paintings

Materials

Oil

Manor park, Manor Benkhausen, Germany, Painting, Oil on Canvas
Located in Yardley, PA
On the occasion of "The Day of Gardens and Parks in Westphalia-Lippe", painter friends and I painted plein air in the gardens of Benkhausen Manor, the theme was trees. Benkhausen Man...
Category

2010s Impressionist Paintings

Materials

Oil

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'Parc des Buttes-Chaumont' in Paris, gouache on art paper, by Lucien Génin (circa 1930s). A charming depiction of well turned out Parisians enjoying a day at the park. Boaters, strollers and swans all co-mingle around the peaceful lake. The reflection of the rocky bluff in the water is superbly treated by Génin. It's a cheerful and uplifting image of days-gone-by in 1930s Paris. The park takes its name from the 'bare hill' (chauve-mont) that once occupied the site. It became a place where gypsum was mined, and where the limestone was quarried to be used in buildings in Paris and the United States. Worse, though, it was a site that also became a dumping ground. Luckily, during the 19th-century renovation of Paris under Napoleon III, chauve-mont was chosen as a place for a large park, as part of the emperor's fascination with endowing Paris with green spaces. The artificial lake created at that time wraps around a hilly central island. The lake attracts waterfowl and other birds and is stocked with fish. The 19th-century planners cleaned up the site and added tons of soil to fill the pits left by a limestone mining operation. Then dynamite was used to "sculpt" the site into the craggy shapes seen today, including the 50-metre-high central hill with cliffs, an interior grotto, pinnacles, and arches. Up on top, overlooking the rest of the park - and depicted in this artwork - is a small, round belvedere, based on the Roman Temple of Vesta in Italy. From that spot you can see a lovely view of Montmartre and the white cupolas of the Sacre-Coeur. The painting is in very good condition. It has been newly framed and glazed with museum-quality glass (anti-reflective and UV protection) to preserve this significant artwork for decades to come. Dimensions with frame: H 62 cm / 24.4" W 76 cm / 29.9" Dimensions without frame: H 48.5 cm / 19.1" W 63 cm / 24.8" About the Artist: After the devastation of the First World War, Lucien Génin (1894 - 1953) left his provincial home in the autumn of 1919 to find his fortune among the lively Parisians in the heart of Montmartre. Génin befriended the painters Frank Will, Gen Paul, Émile Boyer, Marcel Leprin...
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Located in New York, NY
Born in Russia, the son of Friede (1878 – 1956) and Benjamin Hoffman (1878 – a. 1942). Benjamin was a dealer in mineral and seltzer water and the family resided on Snediker Avenue in Brooklyn, New York, just down the streetfrom the home where George Gershwin (1898 – 1937) was born. This area of Brooklyn, known as Brownsville, “witnessed the development of one of the largest communities of Eastern European Jewish immigrants during the last decade of the 19th century and the first two decades of the 20 th century.” Today, little remains of this once thriving Jewish section of Brooklyn, which today houses many commercial and repair businesses. Hoffman studied at the Art Students League of New York, the National Academy of Design and in the art program at Cooper Union. His work at the National Academy received praise, and in 1921 he was awarded the 2nd prize and an honorable mention from the John Armstrong Chaloner Paris Prize Foundation at the National Academy, which allowed the recipient to study in Paris, France for as long as five years. The following year he was awarded the 1 st prize in the competition (with The Reform Advocate running the headline “Young Jew Wins Art Prize”) as well as the Suydam Bronze Medal for his achievements in the Academy’s Men’s Night Class. In 1923 he was residing in Long Branch, New Jersey, when he was awarded 4th place in the Chaloner competition. Early on, Hoffman exhibited his work throughout the city, including in 1925 with the recently organized Society of Independent Artists. He also received several solo exhibitions during the first part of his career, including one at Ferargil Galleries in 1929. In the spring of 1930 a solo exhibition of his portraits, including paintings and drawings, was held at at Babcock Galleries, where a reviewer noted: “Portraiture is obviously Mr. Hoffman’s specialty… his best work is characterized by a sensitive appreciation of character set down in a vigorous decisive statement. Later that same year, in August, he participated in Babcock’s summer exhibition where reviewer Jerome Klein, writing for The Baltimore Sun, felt Hoffman’s and other artists work was already becoming old fashioned, remarking “…if an effort toward accomplishment is to be made, it must be in the language of today. It is for that reason that such contemporaries as Eugene Higgins and Nathan Hoffman, in this show, seem artists of a bygone era…” The onset of the Great Depression appears to have slowed his success, as was the case for many up-and-coming artists. By 1939 Hoffman had become a gallerist in addition to being a painter, operating the collective exhibition space “Sutton Gallery,” which was originally located at 358 East 57th Street. There Hoffman exhibited his own works as well as those created by other prominent New York artists including David Burliuk (1882 – 1967), Charles C. Curran (1861 – 1942), Louis Eilshemius (1864 – 1941), Ann Goldthwaite (1869 – 1944), Maurice Kish (1895 – 1987), Lawrence Lebduska (1894 – 1966), Bradford Perin and Ellis Wilson...
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