Genevieve Hamel

Forsythia (Oil Painting, Impasto, Impressionism, Colorful, Flower, Positive)

2023

Genevieve Hamel Red Poppies Oil on Wood Panel Year: 2023 Size: 12x12x1.5in Signed and inscribed by hand COA provided Ref.: 924802-1676 Poppies are fragile, they open and close as the day goes, and they are a souvenir of my childhood. I watched...

“Reason Has Limits” Oil on Wood tiles glued to panel Noremac has been following rock bands in America and Europe for the past several years, photographing young music fans at rock c...

Genevieve Hamel Pink in my Heart Oil on Wood Panel Year: 2023 Size: 12x12x1.625in Signed and inscribed by hand COA provided Ref.: 924802-1680 Breast Cancer Awareness Month was a hug...

Genevieve Hamel Total Attraction Oil on Wood Panel Year: 2022 Size: 36x24x1.625in Signed by hand COA provided Ref.: 924802-1395 A bouquet of flowers interpreted with heavy palette k...

Genevieve Hamel Hibiscus Oil on Wood Panel Year: 2022 Size: 48x12x1.625in Signed by hand COA provided Ref.: 924802-1394 Like a hibiscus plant on a trellis, this narrow and upright o...

Artist : Ryan Wilks Title : Aesthetic of the Cross Materials : epoxy resin, chrome mirror paint, glass shards on wood board Date : 9-01-2020 Dimensions : 16" x 20" Description : Reimagining traditional depictions of the iconic cross, giving modern aesthetic to an ancient symbol. Epoxy casted, coated in chrome mirror paint and glass shards, light catches this piece from every direction, changing mood throughs the day as light within a space transitions from day to night. Ryan Wilks is a self-taught artist based in Kansas City, Missouri. Their work explores the various realities of queer existence. Primarily creating with oils, watercolors, sculptural assemblage, and ritual, their work sheds light on queer expression of spirituality and sexuality. Their bodies of work address and confront religion used as weapon and explores new modes of prayer through visual and participatory exhibitions. While religious and archetypal iconography such as the Devil and Lilith are seen within their figures in their paintings and used to express gender and queer ideologies, the work itself does not adopt the feeling of weighted religious rites. Instead, the work invites the viewer to participate in a modernized expression of spirit. Through figurative and narrative drawing and painting, through community-based performance ritual and ceremony, Wilks makes art that explores the various realities of queer existence. Gleaning inspiration from centuries old religious iconography and the oral and written histories documenting the queer experience from the beginning of time to their own personal experience today, Wilks' work strives to depict the push/pull, persecute/elevate relationships of humanity, sexuality, and spirituality. The use of more traditional materials and methods in Wilks' painting and drawing is an intentional nod to Italian masters such as Caravaggio, Titian, and Raphael, but it is the playfulness of Matisse’s figures and the contorting figures of Schiele that have influenced their work the most. Ritual and ceremonial performance is an integral aspect of Wilks'art. The use of objects, both found and made, and base elemental ingredients in occult practices are key components to their performances. Through movement, through ceremony, through studied and adaptive ritual, Wilks is able to engage an audience and create moments of sacred memory. Wilks' performance work is created and displayed in tandem with their 2-D work and further explores concepts displayed within their paintings and drawings. Through these methods of creating, engagement, and display of their art, Wilks strives to express the personal narrative of their queer experience, of their peers’, of those who have passed, and, ultimately, for future generations to research, decode, confront, and enjoy. Wilks has exhibited their work in at least 20 different solo exhibitions across the Kansas City Metropolitan area as well as being featured in 18 different publications regarding their work. Wilks' most recent artist residencies include the Artist in Residence program at the Crossroads Hotel, located in the heart of Kansas City's well known Crossroads Arts District, January-February 2020; and the Artist in Residence program at Arts KC, Jun-July 2020. In 2019, Wilks was nominated for "Best Exhibition" in the Pitch KC's annual "Best of KC" year-end round up for their exhibition "Hell", originally shown at Leedy-Voulkos Art Center. painting, watercolor, mixed media, human figure, religion, iconography, cultural commentary, queer art...

Francien Krieg, a contemporary Dutch artist, gives a new dimension to figurative painting with her penetrating and unfiltered portraits. Krieg, who received her art education at the ...

Francien Krieg, a contemporary Dutch artist, gives a new dimension to figurative painting with her penetrating and unfiltered portraits. Krieg, who received her art education at the ...

Hubert Bellis Brussels 1831 – 1902 Schaarbeek Belgian Painter 'Red and Yellow Roses in a Glass Vase' Signature: Signed lower right Medium: Oil on panel Dimensions: Image size 43,50...

Thomas Brown Yates was an English landscape and portrait painter active during the 1910-1935 period. He studied firstly in London and then travelled to the Andre Lhote school in Par...

Pietro Sansalvadore was active during the early to middle of the 20th century. He painted in an Impressionist manner and on a small scale. Acquiring a late 19th-century Impressionist painting of Hammersmith Bridge by the Italian painter Pietro Sansalvadore is an opportunity to own a captivating piece of art that transcends both time and cultural boundaries. Sansalvadore's unique perspective, influenced by the Impressionist movement, infuses this painting with a luminous quality that captures the atmospheric essence of Hammersmith Bridge in a way that only a skilled artist with an international perspective could achieve. This masterpiece not only showcases the artist's mastery in capturing light and movement but also represents a harmonious fusion of Italian artistic sensibilities with the iconic English landmark. The play of colors and the subtle brushstrokes transport the viewer to the late 19th century, offering a glimpse into the allure and dynamism of that period. Owning this painting is not just acquiring a visual delight; it's investing in a historical and cultural artifact...

Pietro Sansalvadore was active during the early to middle of the 20th century. He painted in an Impressionist manner and on a small scale. Acquiring a late 19th-century Impressionist painting of Hammersmith Bridge by the Italian painter Pietro Sansalvadore is an opportunity to own a captivating piece of art that transcends both time and cultural boundaries. Sansalvadore's unique perspective, influenced by the Impressionist movement, infuses this painting with a luminous quality that captures the atmospheric essence of Hammersmith Bridge in a way that only a skilled artist with an international perspective could achieve. This masterpiece not only showcases the artist's mastery in capturing light and movement but also represents a harmonious fusion of Italian artistic sensibilities with the iconic English landmark. The play of colors and the subtle brushstrokes transport the viewer to the late 19th century, offering a glimpse into the allure and dynamism of that period. Owning this painting is not just acquiring a visual delight; it's investing in a historical and cultural artifact...