George Wachsteter

Cecil B. DeMille

Medium: Graphite on Illustration Board Signature: Signed Upper Right On illustration board, matted. The piece measures to 18.00" x 14.00" overall with an 8.00" x 6.00" image. Caricature by George...

Medium: Pen and Ink on Illustration Board Signature: Signed in Various Positions Dimensions: Various different sizes, contact for exact dimensions of each illustration. (17) PEN & ...

Medium: Pen and Ink on Canvas Signature: Signed Lower Right This piece is on 15.00" x 11.00" illustration board with the drawing measuring to 7.00" x 9.00." Caricature by George Wachsteter (1911-2004) of Walter Pidgeon for `U.S. Steel Hour: The Theatre Guild on the Air` studio audience program guide to promote his appearance as writer William Magee in the radio adaptation of the venerable comedy-mystery, `Seven Keys to Baldpate` (based on George M. Cohan`s play from Earl Derr Bigger`s novel) heard live over ABC Radio on...

Medium: Watercolor and Charcoal on Board Signature: Unsigned Caricature by George Wachsteter (1911-2004), of Jimmy `The Schnoz` Durante, circa 1939....

Julius Thiengen Bloch (American, born Germany, 1888–1966) Portrait of a Man, c. 1943 Pencil on paper, 5 1/2 x 3 1/2 inches FRAMED: 13 x 11 inches (approx.) This sketch comes direct...

Portrait is a drawing realized by Joseph Colin in the Mid-20th Century. Pencil on ivory-colored paper Good conditions with slight foxing. The artwork is realized through deft expr...

The Portrait is an artwork realized by Francis Duchene in 1930. Watercolor and pencil on paper Hand-signed and dated, Paris. Good condition.

Alfred Aaron Wolmark (1877 – 1961) was a painter and decorative artist. He was a Post Impressionist and a pioneer of the New Movement in Art. He was born Aaron Wolmark into a Jewish family in Warsaw, Poland who were amongst the many subsequently fleeing the pogroms of Eastern Europe. The family moved to Devon when he was six before moving to Spitalfields, East London, there along with many other Jewish immigrant émigré families. He became a British citizen in 1894. He studied at the Royal Academy Schools and exhibited there from 1901-1936. (1895-8 (1st Silver Medallist for Drawing). There he took the name Alfred Wolmark, by which he is known. Returning briefly to Poland in 1903, he painted works based his Jewish identity and faith, refraining from depicting the persecution and anti-Semitism his family witnessed on the continent and idealising the peaceful and contemplative elements of his religion. His first one-man exhibition was held at the Bruton Galleries in 1905. In July 1911, after an artistic epiphany on honeymoon in Concarneau, Brittany, he became influenced by modern French painting, his colour palette and style became post impressionist, and Wolmark jettisoned his early methods in favour of the pioneering 'colourist' path that he followed for the next two decades of his working life. He was a British fauvist and pitched his tonal divisions to a higher key than any of his contemporaries. Wolmark kept to traditional genre, and transformed his subjects through the use of flattened forms, built up with a heavy impasto. His daring use of bright colour on some paintings such as "An Arrangement: Group of Nudes" demonstrate a skillset akin to Andy Warhol and earned him the title of ‘The Colour King’. the early colourist, Alfred Wolmark, the so-called father of the ‘Whitechapel Boys’. This group includes painters David Bomberg, Mark Gertler and Jacob Kramer, as well as (by association) the sculptor Jacob Epstein, First World War poet-painter, Isaac Rosenberg, and the only ‘Whitechapel Girl’ Clare Winsten...