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Madonna Child Maria Sassoferrato Paint Oil on canvas 17th Century Old master Art1630-1680
1630-1680
$9,789.22
$12,236.5320% Off
£7,261
£9,076.2520% Off
€8,216
€10,27020% Off
CA$13,404.73
CA$16,755.9120% Off
A$14,903.50
A$18,629.3720% Off
CHF 7,801.08
CHF 9,751.3520% Off
MX$182,786.45
MX$228,483.0720% Off
NOK 99,327.50
NOK 124,159.3820% Off
SEK 93,776.93
SEK 117,221.1620% Off
DKK 62,536.70
DKK 78,170.8720% Off
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About the Item
Giovan Battista Salvi known as 'il Sassoferrato' (1609 - 1685) circle/ workshop
Madonna with sleeping child
Oil on canvas
84 x 66 cm - Framed (19th century) 112 x 95 cm
The painting presented here, executed in the second half of the 17th century with a good quality of execution and refined draftsmanship, depicts the Madonna in adoration as she gently holds the sheet on which the sleeping Child is lying, with a gesture of protection and pride, facilitating an atmosphere of intimate recollection.
The compositional prototype was conceived by the great Bolognese School leader Guido Reni (1575 - 1642), as evidenced by a print made by Francois de Poilly (Paris 1623-1693).
Like many of Reni's creations, it was later taken up and popularised by later versions executed by his pupils and followers, such as the 'Madonna and Child' attributed to Francesco Gessi (Bologne, 1588 - 1649) and now in the Louvre.
This subject, albeit with some variations - often of the pose of the sleeping child, facing upwards as in this version, rather than reclining to the side or of the position of the Virgin, with her hands folded in prayer - was so successful that it became the preferred model for countless works destined for private devotion during the 17th century.
One of the greatest promulgators of the Rhenish images was undoubtedly Giovan Battista Salvi known as 'il Sassoferrato' (1609 - 1685) who, in his flourishing workshop, took up the subjects but reworked them with his own, clearly identifiable style, characterised by a marked elegance, gentleness and formal perfection, particularly of the faces, succeeding in achieving an effect of incredible intensity.
Born in Marchigiano, Salvi developed his activity in Rome, following the dictates of the classicist sacred painting of the Bolognese school of Reni, Carracci and Domenichino, but managing to have an autonomous and therefore clearly distinguishable style. The Madonnas that came out of his workshop, with the paleness of their faces and the bright colour of their cloaks, the sweetness of their gazes and the gracefulness of their features, were to provide inspiration for the Pre-Raphaelites and numerous other 19th century artists two centuries later.
Our canvas is in a good state of preservation, although it does have some old retouches and minor pictorial faults, as can be seen from the published photographs, but these do not detract from its beauty. The work is completed by an attractive 19th century wooden frame.
ADDITIONAL INFORMATION:
The work is sold with a certificate of authenticity and descriptive iconographic card.
We take care of and organise the transport of the purchased works, both for Italy and abroad, through professional and insured carriers.
Should you have the desire to see this or other works in person, we will be happy to welcome you to our new gallery in Riva del Garda, Viale Giuseppe Canella 18. We look forward to seeing you!
- Creation Year:1630-1680
- Dimensions:Height: 44.1 in (112 cm)Width: 37.41 in (95 cm)
- Medium:
- Movement & Style:
- Circle Of:Giovan Battista Salvi known as 'il Sassoferrato' (1609 - 1685) (1609 - 1685, Italian)
- Period:
- Condition:
- Gallery Location:Riva del Garda, IT
- Reference Number:1stDibs: LU988113307442
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View AllMadonna Maria Sassoferrato Paint Oil on canvas Old master 18th Century Italian
Located in Riva del Garda, IT
Madonna with Sleeping Child
Follower of Giovan Battista Salvi known as 'il Sassoferrato' (1609 - 1685)
Roman painter 18th century
Oil on canvas
Measurements: canvas 64 x 50 cm, in frame 76 x 62 cm.
This delicate depiction of the Madonna in adoration of the Child exhibits all the human dimension and sweetness of the maternal atmosphere: Mary clasps the sleeping child to her in a tender embrace, which touches her cheek, enveloped and protected by the mantle and even a flap of the mother's veil.
The pictorial style and composition recall the ambit of Giovan Battista Salvi, the Sassoferrato, who distinguished himself expressly for this subject, with the Virgin immortalised in a humble and strongly earthly pose, depicted with simple white, red and blue colours and delicate plays of nuances on the faces and hands.
This iconographic prototype was so successful that it became the painting for countless works destined for devotion during the 17th and 18th centuries, particularly appreciated for private commissions due to its marked gentleness and formal perfection, particularly of the faces.
Born in Marchigiano, Salvi developed his activity in Rome, following the dictates of the classicist sacred painting of the Bolognese school of Reni, Carracci and Domenichino, but succeeding in having an autonomous and therefore clearly distinguishable style.
In very good overall condition, there are some small scattered restorations and some unravelling of the painted surface. Framed in a beautiful gilded frame.
ADDITIONAL INFORMATION:
The work is sold with a certificate of authenticity and descriptive iconographic card.
We take care of and organise the transport of the purchased works, both for Italy and abroad, through professional and insured carriers.
It is also possible to see the painting in the gallery in Riva del Garda...
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