Grace Diehl

For Miles and Miles, Painting, Oil on Canvas

2024

As I was driving to a friend's place about 10 minutes away from my home, I happen to pass by this out of the ordinary looking metal barn. For this painting, I wanted to work with an...

This is a scene of Mount Earnslaw from New Zealand. The photos were taken by an artist who lives there and whom I've learned a lot about painting from. It's an impressive landscape...

This is a scene from Les Chutes-de-la-Chaudiere near Quebec City. I stumbled on this gem of a location while road tripping with my wife on her birthday. It's a bird's eye view of my...

From the series 'The Map and the Territory' :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes ::...

The portraits of Christopher Veggetti are not just works of art; they embody a tangible testimony of the deep need for social inclusion at a national level. In an Italy undergoing co...

A very striking and expressive work in terms of color! This has a contemporary and upbeat feel and attractiveness to the abstracted female form coming into a room. Would brighten and bring any room into the contemporary realm and bring a very fresh dash of vivid color. Ralph Della-Volpe was a noted Post - War artist who started out with the Abstract Expressionists and then like Milton Avery and Wolf Kahn and others - chose to revert back to bringing some representational form back into his work. Color was his driving passion and he often used high keyed...

This painting (oil on paper applied to wood panel, 18 x 12, 5 cm) is a valuable example of the production of small-format works, thus aimed at a private audience, which was very comm...

Dana Frankfort In the middle of the road, 2017 oil on canvas over panel 48 x 48 x 1.75 inches For over two decades, Dana Frankfort has explored the vexing periphery between language and sight by painting words. Rather than laying claim to the paintings, controlling their semiotic pulse, her words serve as the formal armature; they prop up, ventilate, and allow the many layers of paint to breathe. Imperatives, allusions, evocations—the words dissolve into a palimpsest of obscured serifs and stems, into color and form. The title of the work is a phrase from a poem by Carlos Drummond de Andrade’s “In the Middle of Road.” Here it is, translated from the Portuguese by Elizabeth Bishop...