Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

Adolph Reich
An Experienced Eye

Early 20th Century

About the Item

A skilfully rendered oil painting on board by Austrian artist Adolph Reich skifully expresses the careful consideration and focus of a vintner or distiller as they study and are about to enjoy the drink. It is signed in the lower left corner and presented in a wonderful gilt frame, measuring 17.25" x 15" overall. Provenance: Bradbury Art and Antiques, Wiscasset, ME Private Client Collection Haynes Fine Art, UK - label on reverse Dorotheum Vienna, where it was sold as "Der gute Tropfen" The Good Drop Adolf Reich (1887-1963) Austrian Reich possessed an extraordinary ability to capture the smallest of details with the utmost of care and his style was entirely traditional. In 1916, he attended the Academy of Arts in Vienna and elected to paint in a classical style despite many of his contemporaries opting for the avant-garde. The arist has achieved up to $52,000 for his work at auction.
  • Creator:
    Adolph Reich (1887 - 1963, Austrian)
  • Creation Year:
    Early 20th Century
  • Dimensions:
    Height: 17.25 in (43.82 cm)Width: 15 in (38.1 cm)Depth: 1 in (2.54 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Wiscasett, ME
  • Reference Number:
    1stDibs: LU506315843732

More From This Seller

View All
The Chemist
Located in Wiscasett, ME
Oil on canvas, signed in the lower right. Measures 36" x 41" including the frame. Johann Georg Meyer Von Bremen (German 1813-1886) was a genre painter. He was the son of master baker Johann Georg Meyer. His mother was strictly religious. From 1833 he studied at the Düsseldorf Academy of Fine Arts , which was led since 1826 by Friedrich Wilhelm von Schadow, the son of the sculptor Johann Gottfried Schadow. In addition to Schadow, Karl Ferdinand Son was his teacher there. Meyer acquired the necessary craftsmanship skills to make a living from the sale of his paintings, but he was initially unable to do so. From 1841 to 1852 he maintained his own studio in Düsseldorf. On his travels to Brussels and Antwerp Meyer experienced the works of Peter Paul Rubens and Anthonis van Dyck. In 1851 he married the singer Julia Beer...
Category

19th Century Victorian Interior Paintings

Materials

Oil

Playing Guitar by the Fire
By Sam Uhrdin
Located in Wiscasett, ME
This oil on canvas is signed and dated in the lower right and measures 32.5" x 37" including the frame. The scene depicts a young lady playing her guitar by the light of the fire. Th...
Category

1950s Victorian Figurative Paintings

Materials

Oil

Tea Time
By Frank Bramley
Located in Wiscasett, ME
Signed and dated 92 lower left. Oil on canvas. Frank Bramley British, 1857-1915 Frank Bramley is considered one of the most important artists of the Newlyn School, the group of artists who settled in Newlyn, Cornwall during the 1880s and 1890s, drawn by the light, lifestyle and the example of Alexander Stanhope Forbes, and were at the forefront of 'British Impressionism'. He was particularly ‘in the news’ when his painting of a woman reading in a garden made the astonishing price of $590,000 at Sotheby's New York in late May 1996. As the seminal catalogue of the famous Newlyn School exhibition states, Bramley's reputation has rested for some time on Hopeless Dawn, his major RA exhibition of 1888, and which in recent years has been hung almost constantly at the Tate Gallery. Bramley was born in Lincolnshire and trained at Lincoln Art School, later at Verlat's Academy in Antwerp, from where he went to Venice in 1882-83, where our painting was executed. He first showed at the Royal Academy in London in 1884 (both paintings were Venetian scenes), and it was in the winter of 1884/5 that Bramley settled in Newlyn. He was a quiet and reserved figure, prone to bouts of melancholy. He worked on his own in a tiny studio in an old thatched cottage - the cottage consisted of two rooms, one at ground level (which was the studio) and one which was below ground which was inhabited by a woman who'd lost her arms and who managed to look after a set of tiny children as well as a small potato and turnip shop. Bramley moved to a purpose-built glass studio in 1889. He is known as the master of the so-called 'square-brush technique' which characterizes much of the best Newlyn School work and he used this until 1893, later than most of his colleagues. Bramley was friendly with the great artist Sargent and with him was elected an associate of the Royal Academy in 1894, being elected a full member in 1911. In 1891 he had married, and 4 years later they moved to the Midlands where his work became less socially orientated and more purely decorative. His last years were spent in a London flat...
Category

1890s Victorian Figurative Paintings

Materials

Oil

A Mother and Her Children
By Bernard Pothast
Located in Wiscasett, ME
This is an original unique oil painting by the artist Bernard Pothast, signed in the lower right corner, featuring a mother and her children sitting around the kitchen table. Measu...
Category

Early 20th Century Dutch School Figurative Paintings

Materials

Oil

A Welcome Visit
By Bernard De Hoog
Located in Wiscasett, ME
Oil on canvas, signed in the lower left. Measures 26" x 22" including the frame. An excellent example of De Hoog's work, which he was well known for depicting Dutch interior scenes. ...
Category

19th Century Dutch School Figurative Paintings

Materials

Oil

The Painter and His Muse
By Benjamin Eugène Fichel
Located in Wiscasett, ME
Oil on panel signed in the lower right corner and presented in a period frame measuring 21" x 18.5". Provenance: Private Collection Bradbury Art and Antiques, Wiscasset, ME Benj...
Category

19th Century Baroque Figurative Paintings

Materials

Oil

You May Also Like

Painting of The Merry Wives of Windsor attributed to John Calcott Horsley
By John Callcott Horsley
Located in London, GB
Painting of The Merry Wives of Windsor attributed to John Calcott Horsley English, 19th Century Frame: Height 97.5cm, width 74cm, depth 7cm Panel: Height 78cm, width 54cm, depth 0.5c...
Category

19th Century Victorian Interior Paintings

Materials

Oil, Board

Edgar Bundy ARA RI RBA, A Country Cousin
Located in Cheltenham, GB
This witty early 20th-century oil painting by British artist Edgar Bundy ARA RI RBA (1862-1922) depicts a young country woman visiting the home of her wealthy relatives, to much dism...
Category

Early 1900s Victorian Figurative Paintings

Materials

Oil, Canvas

Large scale 19th Century historical genre oil painting of a group of musicians
By Robert Alexander Hillingford
Located in Nr Broadway, Worcestershire
Robert Alexander Hillingford British, (1828-1904) The Duke’s Musicians – A Reminiscence of Hardwick Hall, Derbyshire Oil on canvas, signed Image size: 40 inches x 59 inches Size including frame: 47.5 inches x 66.5 inches Exhibited at the Royal Academy in 1883, no. 844 Exhibited at the Yorkshire Institute A large-scale Royal Academy painting...
Category

19th Century Victorian Figurative Paintings

Materials

Canvas, Oil

Historical genre oil painting of two gentlemen playing a game of cards
By Marcel Brunery
Located in Nr Broadway, Worcestershire
Marcel Brunery French, (1893-1982) A Good Hand Oil on panel, signed Image size: 18.75 inches x 23.5 inches Size including frame: 26.75 inches x 31.5 inches Provenance: Frost & Reed ...
Category

Early 20th Century Victorian Figurative Paintings

Materials

Oil, Panel

Genre oil painting of children with a model aeroplane
By Harry Brooker
Located in Nr Broadway, Worcestershire
Harry Brooker British, (1848-1940) The Model Aeroplane Oil on canvas, signed & indistinctly dated Image size: 13.5 inches x 17.5 inches Size including...
Category

Early 20th Century Victorian Figurative Paintings

Materials

Canvas, Oil

Victorian Interior with Several Figures Antique English Oil Painting
By Victorian School
Located in Cirencester, Gloucestershire
The Victorian Interior English School, 19th century oil on board, framed behind glass hence photo reflection glare framed: 7 x 8.5 inches board: 4 x 5 inches inscribed verso provenan...
Category

19th Century Victorian Figurative Paintings

Materials

Oil

Recently Viewed

View All