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Alson Skinner ClarkMorning Sunlight in The Patio, Mission San Fernando, Impressionist
$28,000
£20,980.83
€24,595.67
CA$39,213.79
A$43,951.96
CHF 23,009.45
MX$542,340.86
NOK 289,041.65
SEK 272,079.98
DKK 183,485.21
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About the Item
Alson Skinner Clark (American, 1856 - 1949)
Signed: Alson Clark (Lower, Left)
" Morning Sunlight in The Patio "
Mission San Fernando
Oil on Canvas
30" x 32"
Housed in its original 3 1/2" Newcomb Frame
Overall Size: 37" x 38 5/8"
One of California's most well-known painters, Alson Skinner Clark specialized in Tonalist portraits and figure studies as well as in brighter Impressionist landscapes. He trained assiduously and broadly, studying at the Art Institute of Chicago, the Art Students League in New York with William Merritt Chase and Frank Duveneck, and the Académie Carmen in Paris with James McNeill Whistler. In 1901, Clark opened a studio in Watertown, New York, and he mounted a successful exhibition in Chicago in 1903, which funded his travels throughout Canada and Europe over the next decade.
Clark's early Impressionist landscapes evince his interest in architecture, especially industrial structures like railroads, bridges, and factories. It was no surprise, therefore, that the building of the Panama Canal in 1913 would prompt veteran traveler Clark to venture to South America to capture this historic moment. Gaining access to the construction site, he painted dozens of landscapes, eighteen of which were subsequently exhibited in a solo room at the 1915 Panama-Pacific International Exposition in San Francisco, where Clark won a bronze medal.
The Victoria and Albert Museum, London; Los Angeles County Museum of Art; San Diego Museum of Art; and Fleischer Museum, Scottsdale, are among the notable institutions showcasing Clark's paintings.
- Creator:Alson Skinner Clark (1876-1949, American)
- Dimensions:Height: 37 in (93.98 cm)Width: 38.625 in (98.11 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Grand Rapids, MI
- Reference Number:1stDibs: LU2380216486602
Alson Skinner Clark
A landscape painter strongly influenced by the French Impressionists, Alson Skinner Clark spent much of his career traveling and living in foreign countries and then settled in Southern California where he became a plein-aire painter, art educator and muralist. From there, he also traveled extensively in Mexico and the Southwest. Alson Clark was born in Chicago to a prosperous family comfortably supported by the father's commodities business. He showed early art talent, which his family encouraged by enrolling him in evening classes at the Art Institute. They also took him on a two-year trip around the world where he gained much exposure to European art. Graduating from high school, he again enrolled at the Art Institute but unhappy with his teacher, he left after six months, and in 1896, went to New York to study with William Merritt Chase at the Art Students League. He also followed Chase to his own school, which opened shortly after, and enrolled in the Chase summer school of plein-aire painting at Shinnecock. In 1898, Alson Clark went to Paris where he was a student for several months at the Academie Carmen, whose director was James McNeill Whistler. Although Whistler was a difficult, demanding personality, Clark respected his teaching, stayed at the school until it closed, and ever acknowledged Whistler's influence on his Impressionist style. In 1901, Clark returned to America and married Atta Medora McMullin, whom he met when she modeled for him at Comfort Island, near Watertown, New York, his family's vacation spot. From 1902 to 1914, they lived in Paris until the war broke out, and during that time, he took up plein-air painting. The couple also spent time at Giverny in 1910, and Clark painted with his friends Lawton Parker, Guy Rose, and Frederick Frieseke. Traveling extensively throughout Europe, the Clarks were supported by successful sales from galleries representing his work in New York and Chicago. Exhibition venues included the National Academy of Design, Pennsylvania Academy, Paris Salon and Art Institute of Chicago. His work included many landscapes, cityscapes, interiors, and figure studies especially of his wife, who continued to serve as his model.
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