Mother and Daughter from Nathanson Family by C. W. Eckersberg, museum copy 19th.

Pink interior illuminated by a White window", signed by Wm. Henriksen. Early 20th century A view from the Wm. Henriksen' best period, in which the precision of the line contributes t...

Young Mandolin Player. Signed with the BB monogram and dated 1913. Oil on canvas. 67 × 54 cm. In an interior rich of paintings and music, a very young girl applies herself to the mandolin. This scene of great sweetness is the work work of a woman painter Brita Barnekow who studied in Paris, at the Academy of the Grande Chaumière Our painting was exhibited in 1914 at the Salon of Charlottenburg (on the back, label No34) Provenane: by direct family descent. Brita Barnekow was a student of the painters Marie Vilhelmine Bang (in 1883–85) and Frants Henningsen...

A young woman with a chinon in profile studies seated at a donkey's desk. The light falls from an attic with paintings and plants. The rest of the room is rather dark. The scene is ...

A large Danish interior dates from 1903-1904 strongly inspired by the W.Hammershoi’s dominant favor, The rather dark room is illuminated by the ray falling from the window on the ta...

This luminous Mountain Landscape expresses the strength of the feeling of Nature, specific to Northern Romanticism, in the suite of Caspar David Friedrich...

The Shepherd on a Rock is an emblematic youth’s work of the very versatile talented Irish artist WilliamShaw Sparrow 1862-1940. Son of a major ironworks W. S. Sparrow got to know in his boyhood many of his father's colliers, furnacemen, blacksmiths, carpenters and farmworkers, and gained respect and admiration for the men, whom he described as "so big, strong, simple-hearted, and kind". During long school holidays at home in his early teens (1875–1879), he spent time with the professional artist William Joseph J. C. Bond, who was staying with the family. Bond painted in oils; Sparrow learnt techniques from him and insight into pigments and varnishes and problems with their stability.[9] It was after discussions with Bond and with Walter's uncle, the architect George T...

French school of the first half of the 19th century Oil on canvas 45.5 x 60 cm (59.5 x 74 cm with frame) Beautiful 19th century carved and gilded wooden frame Good condition (a few r...

ÁNGEL MARÍA CORTELLINI Spanish, 1819 - 1887 CONVERSANDO signed "Cortellini" (lower right) oil on canvas 13-1/4 x 11 inches (33.5 x 28 cm.) framed: 17-1/4 x 15 (44 x 38 cm.) Ángel María Cortellini. Sanlúcar de Barrameda (Cádiz), 27.09.1819 – Madrid, 1887. Painter. Ángel María Cortellini was born in Sanlúcar de Barrameda on September 27, 1819, to an Italian father and a Spanish and Sanlúcar mother. Contrary to family opinion, he decided to dedicate himself to painting and already, at the age of nine, he was enrolled in a drawing academy in his hometown. They soon sent him to Seville, where he was a disciple of Joaquín Domínguez Bécquer...

ÁNGEL MARÍA CORTELLINI Spanish, 1819 - 1887 OFRECIENDO UNA COPA oil on canvas 13-1/4 x 11 inches (33.5 x 28 cm.) framed: 17-1/4 x 15 (44 x 38 cm.) Ángel María Cortellini. Sanlúcar de Barrameda (Cádiz), 27.09.1819 – Madrid, 1887. Painter. Ángel María Cortellini was born in Sanlúcar de Barrameda on September 27, 1819, to an Italian father and a Spanish and Sanlúcar mother. Contrary to family opinion, he decided to dedicate himself to painting and already, at the age of nine, he was enrolled in a drawing academy in his hometown. They soon sent him to Seville, where he was a disciple of Joaquín Domínguez Bécquer...

Born in Queens, NY to a family of artists, inventors and actors, Lizbeth Mitty grew up painting and writing. Her work has been exhibited in galleries and museums in both the United States and abroad and is held in public and private collections including the The Metropolitan Museum of Art, The New York State Museum, The Orlando Museum of Art, The Zimmerli Archive, The U.S. State Department, and Trierenberg Holding AG (Austria). My studio is located in Brooklyn, NY. Described by New York Times critic Ken Johnson as a combination of “painterly verve and hellish beauty” — Mitty's work has long been concerned with examining and amplifying the intrinsic abstract beauty of deteriorating or overlooked corners of urban architecture and interiors. In 2015, one object, the chandelier, rose up from detritus to dominate her body of work. Spectacular, illuminated and intricate, the chandelier is evocative of grandeur. In contrast, for much of Mitty's career, scrap yards and other sites of urban devastation, locations of organized chaos, formally beautiful, yet apocalyptic and terrifying. Similarly, the chandeliers speak of decadence, sadness, elegance, death and hope. By 2017, the chandeliers began to open and morph into architecture in the round. Gazebos and scrap dominate a verdant post-apocalyptic landscape...

Confrontation Van Den Eycken Charles Brussels 1859 – 1923 Belgian Painter Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image size 28 x 21,50 cm, frame size 36 x 30 cm Biography: Van Den Eycken Charles (alias Charles Duchene) was born in Brussels in 1859. He was an animal painter, mainly dogs and cats and interiors. He was the son of Charles Van Den Eycken...

Gardening is one of my favorite hobbies. In this work, I really wanted to draw a bush of my favorite hydrangea, so that I could look at it in winter. Original interior painting 60x80...