Karl Harald Alfred Broge

A Danish interior with a Stove, signed Alfred Broge, 1903-1904

1903

Pink interior illuminated by a White window", signed by Wm. Henriksen. Early 20th century A view from the Wm. Henriksen' best period, in which the precision of the line contributes t...

A young woman with a chinon in profile studies seated at a donkey's desk. The light falls from an attic with paintings and plants. The rest of the room is rather dark. The scene is ...

Young Mandolin Player. Signed with the BB monogram and dated 1913. Oil on canvas. 67 × 54 cm. In an interior rich of paintings and music, a very young girl applies herself to the mandolin. This scene of great sweetness is the work work of a woman painter Brita Barnekow who studied in Paris, at the Academy of the Grande Chaumière Our painting was exhibited in 1914 at the Salon of Charlottenburg (on the back, label No34) Provenane: by direct family descent. Brita Barnekow was a student of the painters Marie Vilhelmine Bang (in 1883–85) and Frants Henningsen...

Christoffer Wilhelm Eckersberg is the most important painter of of Danish painting's "Golden Age". Young Pupil of David, at 3, rue de Beaune in Paris, he remained faithful to Neo-C...

This luminous Mountain Landscape expresses the strength of the feeling of Nature, specific to Northern Romanticism, in the suite of Caspar David Friedrich...

The Shepherd on a Rock is an emblematic youth’s work of the very versatile talented Irish artist WilliamShaw Sparrow 1862-1940. Son of a major ironworks W. S. Sparrow got to know in his boyhood many of his father's colliers, furnacemen, blacksmiths, carpenters and farmworkers, and gained respect and admiration for the men, whom he described as "so big, strong, simple-hearted, and kind". During long school holidays at home in his early teens (1875–1879), he spent time with the professional artist William Joseph J. C. Bond, who was staying with the family. Bond painted in oils; Sparrow learnt techniques from him and insight into pigments and varnishes and problems with their stability.[9] It was after discussions with Bond and with Walter's uncle, the architect George T...

Amanti alla Fontana - Lovers by a fountain, painting oil on canvas, Signed left sight. Measures: cm 70 x 100 frame 118 x 145 Faustini Modesto. Brescia, 27 maggio 1839 - Roma, 23 m...

Amanti alla Fontana - Lovers by a fountain, painting oil on canvas, Signed left sight. Measures: cm 70 x 100 frame 118 x 145 Faustini Modesto. Brescia, 27 maggio 1839 - Roma, 23 m...

Egisto Sarri "Pompeian scene" Oil on canvas, measure: cm 30 x 48 with a filly carved gilt - wood frame cm 46 x 64 Signature in the lower left-hand corner: "E. Sarri Egisto Sarri (Figline val d'Arno 1837 - Florence 1901) Sarri studied at the Academy of Fine Arts in Florence under Giuseppe Bezzuoli and Enrico Pollastrini, and was one of Antonio Ciseri...

Provenance: Palazzo Pisani at San Stefano, Venice Mrs. F. Craighead (possibly Mrs. Fay Stinson Craighead, Evansville, Indiana) Sale, Sotheby Parke Bernet, New York, 7 June 1978, lot 310, as Bonifazio Veronese Daniel M. Friedenberg, New York, until 2011; and by descent to: Russell Friedenberg, until 2014 Literature: Giuseppe Pavanello, Gli Inventari di Pietro Edwards nella Biblioteca del Seminario Patriarcale di Venezia, Venice 2006, pp. 132, 140, as no. 10 in Pietro Edwards’ inventory of the Palazzo Pisani: “Giuseppe che fugge dalla moglie di Pitifarre” by Bonifacio Veronese. Philip Cottrell and Peter Humfrey, Bonifacio de’ Pitati, (forthcoming), cat. no. 166h. Antonio Palma is the least well-known member of the illustrious Palma family of Venetian painters of the 16th century. He was the nephew of Jacopo Palma—Palma il Vecchio—and upon his uncle’s death in 1528, he began to work with Palma Vecchio’s principal student and the inheritor of the elder artist’s studio, Bonifazio de’ Pitati (Bonifazio Veronese). Antonio worked with Bonifazio as his principal assistant and right-hand man until Bonifazio’s death in 1553, after which he continued his independent career. He married a niece of his master, and their second son, Jacopo, born in 1648, would achieve fame as Palma il Giovane...

Egisto Sarri "Pompeian scene" Oil on canvas, measure: cm 30 x 48 with a filly carved gilt - wood frame cm 46 x 64 Signature in the lower left-hand corner: "E. Sarri Egisto Sarri (Figline val d'Arno 1837 - Florence 1901) Sarri studied at the Academy of Fine Arts in Florence under Giuseppe Bezzuoli and Enrico Pollastrini, and was one of Antonio Ciseri...

Egisto Sarri "Pompeian scene" Oil on canvas, measure: cm 30 x 48 with a filly carved gilt - wood frame cm 46 x 64 Signature in the lower left-hand corner: "E. Sarri Egisto Sarri (Figline val d'Arno 1837 - Florence 1901) Sarri studied at the Academy of Fine Arts in Florence under Giuseppe Bezzuoli and Enrico Pollastrini, and was one of Antonio Ciseri...