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Dasha PogodinaSpring symphony#12024
2024
$1,233.56
$1,541.9520% Off
£919.67
£1,149.5920% Off
€1,040
€1,30020% Off
CA$1,694.11
CA$2,117.6420% Off
A$1,896.04
A$2,370.0520% Off
CHF 990.03
CHF 1,237.5420% Off
MX$23,131.84
MX$28,914.8020% Off
NOK 12,567.14
NOK 15,708.9320% Off
SEK 11,925.44
SEK 14,906.8020% Off
DKK 7,921.55
DKK 9,901.9420% Off
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About the Item
This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior.
ABOUT THE ARTWORK
In 'Spring Symphony #1', I convey the awakening of life that comes with the season, a crescendo of vitality that resonates with the soul's renewal. This piece represents the symphony of growth and rebirth, the subtle yet profound emergence of new beginnings. It's a tribute to the cyclical symphony of nature, where each bloom and leaf plays a note in the grand orchestra of life. In this series, I interpret the essence of spring as a time of natural and personal rejuvenation, reflecting the interconnectedness of human emotion with the rhythm of the seasons.
- Creator:Dasha Pogodina (1992, Ukrainian)
- Creation Year:2024
- Dimensions:Height: 35.44 in (90 cm)Width: 39.38 in (100 cm)Depth: 0.99 in (2.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Zofingen, CH
- Reference Number:1stDibs: LU2203214014412
Dasha Pogodina Ukrainian artist, based in Switzerland. Paintings are in private collections in the USA, South Korea, Italy, Great Britain, Germany, and Switzerland. Exhibitions
2022 Solo Exhibition Stärke und Verletzlichkeit / Escape Vide - Thun, Switzerland
2022 Group exhibitions In Ukraine / ZRC - Ljubljana, Slovenia
2018 Group exhibitions Room of my Minds, Ukraine
2017 Group exhibitions Garden as an Art, Kyiv, Ukraine
2014 Group exhibitions Gift of Volhvs Severodonetsk, Ukraine
2013 Group exhibitions Fragment of Life, Luhansk, Ukraine
2012 Collaborate Project Light of Hearts, Luhansk Ukraine Dasha Pogodina about her art New sexuality and personal integrity - are the basic areas of search in my artistic practice.
In my practice, I problematize the ideal of the metamodern world with its total moderation and the desire to return to high ideals and values. As an artist, I concentrate on the nature of the corporeal, I perceive the body as a membrane reflecting me into this world and communicating the world to me. In search of answers, I enter into dialogue with the body-sensory lexicon of Kiki Smith and Paula Modersohn Becker and also find support in the sublime physicality of the early Gothic of the 13th century from Giotto, unencumbered by the tension of formal anatomy. My works are filled with color, and ethnic decoration and are illustrative at the same time. This turns my paintings into light, at first glance, stories, which, however, do not call the viewer to cold contemplation, but, on the contrary, open up the opportunity to safely return to their secret “I”.
I use the space of naive archetypal images, creating a safe haven from aggressive modernity, with the opportunity to dive into the psychological depths of my own worldview. I build into my paintings the mechanics of oscillation of naivety and mockery, trust and cynicism, chastity and debauchery, strength and kindness, as a manifesto of courage to be vulnerable and herbivorous in a world where food chains still exist.
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