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Dasha PogodinaSummer is almost over2025
2025
$1,306.34
£967.07
€1,100
CA$1,799.83
A$2,005.26
CHF 1,046.84
MX$24,346.56
NOK 13,158.12
SEK 12,437.62
DKK 8,375.59
About the Item
This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior.
ABOUT THE ARTWORK
The painting "Summer is Almost Over" from the MADELEINE series is a quiet farewell to a season of light and warmth—filled with sensuality, stillness, and gratitude. It captures a moment of transition: not quite autumn, but no longer summer, when the air is infused with the anticipation of change, and both body and mind still cling to sunlit rituals.
The flowers, the cat, the book—all serve here as emotional anchors, guarding the inner space from the chaos of the outside world. This work speaks to the value of slowing down and noticing the small things: the rustle of pages, warmth on the palm, the scent of flowers. These simple details become vessels of stability, inner light, and trust in what is passing.
The painting is not about loss, but about the maturity of acceptance. It explores how memory absorbs not only events but atmosphere—the kind of presence that cannot be captured in words. And it is precisely this subtle, elusive quality that becomes the deepest anchor in the future.
"Summer is Almost Over" is an image of tenderly living through the present moment—when every touch of the everyday becomes an act of love for oneself and for the time that will never come again in quite the same way.
Madeleine series
In the Madeleine series, Daria Pogodina turns to the phenomenon of involuntary memory, known in psychology and culture as the “Proust effect.” The artist explores how ordinary objects and sensory impressions from the past are transformed into emotional anchors—inner pillars of the self.
The objects and images chosen by the author—such as a mother’s sweater, childhood food, or the voice of a television announcer—become points of access to the unconscious resources of the psyche, places of comfort and stabilization. Without falling into nostalgic idealization, Pogodina captures the subtle mechanism of interaction between the conscious and the unconscious, where the mundane becomes sacred, and seemingly banal details acquire profound meaning.
These works are not about escaping the present into the past, but about seeking inner light and strength in both personal and collective experience—a testament to the human ability to find resilience in the everyday during times of crisis.
- Creator:Dasha Pogodina (1992, Ukrainian)
- Creation Year:2025
- Dimensions:Height: 37.01 in (94 cm)Width: 37.01 in (94 cm)Depth: 0.99 in (2.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Zofingen, CH
- Reference Number:1stDibs: LU2203216834572
Dasha Pogodina Ukrainian artist, based in Switzerland. Paintings are in private collections in the USA, South Korea, Italy, Great Britain, Germany, and Switzerland. Exhibitions
2022 Solo Exhibition Stärke und Verletzlichkeit / Escape Vide - Thun, Switzerland
2022 Group exhibitions In Ukraine / ZRC - Ljubljana, Slovenia
2018 Group exhibitions Room of my Minds, Ukraine
2017 Group exhibitions Garden as an Art, Kyiv, Ukraine
2014 Group exhibitions Gift of Volhvs Severodonetsk, Ukraine
2013 Group exhibitions Fragment of Life, Luhansk, Ukraine
2012 Collaborate Project Light of Hearts, Luhansk Ukraine Dasha Pogodina about her art New sexuality and personal integrity - are the basic areas of search in my artistic practice.
In my practice, I problematize the ideal of the metamodern world with its total moderation and the desire to return to high ideals and values. As an artist, I concentrate on the nature of the corporeal, I perceive the body as a membrane reflecting me into this world and communicating the world to me. In search of answers, I enter into dialogue with the body-sensory lexicon of Kiki Smith and Paula Modersohn Becker and also find support in the sublime physicality of the early Gothic of the 13th century from Giotto, unencumbered by the tension of formal anatomy. My works are filled with color, and ethnic decoration and are illustrative at the same time. This turns my paintings into light, at first glance, stories, which, however, do not call the viewer to cold contemplation, but, on the contrary, open up the opportunity to safely return to their secret “I”.
I use the space of naive archetypal images, creating a safe haven from aggressive modernity, with the opportunity to dive into the psychological depths of my own worldview. I build into my paintings the mechanics of oscillation of naivety and mockery, trust and cynicism, chastity and debauchery, strength and kindness, as a manifesto of courage to be vulnerable and herbivorous in a world where food chains still exist.
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