Oil Interior Paintings

Painted by Nelson H. White, in his studio. A single yellow rose stands as the focal point in a small 6 x 4 inch panel. Poking out of a glass bottle, against a dark background, shades...

The original oil painting, "Red Vines" is an impressionistic view of a woman sweeping the walkway in front of a building covered in red vines. Cook use of vi...

1920's Portrait of an Elegant Woman, Oil Painting, British British School, Early 20th Century Oil painting on wood panel, unframed Board size: 9.25 x 6 inches Quite a stunning portr...

Spring Flowers is a vibrant celebration of color and life, painted from a fresh spring bouquet in the expressive alla prima technique. Bold red ranunculus bloom beside soft whites an...

The Female Artist at her Easel French School, early 1900's indistinctly signed oil on board, framed framed: 21 x 17.5 inches board: 16 x 13 inches provenance: private collection, En...

Still Life of an Exotic Fish by Georges Bordonave (French contemporary) signed oil painting on canvas, unframed dated 1973/5? unframed: 12 x 24 inches condition: very good provenan...

ABOUT THE ARTWORK The work “OLIVIA,” is part of the author's broader exploration of the theme of human identity in the modern world. Special attention is paid to the portrayal of th...

Kelly Carmody (b. 1977, Massachusetts) Rooted in realism, Carmody’s compositions start very traditional in subject and composition; however, she further transforms her skilled hand b...

I present to your attention an amazing painting “Lilacs”, made by oil on canvas. This painting embodies the freshness of a spring garden, filling the space with the tenderness and fr...

In this vibrant fusion of acrylic and oil, I've captured the raw energy and beauty of nature. The impressionist strokes evoke a sense of movement, while the expressionist colors stir...

Signed figures in interior oil on panel by French impressionist painter Jean-Francois Raffaelli. The piece depicts two old men seated in an interior. One is reading his paper as the other naps and there are several kittens on the floor. Painted in the artist's distinctive style. Signature: Signed lower left Dimensions: Framed: 9.5"x8" Unframed: 5.5"x4" Provenance: Brame & Lorenceau have confirmed the authenticity of this work and it will be included in the digital catalogue raisonne of the painter which is under preparation A certificate of authenticity fromBrame & Lorenceau accompanies this painting Private collection - United States Original artists label verso Jean-François Raffaëlli's father was a failed Italian businessman and Raffaëlli himself was, among other things, a church chorister, actor and theatre singer. He then studied under Gérôme at the École des Beaux-Arts in Paris. He travelled to Italy, Spain and Algeria and on his return to France settled in Asnières. In 1876, on a trip to Brittany, he first saw the potential of realist subject matter, if treated seriously. He became involved in meetings of artists at the Café Guerbois, where the Impressionist painters used to gather. As a result, Degas, contrary to the advice of the group, introduced Raffaëlli to the Impressionist exhibitions - according to one uncertain source as early as the very first exhibition, at the home of Nadar, and certainly to those of 1880 and 1881. In 1904, Raffaëlli founded the Society for Original Colour Engraving. He first exhibited at the Salon de Paris in 1870 and continued to exhibit there until he joined the Salon des Artistes Français in 1881, where he earned a commendation in 1885, was made Chevalier of the Légion d'Honneur in 1889 and in the same year was awarded a gold medal at the Exposition Universelle. In 1906 he was made Officier of the Légion d'Honneur. He was also a member of the Société Nationale des Beaux-Arts. In 1884, a private exhibition of his work cemented his reputation. He contributed to several newspapers such as The Black Cat (Le Chat Noir) in 1885 and The French Mail (Le Courrier Français) in 1886 and 1887. He published a collection entitled Parisian Characters, which captured his favourite themes of the street, the neighbourhood and local people going about their lives. In 1880 he participated, with Forain, on the illustration of Joris Karl Huysmans' Parisian Sketches (Croquis Parisiens). He also illustrated Huysman's Works. As well as working as an illustrator, he also made etchings and coloured dry-points. His early attempts at painting were genre scenes, but once he was settled in Asnières he started to paint picturesque views of Parisian suburbs. From 1879 onwards, his subject matter drew on the lives of local people. These popular themes, which he treated with humanity and a social conscience, brought him to the attention of the social realist writers of the time such as Émile Zola. In addition to his realist style, Raffaëlli's dark palette, which ran contrary to the Impressionist aesthethic, helped to explain the opposition of those painters to his participation in their exhibitions. More concerned with drawing than colour, he used black and white for most of his paintings. Towards the end of his life, he lightened his palette, but without adopting any other principles of the Impressionist technique. After painting several portraits, including Edmond de Goncourt and Georges Clémenceau, he returned to genre painting, particularly scenes of bourgeois life. Later in his career, he painted mainly Breton-inspired sailors and views of Venice. His views of the Paris slums and the fortifications, sites which have almost completely disappeared, went some way towards establishing a genre in themselves and perpetuated the memory of the area: The Slums, Rag-and-Bone Man, Vagabond, Sandpit, In St-Denis, Area of Fortifications. His realistic and witty portrayal of typical Parisian townscapes accounts for his enduring appeal. Born in Paris, he was of Tuscan descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Léon Gérôme at the École des Beaux-Arts in Paris; he had no other formal training. Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as J.-K. Huysmans, as well as by Edgar Degas. The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which led him to articulate a theory of realism that he christened caractérisme. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary Naturalists, such as Zola and Huysmans. Degas invited Raffaëlli to participate in the Impressionist exhibitions of 1880 and 1881, an action that bitterly divided the group; not only was Raffaëlli not an Impressionist, but he threatened to dominate the 1880 exhibition with his outsized display of 37 works. Monet, resentful of Degas's insistence on expanding the Impressionist exhibitions by including several realists, chose not to exhibit, complaining, "The little chapel has become a commonplace school which opens its doors to the first dauber to come along."An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled Les déclassés, the painting was widely praised at the 1881 exhibit. After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs.[2] His work was also part of the painting event in the art competition at the 1912 Summer Olympics. In the later years of his life, he concentrated on color printmaking. Raffaëlli died in Paris on February 11, 1924 Museum and Gallery Holdings: Béziers: Peasants Going to Town Bordeaux: Bohemians at a Café Boston: Notre-Dame; Return from the Market Brussels: Chevet of Notre-Dame; pastel Bucharest (Muz. National de Arta al României): Market at Antibes; Pied-à-terre Copenhagen: Fishermen on the Beach Douai: Return from the Market; Blacksmiths Liège: Absinthe Drinker...

"Bouquet on Gold" is a mesmerizing painting where a picturesque bouquet of flowers blossoms against the shimmering background of golden light. The vibrant and saturated colors of the...

This superb British Impressionist 19th century oil painting is by noted artist William Christian Symons. Painted circa 1880 it is a figurative interior composition of a musical event...

Sunflowers by Pamela Cawley, British 20th century oil painting on canvas, unframed canvas: 23.5 x 23.5 inches Stunning original Impressionist oil painting by the 20th century Brit...

Artist/ School: French School, mid 20th century, signed lower left Title: Pink & White Flowers in a Blue Vase Medium: oil on board, framed framed: 15 x 12 inches board: 10 x 7 in...

A charming floral still life scene oil on canvas painting by the French artist, Johanne Schiefer. With pink, white, and purple flower arrangement in a clear glass vase, with some few petals that fell lying on the surface. This painting is a wonderful example of his work from the prime of his career with simple florals with an abundance of color and life. The piece is signed by the artist lower left and it comes housed in a wonderful multicolor vintage wood frame and hanging wire on verso ready to be displayed. Art measures 16 x 12 inches Frame measures 19.5 x 15.5 inches Johannes Schiefer was born in 1896 in the Netherlands, and quickly gained notoriety for his landscapes, still life’s and portraits. Schiefer won the Prix de Rome at the age of 19 and studied at the Düsseldorf Academy in Germany, and then moved to Paris where he continued his studies in art at the Beaux Arts, and later at the Villa Medici in Rome. He traveled to paint across Europe, primarily France and Italy and also Latin America. When he married, he settled down in Nice France, and during the late thirties, he traveled and painted the coastline of the South of France, as well as Venice and the Adriatic. He remained in France until 1942, when he moved to New York with his family after the birth of their daughter, future actress Joanna Miles. Already an artist of stature when he arrived in New York, he settled with his family on Long Island, and for the next 30 years, Schiefer kept on painting and built a solid reputation as an important American artist. The Schiefers also had a son, Johannes Jr. After the war, Schiefer maintained a Paris studio and became a resident of Los Angeles for a time in the 1950s. For the next 30 years Schiefer kept on painting and during his career had numerous one man shows, having exhibitions at: Gallery Zak in Paris; Kunsthaus in Hamburg; Kunsthalle in Munich; Stiebel Galleries in Paris; O'Connor Gallery in Ontario; Museum of Modern Art, Wildenstein & Co, Carol Carstairs Gallery and Schoeneman Galleries in New York City; Esther Robles Gallery, County Museum and Vigoveno Galleries in Los Angeles; and the San Francisco Museum. Like Picasso, Schiefer never permitted himself to be “type-cast” in a single monotonous style. If there is anything that typifies his work, it is his versatility, his deft handling of subdued tones to create a unique brilliance of light and color that stamps every painting with his own individuality. In February 1964, Ethel Kennedy...

The House in Torremolinos, Spain British artist J.B. Holmes, 20th Century Oil painting on board, unframed Signed by the artist and dated Feb, 1982 on the back of the board Board siz...

Riley Doyle's "Warm Light" (2023) is an original, handmade oil painting that depicts a the sun shining through the window. This piece measures at 17 x 14 inches in it's frame and is ...

Colourful Still Life Oil Painting, British Artist by Pamela Cawley, British 20th century oil painting on canvas, framed framed: 22.5 x 19 inches Stunning original Impressionist oi...

In crafting this piece, I channeled my reverence for nature’s elegance into each stroke. The interplay of impressionism and realism breathes life into the oil medium, capturing the delicate essence of the bloom. It's a spirited dance of texture and light, meant to evoke a sense of tranquility and contemplation in any space it inhabits. Through these blossoms, I share with you a moment of serene beauty, forever preserved in vibrant hues and dynamic contrasts. A flower with a beautiful structure, delicate color and plastic forms. The very perfection of nature. This creation can be admired endlessly. Original oil painting by the artist Simon...

Expressionist Old Tree, Landscape, British Artist by Pamela Cawley, British 20th century oil painting on canvas, unframed canvas: 26 x 30 inches Stunning original Impressionist oil...

Original small oil painting on canvas . How often are we in the moment, genuinely captivated by the beauty of nature, connecting with ourselves? Filled with the nature of Thailand,...

By the sea most people experience inexplicable sense of joy. We feel a surge of energy and a feeling of love in our souls. Therefore, creating this painting, I put into it the r...

Artist: Yvette Bossiere (French, b.1926) signed lower corner and verso Title: The Interior Medium: oil painting on canvas, unframed Size: painting: ...

In this emotive piece, I've blended acrylics, oils, and pastels to evoke the serene beauty of a Venetian scene. Expressionist vigor meets Impressionist harmony as ethereal sails inte...

The sea is especially beautiful when the sunny warm evening light illuminates the waves, which begin to shine. The sunny evening seascape is unique, because the artist used his uniqu...

(The size of the picture is 90x150cm. It will be sent in a TUBE! Therefore, it will be necessary to give it to the workshop to stretch the picture on a stretcher.) In this vibrant fu...

Flowers in Interior French School, circa 1950's indistinctly signed upper corner oil on board, framed framed: 23 x 20 inches board: 18 x 15 inches provenance: private collection, Fra...

On a tranquil blue background, raspberry roses, resembling peonies, are painted with textured brushstrokes in oil paint. The harmonious, calm, and refined combination of the blue bac...

An oil painting of a vase of flowers atop a windowsill. An antique radiator takes space beneath the windowsil. The window is flanked by pink patterned drapes. The paned window gives ...

This artwork was painted in 2015. The beauty of Venice inspired me. The sketch was made in an open air from a boat in Venetia gulf during the vacation in Italy. It was a very romantic trip with my future husband. Later this picture was painted with a feeling of emotional joyfulness. That’s why looking at this painting you can feel a sense of peace, love and happiness. The artwork was created on high-quality canvas (50/60 cm), using environmentally friendly colors with natural pigment. It is framed a in a black wooden frame. The size with frame 53/63 cm. Painting is covered with UV varnish. Signed. Ready to hang. One-of-a-Kind Painting (only one piece worldwide ). This painting was exhibited at: Red Carpet Gallery in Castle Gütsch. Lucerne (Switzerland). 03.09-03.11.2019. Zürich. “Perfect Art Match”, Peyer Fine Art Gallery. 30.11-13.12.2017. «Austrian Art Week» (Austria. Vienna. 28.01-05.02.2020.) And this painting has taken the 2-nd place at the competition of classical painting in the nomination "Architecture". Сontemporary Art. One-of-a-Kind Painting (only one piece worldwide). Certificate and copy of Diplom are attached. About the artist: Vik Schroeder...

Bright California Seascape Oil Painting Enhance your original oil painting collection with this vibrant and captivating Bright California Pain...

Nikolay paints winter paintings very seldom. But if there is the opportunity he tries to do his best to go painting in winter. Nikolay especially likes winter sunny days. He's always...

Vase de Fleurs by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on canvas, unframed measures: 18.5 high by 15 inches wide condition: ove...

Rose is the queen of flowers. The aroma and delightful appearance of this wonderful plant have always excited the of writers, poets and artists. You can admire the luxurious, gracefu...

ABOUT THE ARTWORK "Monet Garden" is a captivating piece that pays homage to the masterful impressions of Claude Monet. In this painting, the water lilies ...

A peaceful still life of sunflowers picked from the Tuscan countryside. They have been placed in a sunny spot inside, along with ripening plums. Framed Dimensions: 31.6 x 37.5 inches Artist Bio: Amy Florence is a London born artist working out of her studio in Florence, Italy. She trained at the Charles H...

Interior Scene by Helen Greenfield (British 20th century) oil painting on thin board, unframed board: 18 x 25 inches condition: overall very good provenance: all the paintings we hav...

Mid Century Modern Portrait of Woman in Green Dress Original Oil Painting Evocative mid century modern portrait of woman in green dress by California artist Genevieve Rogers (America...

Purple Dining Interior English artist, indistinctly signed contemporary / 21st century signed oil on canvas, framed Framed: 30.5 x 24.5 inches Canvas: 24 x 18 inches Provenance: Private collection, England Condition: This painting is in excellent condition, with vibrant colors and well-preserved details. The canvas is intact, and the paint shows no signs of cracking or fading. The piece is framed in a white wooden frame, which complements the bright and lively nature of the artwork. Description: This vibrant oil painting captures a sunlit breakfast nook, showcasing a delightful interplay of colors and light. The artist uses bold and dynamic brushstrokes to depict a round table set...

The impressionistic painting with the bright sunlight, the dramatic sky and a calm field is a beautiful wall decor, the painting was created en plein-air, combinations of warm and co...

In this piece, I've poured my heart into an abstract symphony of color and emotion, utilizing acrylics, oil, and oil pastel to craft a textured, layered work. It's a narrative withou...

In this exuberant dance of color and form, I infused my love for the natural world through a symphony of vibrant strokes. Drawing inspiration from the raw emotions of expressionism a...

Purple, blue and green textured painting would be a great addition to your impasto oil painting collection. The texture and strokes can be seen in the close-up photos of country hous...

In this passionate fusion of acrylics and oils, I've layered expressionistic energy with impressionistic nuances and surreal symbolism. The artwork e...

The concept of my art is to return to inner balance through contemplating the beauty of nature, to find support and harmony using natural resources. After all, the diversity of shape...

The evening summer painting with a quiet river and boat is a beautiful wall decor, the painting is created en plein air, the artwork is full of different calm colours, combinations o...

The Seated Gentleman by Georges JOUBIN (1888-1983) signed and inscribed/ dated verso signed oil on canvas, unframed Canvas : 36 x 29 inches Provenance: private collection, Paris Con...