Paint Interior Paintings

Expression 56. A modern, expressive abstract painting created with drops and splashes of paint that sparkle and shimmer! The colors overlap each other and also correspond to differen...

This vibrant and bold abstract painting, titled "YGB," is a stunning exploration of color and texture. The artist, Tiberiu Soos, employs a palette knife technique with professional a...

Abstract textured acrylic painting on canvas 100x100x2 cm (39,4 x39,4 x 0,8 inches). Mixed Media on gallery wrapped canvas. The work is ready to hang. No framing required. The sides ...

Painting: Acrylic and enamel on Canvas. Esta obra es una explosión de energía y pasión que quise capturar con colores vivos y movimientos caóticos. Utilicé acrílico y esmalte para c...

This unique abstract contemporary floral artwork named "Floral dancing" presents an abstract interpretation of floral beauty, captivating viewers with its dynamic expression and a r...

"All living beings strive towards the light" - so the great German poet Johann Wolfgang Goethe once said. Plants strive for light in order to grow taller and stronger. And the people...

Acrylic on canvas, combined technique, framed ( frame may vary could be not the same as on the picture), inspired by the theme "Recycling". Signed by the author.

HawaiiTropical School of Fish This stunning oil painting on canvas by Olga Nikitina captures the beauty of a school of fish swimming gracefully in the ocean depths. The vibrant blue ...

Medium: Oil on canvas Dimensions (unframed): 50 x 61 x 2 cm (19.7 x 24 in) Framed dimensions: approx. 57 x 68 x 3.5 cm (22.4 x 26.8 x 1.4 in) Framing: Natural wood floater frame (bla...

Contemporary striped painting by Ron Piller. Painting: Acrylic, Graphite, Gesso, Household, found printed paper on Wood. Multi-colored stripes, modern contemporary. hang verticall...

In this piece, I poured raw emotion into every brushstroke, blending soft pastels with moody blues to capture the tension between light and shadow. The texture and color flow evoke a...

Orange Fish Wall Decor Oil Painting Underwater Original Art Animal Artwork Seascape Impasto Painting Palette Knife Art 16x16" by OlgaNikitinArt Bright underwater painting will be a ...

Phoenix is a symbol of eternal renewal and immortality. Almost every culture in the world has a holiday in the first months of the year, marking the end of winter and the return of ...

What could be more beautiful than the human soul, which retains its kindness and love in all circumstances of life. In this piece, I've poured my passion into every stroke, blending...

Painting: Acrylic and enamel on Canvas. Esta obra es una explosión de energía y pasión que quise capturar con colores vivos y movimientos caóticos. Utilicé acrílico y esmalte para c...

Oil on canvas – 31.9 x 25.6 in (81 x 65 cm) Framed dimensions: 34.6 x 28.3 in (88 x 72 cm) Black or light wood floater frame – Signed by the artist – Certificate of authenticity – Re...

Thirty pigeon holes Ron Piller is a beautiful, contemporary painting with a mix of mediums: Acrylic, Gloss Medium Varnish on Canvas. It's strong colors and geometry with white, red a...

Halliday captures the spirit of a French novelist’s cherished home, a place of literary and artistic inspiration. The dining table, central to the composition, exudes warmth and hist...

Richard Andres (American, 1927-2013) Blue Wall, c. 1959 oil on canvas signed and titled verso 42 x 60 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

Painting: Acrylic and enamel on Canvas. Esta obra es una explosión de energía y pasión que quise capturar con colores vivos y movimientos caóticos. Utilicé acrílico y esmalte para c...

Shipping in a rolled tube! "This expressive and vibrant abstraction is enriched with two wonderful white tulips painted in a realistic style. The artist designedly has created an exp...

Abstract bookshelf oil painting by French contemporary artist Sophie Dumont, Les Veilleurs de l’Ombre (The Watchers of the Shadow) transforms the image of a library into a quiet arch...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." - Eckhart Tolle Abstract t...

original acrylic painting Born in Badalona (Barcelona). Photographer and advertising film director. Founding partner of the advertising production company La Cosa de las Pelicula...

Charles Green Shaw (American, 1892-1974) By the Dawn's Early Light, 1955 Oil on masonite Signed lower left, dated and titled verso 35.5 x 23.75 inches 38 x 26.25 inches, framed Provenance: The estate of the artist to Charles H. Carpenter Charles Green Shaw, born into a wealthy New York family, began painting when he was in his mid-thirties. A 1914 graduate of Yale, Shaw also completed a year of architectural studies at Columbia University. During the 1920s Shaw enjoyed a successful career as a freelance writer for The New Yorker, Smart Set and Vanity Fair, chronicling the life of the theater and café society. In addition to penning insightful articles, Shaw was a poet, novelist and journalist. In 1927 he began to take a serious interest in art and attended Thomas Hart Benton's class at the Art Students League briefly in New York. He also studied privately with George Luks, who became a good friend. Once he had dedicated himself to non-traditional painting, Shaw's writing ability made him a potent defender of abstract art. After initial study with Benton and Luks, Shaw continued his artistic education in Paris by visiting numerous museums and galleries. From 1930 to 1932 Shaw's paintings evolved from a style imitative of Cubism to one directly inspired by it, though simplified and more purely geometric. Returning to the United States in 1933, Shaw began a series of abstracted cityscapes of skyscrapers he called Manhattan Motifs which evolved into his most famous works, the shaped canvases he called Plastic Polygons. The 1930s were productive years for Shaw. He showed his paintings in numerous group exhibitions, both in New York and abroad, and was also given several one-man exhibitions. Shaw had his first one-man exhibition at the Valentine Dudensing Gallery in New York in 1934, which included 25 Manhattan Motif paintings and 8 abstract works. In the spring of 1935 Shaw was introduced to Albert Gallatin and George L.K. Morris. Gallatin was so impressed with Shaw's work, he broke a policy against solo exhibitions at his museum, the Gallery of Living Art, and offered Shaw an exhibition there. In the summer of 1935 Shaw traveled to Paris with Gallatin and Morris who provided introductions to many great painters. Shaw regularly spent time with John Ferren and Jean Hélion. The following year Gallatin organized an exhibition called Five Contemporary American Concretionists at the Reinhardt Gallery that included Shaw, Ferren, and Morris, Alexander Calder, and Charles Biederman...

School of fish painting would be a great addition to your oil painting collection. Coral reef artwork original underwater painting - painted on...

The painting was painted outdoors in a field in Liechtenstein in 2023 in the style of Modern Impressionism. The bright colors of the gladioli give the viewer joy and a summer mood. T...

Sophie Dumont – “Empreintes” Oil on canvas – 23.62 x 23.62 in (60 x 60 cm) Framed dimensions: 26.38 x 26.38 in (67 x 67 cm) – Choice of black or natural wood frame Year: 2025 Certifi...

Painting: Acrylic and enamel on Canvas. Esta obra es una explosión de energía y pasión que quise capturar con colores vivos y movimientos caóticos. Utilicé acrílico y esmalte para c...

In this abstract painting, Pierre Morquin explores the theme of life after death. Vivid colors and sinuous shapes evoke a dreamlike, mysterious world. Viewers are invited to let thei...

Painting: Acrylic on Canvas. Esta obra es una explosión de energía y pasión que quise capturar con colores vivos y movimientos caóticos. Utilicé acrílico y esmalte para crear una te...

Painting: Acrylic on Canvas. Esta obra es una explosión de energía y pasión que quise capturar con colores vivos y movimientos caóticos. Utilicé acrílico y esmalte para crear una te...

Lake Walensee is located in eastern Switzerland. In the northern part of the lake, near the water, is the Kurfirsten mountain range. On the other side of ...

This original artwork by Alex Senchenko is an abstract, contemporary acrylic on canvas piece. Perfect for a room that needs a burst of color. Comes with a certificate of authenticity...

Underwater painting is a new very unique fast growing direction in contemporary art. Artwork was created underwater during scuba diving at the depth of 5,3 meters, session 42 minutes. By influence of underwater environment, feeling of no gravity, colorful impression, another reality - It feels different, brain works different, colors and shapes just blows your mind and you feel kind of explosion. Title: Ocean Music Size: 8x8 inches 20x20cm Style: underwater impressionism Technique: palette knife oil painting Underwater art...

This artist's butterfly work is in the current Veranda Magazine with Jan Showers. "Pink and Black Contemporary Form" oil on canvas pair of corresponding originals by Steve McElroy. ...

Pointillism 6. A modern abstract painting created with brush strokes that sparkle and shimmer! Many colored drops, blue, yellow, green, red, pink, white, on a dark background. The pa...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." – Eckhart Tolle Abstract te...

Painting: Acrylic on Canvas. This work consists of two canvases of Diptych It is a large work of marvelous beauty. The scene is an evocation of nature, the colors generate a dreamy ...

READY TO HANG with the edges painted. Size: 150x100X2 cm, 59x39.4x0.8 inches. I signed and dated on the front and I also put my relief signet as you can see an example at the last pi...

"Expressive Blooms," created by French artist Natalya Mougenot (learn more about the artist below) in 2025, is part of her ongoing series dedicated to Nature. In this vibrant contemp...

"Abstract Composition" Abstract Painting 55" x 79" inch by Kinda Adly Kinda Adly, born in Egypt in 1989, is a self-taught artist. She grew up in Egypt and currently lives in Switzer...

Painting: Acrylic on Canvas. Esta obra es una explosión de energía y pasión que quise capturar con colores vivos y movimientos caóticos. Utilicé acrílico y esmalte para crear una te...

In this piece, I poured my emotions into bold acrylic strokes, weaving deep blues with gentle pinks and vibrant golds to evoke both calm and intensity. It captures the dance between ...

Abstract Still Life, Muted Colours, Original Oil Painting By British artist, Beryl Darton, Mid 20th Century Signed by the artist on the lower left hand corner Oil painting on board, ...

Painting: Acrylic and enamel on Canvas. Esta obra es una explosión de energía y pasión que quise capturar con colores vivos y movimientos caóticos. Utilicé acrílico y esmalte para c...

Abstract Oil Painting, Horse French School, circa 2000 Oil painting on canvas, unframed Framed size: 36 x 24 inches Exceptional abstract oil painting, this will stand out within any...

Painting: Acrylic and ink on Canvas. Esta obra es una explosión de energía y pasión que quise capturar con colores vivos y movimientos caóticos. Utilicé acrílico y esmalte para crea...

Acrylic and enamel on Canvas The dance of colors generates a scene of great beauty. The strength of the movement and the shapes created with its colors convey a dream towards realit...

In this piece, I poured my heart into blending playful innocence with vibrant energy. Using acrylics, I created a cherubic figure that seems to float joyfully through a dreamy, textu...

The surfaces Susan Washington works with are derived from her memories of the graffitied subway car, public telephone booths, and rolling steel cages that secure neighborhood stores ...

READY TO HANG - Diptych - GALLERY QUALITY Vibrant, vivid, dynamic, bold large colourful abstract painting - some neon nuances could not be caught by the camera. Dimensions: 200x100X4...

In this vibrant cascade of color, I sought to encapsulate the visceral rush of emotions that dawn on us in moments of profound reflection and turmoil. Each stroke embodies a flicker ...

Painting: Acrylic on Canvas. Esta obra es una explosión de energía y pasión que quise capturar con colores vivos y movimientos caóticos. Utilicé acrílico y esmalte para crear una te...

Windows (House)-abstract painting, made in pink, turquoise, white, black color. About the Artist: Art Decorator who are working in contemporary colors for interiors. "I love to dra...

This oil painting is a lively dance of color and texture, merging figurative grace with the boldness of fine art. The impressionistic strokes invite viewers to explore the quint...

Artist: John Hultberg, American (1922 - 2005) Title: Untitled - Artist's Studio Year: circa 1960 Medium: Acrylic on Board, signed l.r. Size: 24 x 29.5 in. (60.96 x 74.93 cm) Frame: 2...

In this work, I employed acrylics to explore the depth and divergence between chaos and serenity. The layers and textures are inspired by natural weathering processes and the intense...