Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 12

Pietro Krohn (Attributed), Interior With Woman Knitting, Oil Painting

c. 1875

About the Item

This late 19th-century oil painting attributed to Danish artist Pietro Krohn (1840-1905) depicts a gently lit interior with a woman knitting before a statue of the Venus de Milo. It’s possibly the artist’s family home. Described as the “Danish Art industry's great connoisseur and organiser”, Pietro Købke Krohn was a gifted multi-faceted creative who is celebrated both for his art and his broader work within the artistic community. He was the son of sculptor Frederik Christopher Krohn (1806-1883) and Sophie Susanne Købke (1807-1853), the sister of distinguished Golden Age painter, Christen Købke (1810-1848). Following his education at the Royal Danish Academy of Fine Arts, his primary artistic pursuits were painting and illustration. His brother, Johan Jacob Krohn (1841-1925), was a successful writer and the pair collaborated on several publications. His success as a painter gathered momentum during the 1870s, which coincided with his becoming a member of the Danish artists' colony in Rome. His better-known pieces are genre scenes featuring figures in domestic settings and it’s plausible that he painted his parents on occasion, probably within the family home. Here, the seated lady resembles his stepmother, Juliane Emilie Købke (1812-1880). From 1880, Krohn diversified and undertook the first in a series of professional roles by becoming a costume designer at the Royal Danish Theatre where he also directed operas. In 1885, he was appointed as the artistic director of Bing & Grøndahl, a porcelain manufacturer, and from 1893, as the Head of the Danish Museum of Art & Design. Throughout his career, he was embedded in the artistic scene and would regularly offer his services free of charge with the aim of education. A letter in the national archives refers to a lecture he gave on the history of Italian Art, which was particularly well received. His son became an art historian. Monogrammed in the lower left and held within a gilt frame. Established in 2017, Brave Fine Art is a premier English art dealership based in Cheltenham with clients including national galleries and country estates. Our team includes a conservator, logistics specialist and art historian. Over 1,000 paintings have been transported to the US and Canada safely with hundreds of glowing reviews. We set our prices fairly from the start as we prefer to sell quickly and continually evolve the collection. Around 40 new discoveries are added every month. If you have any questions at all, we’d love to hear from you.
  • Attributed to:
    Pietro Krohn (1840 - 1905, Danish)
  • Creation Year:
    c. 1875
  • Dimensions:
    Height: 33 in (83.82 cm)Width: 24.5 in (62.23 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Assessed and approved by our conservator. Cleaned. Frame restored. Minor varnish-related shadow in the upper area by the doorway.
  • Gallery Location:
    Cheltenham, GB
  • Reference Number:
    1stDibs: LU2328214139002
More From This SellerView All
You May Also Like
  • 19th Century genre oil painting of figures in a cottage with two donkeys & a dog
    By Charles Hunt Jr.
    Located in Moreton-In-Marsh, Gloucestershire
    Charles Hunt Jnr British, (1829-1900) A Deal to be Done Oil on canvas, signed Image size: 24.75 inches x 34.75 inches Size including frame: 32.25 inches x 42.25 inches Charles Hunt was born in Kensington, London and was part of a dynasty of painters. He was the son of the genre painter Charles Hunt (1803-1877) and father to Edgar Hunt (1876-1955) and Walter Hunt (1861-1941) both of whom were taught by their father and became successful artists in their own right. Two more of his children Reuben Hunt...
    Category

    19th Century Victorian Figurative Paintings

    Materials

    Canvas, Oil

  • 19th Century genre oil painting of figures in a cottage with animals
    By Charles Hunt Jr.
    Located in Moreton-In-Marsh, Gloucestershire
    Charles Hunt Jnr British, (1829-1900) A Visitor Calls Oil on canvas, signed Image size: 24.75 inches x 34.75 inches Size including frame: 32.25 inches x 42.25 inches Charles Hunt was born in Kensington, London and was part of a dynasty of painters. He was the son of the genre painter Charles Hunt (1803-1877) and father to Edgar Hunt (1876-1955) and Walter Hunt (1861-1941) both of whom were taught by their father and became successful artists in their own right. Two more of his children Reuben Hunt...
    Category

    19th Century Victorian Figurative Paintings

    Materials

    Canvas, Oil

  • 19th Century genre oil painting of children at a recital
    Located in Moreton-In-Marsh, Gloucestershire
    Jean Pierre Haag French, (1842-1921) The Students’ Recital Oil on canvas, signed & dated 1891 Image size: 26.75 inches x 38.75 inches Size including frame: 34.75 inches x 46.75 inch...
    Category

    19th Century Victorian Figurative Paintings

    Materials

    Oil, Canvas

  • 19th Century genre oil painting of a woman & child in a Welsh cottage
    Located in Moreton-In-Marsh, Gloucestershire
    Alfred Provis British, (1818-1890) By the Fireside Oil on canvas, signed & dated 1869 Image size: 10.5 inches x 15.5 inches Size including frame: 21.5 inches x 26.5 inches This charming cottage scene by Alfred Provis features a woman preparing supper by a fire with her young daughter. As the mother peels the turnips and places them in the pot, the girl’s attention is drawn to the kitten feeding from a saucer. The dress and hat of the woman bears a similarity to those found Provis’s other scenes of Welsh cottage interiors. The artist was known to have visited North Wales around the time this painting was produced. In 1869, he exhibited a work entitled ‘Interior of a Welsh Farmhouse’ at the Royal Society of British Artists. Given the level of detail in the painting and the fact that it is in such an impressive original frame, it is possible this is the same painting as the one exhibited. Alfred Provis was a genre painter born on 18 February, 1818 in Chippenham, Wiltshire. He was the son of John Provis, a timber merchant and his second wife Ann Banks. He spent time in London being tutored by the historical and portrait artist John Wood (1801-1870) before returning to Chippenham. He began exhibiting at the Royal Society of British Artists in 1843, continuing to exhibit there regularly until 1886. He made his debut at the Royal Academy in 1846 with a work entitled ‘A Cottage Door...
    Category

    19th Century Victorian Figurative Paintings

    Materials

    Canvas, Oil

  • Historical genre oil painting of three gentlemen at a table
    By Frank Moss Bennett
    Located in Moreton-In-Marsh, Gloucestershire
    Frank Moss Bennett British, (1874-1952) Papers to Discuss Oil on canvas, signed & dated 1922 Image size: 13.5 inches x 19.5 inches Size including frame: 20.25 inches x 26.25 inches A finely painted scene by Frank Moss Bennett depicting three gentlemen in 18th century costume conversing at a table. One of the men, dressed as a lawyer, looks over a document whilst the others smoke from clay tobacco pipes. Frank Moss Bennett was a portrait and genre painter who was born in Liverpool on November 15, 1874. He was the son of the Iron Founder Henry Mellor Bennett who was also became mayor of Liverpool. His family’s wealth enabled him to receive a good education, initially with a governess and then at Clifton College in Bristol. His talent for art emerged at a young age, however it was not until he left Bristol that he decided to follow a career in painting. He moved to London in 1892, most likely with his family who went to live in Croydon after his father’s retirement. There he studied at the Slade School of Art where he was taught by Henry Tonks and John Singer Sargent. He also met fellow artist Eddie Wells who became his friend, travel partner and brother-in-law. He later attended the St John’s School of Art and in 1896 entered the Royal Academy school, winning a gold medal and a scholarship to travel. He began exhibiting at the Royal Academy from 1898 with a work entitled ‘A Book Plate’, continuing to exhibit there until 1929. He also exhibited at the Paris Salon, the Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolour. In 1900, Bennett used his scholarship money to go on a painting expedition to Italy with his friend Wells. On his return he lived with his family at 18 Warrington Road, Croydon and took a studio nearby at Alipore, Duppas Hill, where he began specialising in historical genre and portraits. His work portrayed life in seventeenth and eighteenth century England, depicting figures in tavern interiors, gentlemen discussing affairs of State or at leisure in their homes. He wanted his works to be historically accurate and used authentic props and antiques. He also accrued a large collection of costumes, some of which were later given to the Platt Hall Museum, Manchester and the Museum of London. He also developed an interest in historical architecture, particularly Tudor and made many sketches of buildings...
    Category

    Early 20th Century Victorian Figurative Paintings

    Materials

    Oil, Canvas

  • !9th century English Pub interior , with Huntsmen and figures drinking
    Located in Woodbury, CT
    Attributed to Randolph Caldecott, a well-known English painter, and illustrator of English Pub interior scenes. The scene is great fun, as we can see di...
    Category

    1890s Victorian Figurative Paintings

    Materials

    Canvas, Oil

Recently Viewed

View All