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Isidore Alexandre Augustin Pils
A MAN READING IN HIS STUDY, oil painting, small, 14 K gold frame, French 19th C

circa 1840

$5,400
£4,017.16
€4,709.81
CA$7,552.59
A$8,432.68
CHF 4,424.54
MX$104,074.21
NOK 55,617.02
SEK 52,039.58
DKK 35,135.97
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About the Item

Isidore Pils Paris 1813 – 1875 Douarnenez Portrait of a Man in his Study Oil on canvas 10 1/2 x 8 1/2 inches Framed: 16 x 14 inches Provenance: Private Collection, Florida Isidore Pils was the son of the painter, Francois Pils, and the young pupil of Guillame Lethiere. As an adult, Pils studied with Francois-Edouard Picot in Paris where an endless string of health problems began to plague his art career. Despite these, he won the Grande Prix de Rome in 1838 with his St. Peter Healing a Lame Man at the Gate of the Temple and returned to France in 1844. Pils’ greatest fame was found with his realist approach to the scenes of the Crimean War and was commissioned by the French government for the victorious and patriotic appeal of his paintings. Pils became a professor at the Ecole des Beaux-Arts in Paris in 1863 where his reputation as a realist military painter and portrait artist remained high until his death in 1875. In our picture, the artist depicts a young man, elegantly dressed, sitting at his reading table. One hand rests absently at his knee, the other he uses to prop up his head. Legs crossed, he sits comfortably with a slight slouch, as if too absorbed in his reading to notice his posture. It is an intimate portrait, painted with a keen sense of the figure and his activity. Rather than present the sitter traditionally up close from the front, Pils chooses a profile, full figure, putting a slight distance, both emotionally and spatially, between the viewer and the subject. The palette is dark, predominated by brown umber, and contributes to the sense of enclosed space and the atmosphere of intent focus. Only the figure's face, hand and book are treated in lighter tones, which allow them to stand out and to further emphasize the man's reading activity. His face bears a hint of a smile, his eyes scan the pages of his book in unbroken concentration. He seems completely unaware of his surroundings, of the viewer's presence, prompting one to search further into the painting, to know more about this man - what he is reading and imagining. Indeed the viewer is drawn into this somber, focalized world as seen by Pils, projecting our own imagination onto what the painting holds.

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