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Isidore Alexandre Augustin PilsA MAN READING IN HIS STUDY, oil painting, small, 14 K gold frame, French 19th Ccirca 1840
circa 1840
$5,400
£4,017.16
€4,709.81
CA$7,552.59
A$8,432.68
CHF 4,424.54
MX$104,074.21
NOK 55,617.02
SEK 52,039.58
DKK 35,135.97
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About the Item
Isidore Pils
Paris 1813 – 1875 Douarnenez
Portrait of a Man in his Study
Oil on canvas
10 1/2 x 8 1/2 inches
Framed: 16 x 14 inches
Provenance:
Private Collection, Florida
Isidore Pils was the son of the painter, Francois Pils, and the young pupil of Guillame Lethiere. As an adult, Pils studied with Francois-Edouard Picot in Paris where an endless string of health problems began to plague his art career. Despite these, he won the Grande Prix de Rome in 1838 with his St. Peter Healing a Lame Man at the Gate of the Temple and returned to France in 1844. Pils’ greatest fame was found with his realist approach to the scenes of the Crimean War and was commissioned by the French government for the victorious and patriotic appeal of his paintings. Pils became a professor at the Ecole des Beaux-Arts in Paris in 1863 where his reputation as a realist military painter and portrait artist remained high until his death in 1875.
In our picture, the artist depicts a young man, elegantly dressed, sitting at his reading table. One hand rests absently at his knee, the other he uses to prop up his head. Legs crossed, he sits comfortably with a slight slouch, as if too absorbed in his reading to notice his posture. It is an intimate portrait, painted with a keen sense of the figure and his activity. Rather than present the sitter traditionally up close from the front, Pils chooses a profile, full figure, putting a slight distance, both emotionally and spatially, between the viewer and the subject. The palette is dark, predominated by brown umber, and contributes to the sense of enclosed space and the atmosphere of intent focus. Only the figure's face, hand and book are treated in lighter tones, which allow them to stand out and to further emphasize the man's reading activity. His face bears a hint of a smile, his eyes scan the pages of his book in unbroken concentration. He seems completely unaware of his surroundings, of the viewer's presence, prompting one to search further into the painting, to know more about this man - what he is reading and imagining. Indeed the viewer is drawn into this somber, focalized world as seen by Pils, projecting our own imagination onto what the painting holds.
- Creator:Isidore Alexandre Augustin Pils (1813 - 1875, French)
- Creation Year:circa 1840
- Dimensions:Height: 16 in (40.64 cm)Width: 14 in (35.56 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU2733214504502
Isidore Alexandre Augustin Pils
Isidore-Alexandre-Augustin Pils (1815–1875) was a French academic painter of religious and military subjects. Pils was born in Paris as the son of a soldier François Pils. At the age of twelve, he studied with Guillaume Guillon-Lethière for four years.
In 1831 he became a student at the École des Beaux-Arts and studied under François-Édouard Picot. He competed for the Prix de Rome, which he won in 1838 for a history painting, Saint Peter Healing a Lame Man at the Door of the Temple.
Although in poor health, Pils then spent the customary three years at the French Academy in Rome at the Villa Medici, which then had Jean Auguste Dominique Ingres as its director. While in Italy he visited Naples, Venice, and Florence. Pils's earlier paintings have religious themes. In 1849 he completed his most famous work, Rouget de L'Isle Singing La Marseillaise, which now resides at the Musée historique de Strasbourg. After experiences travelling with French troops through the Crimea, his themes took on military and nationalistic subjects. He later produced many military scenes during the siege of Paris during the Franco-Prussian War of 1870. Pils was appointed professor of painting at the École des Beaux-Arts in 1863 but left the same year for two years in Algeria. In 1868 he was elected to seat #14 of the Académie des Beaux-Arts. Among his students were Adrien Moreau, Paul Adolphe Rajon, Julien Dupré, Luc-Olivier Merson, Ludovic Piette, Édouard Joseph Dantan and László Mednyánszky. Among his other work, Pils painted part of the ceiling of the grand staircase of the Palais Garnier, in four panels titled The Gods of Olympus, Apollo in His Chariot, Triumph of Harmony, and Apotheosis of the Opera, completed the year of his death. The following year he was the subject of a biography by Louis Becq de Fouquières.
Pils died in Douarnenez and is buried in section 54 of Père Lachaise Cemetery. His works are held by different museums in France such as : Musée Condé - Chantilly
Musée National du Château - Compiègne
Musée des Beaux Arts - Bordeaux
Musée Historique - Strasbourg
Palais des Beaux-Arts - Lille
Musée des Augustins - Toulouse etc...
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