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Jack ReillyXXVIII Divided
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About the Item
Jack Reilly came to Los Angeles in 1978, shortly after receiving his MFA from Florida State University. In 1979, the Molly Barnes Gallery in Los Angeles debuted Reilly’s paintings in a solo exhibition. That same year, USC Fisher Gallery’s curator Donald Brewer included his work in a major museum exhibition entitled “The Reality of Illusion,” an international survey that opened at the Denver Art Museum and traveled to museums throughout the United States for the following two years. By the early 1980s, Reilly’s work was regularly exhibited in museums and represented by numerous galleries throughout the country; including Arron Berman Gallery in New York City, Foster Goldstrom Fine Arts in San Francisco, Molly Barnes Gallery in Los Angeles, Marilyn Butler Gallery in Scottsdale, AZ and numerous others. Reviews, articles and reproductions featuring Reilly’s work are published in Arts Magazine, Artweek, the Los Angeles Times, Los Angeles Magazine and in books including American Art Now, Inside the L.A. Artist, and Introduction to Design. Reilly is a recipient of a National Endowment for the Arts grant and numerous awards. His paintings are included in major public, private and corporate collections internationally, including the Steve Martin Collection, Frederick Weisman Foundation, County of San Diego’s Public Arts Program, and American Airlines at Los Angeles International Airport.
- Creator:Jack Reilly (1950, American)
- Dimensions:Height: 44 in (111.76 cm)Width: 60 in (152.4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Santa Monica, CA
- Reference Number:1stDibs: LU104714598832
Jack Reilly is a contemporary American artist known for his complex paintings on shaped-canvas structures, signature brushwork, and seductive illusionism. With a long-standing career spanning over four decades, Reilly's work is widely collected and exhibited in galleries, museums, and public collections worldwide.
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View AllJack Reilly, Primary Unit with Double Diagonals, Acrylic on Shapped Canvas, 2012
Located in Santa Monica, CA
Painting on stretched canvas over sculpted stretcher bars, constructed by the artist. The work has been painted to give the illusion that it is a raised cube when in fact it is a 2-dimensional shaped canvas.
Multiple acrylic paints and acrylic pigments have been used in each 'Stripe' of this work. Many are semi transparent or metallic pigments, causing a nice nuance in color depending on the lighting of the work.
After receiving his MFA from Florida State University, in 1978 Jack Reilly moved to Los Angeles. His paintings were soon discovered by prominent Los Angeles art dealer Molly Barns, who offered him a solo exhibition with her gallery. Donald Brewer, curator of the Fisher Museum at the University of Southern California, introduced Reilly’s paintings in 1979 in a major museum exhibition entitled The Reality of Illusion, which opened at the Denver Art Museum and traveled for two years to the Oakland Museum, USC Fisher Museum, Johnson Museum at Cornell, Honolulu Academy of Arts, among other institutions nationwide. This series of museum exhibitions, along with numerous solo shows and reviews, established Reilly as one of the original artists of the Abstract illusionism painting movement. In 1979 Reilly received a National Endowment for the Arts Grant. Although he is best known for his abstract paintings on shaped canvas, he also works in representational imagery and mixed-media.
By the early 1980s, Reilly's paintings were represented by galleries in major American cities including the Molly Barnes Gallery in Los Angeles, Aaron Berman Gallery in New York, Foster Goldstrom Fine Arts in San Francisco, Marilyn Butler gallery in Scottsdale and numerous others. Articles and reviews on Reilly's paintings were subsequently published in Arts Magazine, Art Week, the Los Angeles Times, New York Artworld, and in books including American Art Now by noted author and art critic Edward Lucie-Smith, and Inside the L.A. Artist by Marva Marrow.
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