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Jacqueline HumphriesUntitled1992
1992
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Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
About the Item
By the mid-1980s painting had been declared “dead” several times over. But for the contemporary painter Jacqueline Humphries, the medium became a “rogue practice”; however risky, it has remained her foundation. “Painting can adapt to anything,” she notes. Throughout her career Humphries has thus adapted to—and subverted—painting’s formal and discursive conditions, often with reference to both art history and cutting-edge technological formats. Early canvases, such as those in her 1995 Greene Naftali show (the gallery’s first solo presentation), probe the legacy of Abstract Expressionism, envisioning that movement’s chaotic drips not as destructive but constructive—as a sort of code which Humphries manipulates to form the basis of her own works. Balancing conceptual maneuvers and striking opticality in the ample space of her canvases, Humphries, like her peers Laura Owens and Charline von Heyl, betrays “a profound knowledge of how to make, and fake, marks on canvas,” writes Mark Godfrey—“how to navigate the histories and associations of those marks and control what impact they might have on viewers.”
- Creator:Jacqueline Humphries (1960)
- Creation Year:1992
- Dimensions:Height: 14 in (35.56 cm)Width: 14 in (35.56 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU8512551402
Jacqueline Humphries
Jacqueline Humphries lives and works in New York. A solo exhibition of her work is on view at the Wexner Center for the Arts through January 2, 2022. Recent solo exhibitions include Dia Art Foundation, The Dan Flavin Art Institute, Bridgehampton, New York (2019); Greene Naftali, New York (2017, 2015); Carnegie Museum of Art, Pittsburgh (2015); Contemporary Art Center New Orleans (2015); Stuart Shave/Modern Art, London (2014); Greene Naftali, New York (2012); and Prospect.1, New Orleans (2008). Humphries was included in the 2014 Whitney Biennial. Her work is in the collections of The Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Metropolitan Museum of Art, New York; Albright-Knox Art Gallery, Buffalo; The Art Institute of Chicago; Museum of Fine Arts, Boston; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Carnegie Museum of Art, Pittsburgh; Hessel Museum of Art, Annandale-on-Hudson, New York; San Francisco Museum of Modern Art; Tate Modern, London; Fondation Louis Vuitton, Paris; and Museum Brandhorst, Munich, among others.
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