Jean François de Troy

Finding of Moses

1717

Exhibited 2001 at Atelier 31, Kirkland, WA Includes certificate of authenticity by artist. Tatiana Garmendia is a figurative artist with a conceptual edge. Working with oil paint a...

Certificate of authenticity from the Agustin Fernandez Foundation is included.

Thibo Villeneuve is from Saint Tropez, France and has been living in Miami Beach, FL for over 10 years. He started the brand "Dream of Desire" with his childhood friend Florian Con...

Tempura on wood panel mounted on wood stretcher A difficult scene of the stoning of St. Stephen rendered by Aldo Pagliacci in a surreal manner. The bloodstained wall evokes the work of Cy Twombly, an abstract painting all its own, while the saint...

Mario Grimaldi (American 1927-1997) "Untitled" ca. 1980's Oil on Canvas Signed Verso 36.3" x 48.3" inches framed 36" x 48" inches unframed Mario Grimaldi born in NYC in 1927, ea...

Acrylic on canvas Signed "Sander 1969" (Typewritten paper label states: LSE #75 Atatapa 1. 1965) Ludwig Sander was a painter of the New York School. He studied under Hans Hoffman and lived and worked in New York City and Sagaponack, Long Island. His work is well represented in many public collections. He was charter member of the Eighth Street Club (The Club) whose artist members included Willem and Elaine de Kooning, Jimmy Rosati, Giorgio Spaventi, Milton Resnick, Pat Passlof...

In 2001 the German art historian Art historian and Raphael Expert, Prof. Jürg Meyer zur Capellen, published the painting "Die Heilige Familie" in a monographic article, ascribing the present work to the Venetian painter Giovanni Battista Pittoni (1687 -Venice - 1767). (Newspaper "Weltkunst", October 2001, No 12, p. 1850 f. ill.) He describes it as a typical work by this artist. Pittoni was one of the most influential and successful artists of the Venetian Settecento. He was a pupil of the Veronese Master Giovanni Balestra (1666-1740). His style is influenced by Sebastiano Ricci (1659-1734) and Giambattista Tiepolo (1696-1770). Giovanni Battista Pittoni was already successful at a young age and soon lead his own workshop. He created large-scale hitoria paintings, as well as large, religious altarpieces. In addition to Venetian and Upper Italian patrons, Pittoni also had many interested parties from Europe. His work is accordingly scattered in many different museums and private collections today. Pittoni - like other painter colleagues of his time - repeated his own compositions both by hand and with the help of his workshop. He repeatedly incorporated details into other pictures and contexts. Prof. Meyer zur Capellen noted the very good condition of the present work and the high quality of the paint with fine graduations and the vivid brushstrokes. Provenance: The panting has not been on the art market for at least 300 years. In the year 2000 the work was donated by the Münster-based, Noble Family Ketteler zu Harkotten to a private collection in Westphalia. Most probably the canon Nikolaus Hermann von Ketteler zu Harkotten bought the piece in Venice in 1750 together with the altarpiece of the Clemens Church in Münster. On the reverse of the work is a fideicommissum number by Ketteler zu Harkotten. As it belonged to the family commission, the painting was inalienable until 1919, when the corresponding law was repealed, and after that time it remained in the family's possession without interruption. Pittoni's only direct relationship to Münster is the commission for the high altar painting of the Baroque St. Clemens Church. It can be assumed that then canon von Ketteler saw this painting in the artist's workshop during his stay in Venice and acquired it for himself. This would also explain the discrepancy in dating. (ca. 1735/1750). However, it is also possible that the painting originated in the possession of Ferdinand von Plettenberg...

French School, Portrait of a Young Lady, perhaps an actress Oval Louis XIV sculpted and gilded frame French Art, Roccoco Art The oval portrait of a young woman measures 61 by 50,5 cm canvas sight size and its 18th century oak carved and gilded frame...

Circle of Jean Honore Fragonard (French 1732–1806) An Exceptional Painting of Three Putti and Fire, circa 1795. Masterfully painted in the late ...

Originally painted for Louis XV's mistress Madame de Pompadour, this sensuous work of voluptuous bathing nudes is a copy of Boucher's "The Four Seasons...

Lucius Rossi (Italian, 1846 – 1913) La balancoire, 1907 Signed and dated ‘Lucius Rossi, 1907’ (lower right) Oil on canvas 22.1/2 x 32.3/4 in. (57.5 x 83....

Chinese painter (18th century) - Oriental scene with pagoda. 42 x 73 cm without frame, 52 x 80 cm with frame. Oil on canvas, in wooden frame. Condition report: Lined canvas. Good ...