Items Similar to May I Have the Pleasure, Good Housekeeping Cover
Want more images or videos?
Request additional images or videos from the seller
1 of 10
Jessie Willcox SmithMay I Have the Pleasure, Good Housekeeping Cover1926
1926
About the Item
Signed Lower Right by Artist
Titled on the reverse: May I Have the Pleasure
Good Housekeeping cover, November 1926
As Jessie Willcox Smith biographer S. Michael Schnessel has aptly observed, "Jessie Willcox Smith was the creator of the ideal child. She pictured a child that was without equal in reality--innocent, unblemished, never naughty, always perfect. Smith's touching, sensitive portraits of children at play won her the hearts of millions of Americans."
Smith was the predominant cover artist for Good Housekeeping during the magazine's golden period. Her charming covers were a major factor in the magazine's astounding success. Sales exceeded one million copies in the mid-1920s, and Good Housekeeping became the most profitable magazine in the Hearst Corporation's empire. The magazine was three-times more profitable than Hearst's other eight magazines combined in this era.
- Creator:Jessie Willcox Smith (1863 - 1935, American)
- Creation Year:1926
- Dimensions:Height: 22 in (55.88 cm)Width: 15.38 in (39.07 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Fort Washington, PA
- Reference Number:Seller: 45691stDibs: LU384313156422
Jessie Willcox Smith
But success as an illustrator wasn't immediate. She got a job in the production department of The Ladies Home Journal in 1889 and was still working there five years later when Howard Pyle began teaching illustration at Drexel Institute of Arts and Sciences. Smith was accepted as a pupil in his first class. At 31, she was only 10 years younger than her teacher and one of his oldest students. Elizabeth Shippen Green and Violet Oakley soon joined her in the class, and the three became lifelong friends. Smith's first commission through Pyle was for an 1897 edition of Evangeline that she illustrated with Oakley. The two joined another Pyle student to rent a studio, and Green later joined them there. In 1901, the three shared the lease on an old inn outside of Philadelphia. That's the same year as the illustration above from "The Last of the Fairy Wands" in the December issue of Scribners Magazine. She produced two calendars with Green for 1902 that helped establish the careers of both women. The most important was "The Child," which showcased some of her most sensitive renditions of children to date. The images were collected into a book the following year. One of Smith's three images from that book is above at right. The magazines and books of the day voraciously consumed as much color work as possible. Pyle's students were some of the best-prepared new entrants into the illustration market, and Pyle's name gave them access to the magazines' pages.
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Gold Seller
Premium sellers maintaining a 4.3+ rating and 24-hour response times
Established in 1995
1stDibs seller since 2016
124 sales on 1stDibs
Typical response time: 3 hours
- ShippingRetrieving quote...Shipping from: Fort Washington, PA
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View All"She's Stealin' Flowers, Mrs. Atherton!"
By Harold von Schmidt
Located in Fort Washington, PA
Date: 1934
Medium: Gouache on Pencil on Board
Dimensions: 19.25" x 19.75"
Signature: Inscribed and Signed
Illustrated for "The Sea Remembers" by Gordon Malherbe Hillman, American Ma...
Category
1930s Figurative Paintings
Materials
Gouache, Board, Pencil
"Journeyman Lover" Story Illustration, Saturday Evening Post
By George Garland
Located in Fort Washington, PA
Signed "George Garland" Lower Left by Artist
"To melt this frigid beauty required the services of an expert, someone with a wicked-and-compelling-way with women." Illustration for "...
Category
1940s Paintings
Materials
Gouache, Graphite
Cub Scouts in Phone Booth
By Richard Sargent
Located in Fort Washington, PA
Medium: Gouache and Pencil on Paperboard
Signature: Signed Lower Left
Original cover illustration for The Saturday Evening Post, August 26, 1961.
The Post described, “The Post desc...
Category
1960s Figurative Paintings
Materials
Paper, Gouache, Board, Pencil
Harlequin Grinning and Brandishing his Batte
By Joseph Christian Leyendecker
Located in Fort Washington, PA
Medium: Gouache and Pencil on Board
Signature: Signed Lower Left
Carter's Monthly, February 1898, cover illustration. Newly Framed.
Category
1890s Figurative Paintings
Materials
Gouache, Board, Pencil
Calling All Girls
By Freeman Elliot
Located in Fort Washington, PA
Young girl holding her dog up to grab her hat on a tree branch.
Cover for the March 1962 issue of the Calling All Girls magazine
Category
1960s Other Art Style Paintings
Materials
Gouache, Board, Pencil
Calling All Girls Magazine Cover
By Freeman Elliot
Located in Fort Washington, PA
Young girl writing in her diary while sitting on a tree branch looking at a picture of a young boy.
Cover art for the August/September 1961 issue of Calling All Girls magazine
Category
1960s Other Art Style Paintings
Materials
Gouache, Board, Pencil
You May Also Like
Tree and Courtyard - 20th Century Painting with Tree and Buildings
By James Lloyd
Located in Kingsclere, GB
Lloyd was born in Alsager, Cheshire, the son of a policeman who had taken up farming. He had worked on his father's farm until the age of 19, when he too joined the police force. Llo...
Category
20th Century Figurative Paintings
Materials
Ink, Watercolor, Gouache, Pen, Pencil
Time magazine cover, April 6, 1946
By Ernest Hamlin Baker
Located in Miami, FL
This work is meticulously and brilliantly rendered to capture not only the likeness of the sitter but spirit as well. The image is pushed to the forefront of the composition and s...
Category
1940s American Realist Portrait Paintings
Materials
Mixed Media, Watercolor, Gouache, Pencil
Pink Study, 1960s Abstract Mixed Media Painting Pink & Blue, Mid-Century Modern
By Hilaire Hiler
Located in Denver, CO
This original vintage 1960 abstract painting by Hilaire Hiler (1898-1966) showcases the artist's structuralist style, created in the mid-20th century while Hiler was based in New Mexico. Signed lower right, this striking piece is painted in soothing tones of pink and blue, capturing the essence of Hiler’s unique modernist approach. The framed dimensions measure 15 ½ x 18 ¾ inches, with the image size measuring 14 x 17 ½ inches.
About the Artist:
Hilaire Hiler was born in St. Paul, Minnesota, and raised in Providence, Rhode Island, where he began his art education at the Rhode Island School of Design. His artistic journey led him to study at several prestigious institutions, including the Pennsylvania Academy of the Fine Arts, the Pennsylvania School of Industrial Art, Wharton School of Finance and Commerce, and the University of Paris in 1919.
In Paris, from 1919-1934, Hiler supported himself as a jazz musician and pianist for The Jockey Club, all while immersing himself in the European art scene. After returning to the U.S. in 1934, Hiler made San Francisco his home, where he was commissioned by the Works Progress Administration (WPA) to paint murals in the Aquatic Park...
Category
1960s Abstract Abstract Paintings
Materials
Gouache, Graphite
"Tide Pools"
Located in Astoria, NY
American School, "Tide Pools", Mixed Media on Paper, 1976, abstracted beach scene, titled lower left, illegibly signed and dated lower right, wood frame. Image: 16" H x 31" W; frame;...
Category
1970s Abstract Abstract Paintings
Materials
Paper, Mixed Media, Watercolor, Gouache, Color Pencil
$1,800
My 80's Heart "Token 5" 2019, gouache, acrylic, graphite, panel, purple, green
By Catherine Hart
Located in Jersey City, NJ
My 80's Hart "Token 5" 2019, gouache, acrylic, graphite, panel, purple, green, blue
Category
2010s Contemporary Abstract Paintings
Materials
Acrylic, Gouache, Panel, Wood Panel, Graphite
Eye of the Desert, Figural Abstract collage, Surrealist Black & Brown painting
By Clarence Holbrook Carter
Located in Beachwood, OH
Clarence Holbrook Carter (American, 1904-2000)
Eye of the Desert, 1965
Collage, graphite and gouache on paper
Signed and dated lower right
16 x 12 inches
25 x 21 inches, framed
A mid-century figural abstract painting.
Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers...
Category
1960s American Modern Figurative Paintings
Materials
Gouache, Graphite
Recently Viewed
View AllMore Ways To Browse
Michael Mayer
Michael Smithers
Naughty Art
Michael Childers
Antique Picture Frames 1920s
Good Housekeeping
Columbia University
Old World Landscape Painting
Louisiana Art
Rare Paintings
48 X 48 Abstract Painting
View Similar
Connecticut Landscape Painting
Childrens Book Art
Painting Still Life Realism
Painting 40 X 30
Rich Still Life Painting
Scottish Landscape Art