John Piper

John Piper, Rock-Face, Modern British, Oil on Panel, 20th Century, Abstract

1950

- Colourful, decorative, impressionistic work capturing the refreshing quality and colour refraction of light rain - The composition is beautifully balanced the houses either side of the lane, with a strong foreground and light background recreating the visual depth of the landscape - The purple, blue, green, pink, and earth tones of the palette create liveliness and softness within the work and the light tones of the water on the lane have the strong reflective quality of a water - Injecting colour and atmosphere into the interior Basil Nubel ARCA, British 1923-1981 : Village in the Rain Signed & Dated 1969 lower right, reverse canvas inscribed 1.12.69 and varnished In the original wooden box frame The reverse bearing remains of Gallery Petit, Marble Arch, London W1 Basil Nubel was a landscape painter in oil and watercolour born in Great Yarmouth, Norfolk, to an English mother and German father. Nubel studied at Leeds College of Art under Alfred Daniels and Maurice de Sausmarez, then at the Royal College of Art under Carel Weight, Robert Buhler...

JEAN SOUVERBIE (1891-1981) DEUX BAIGNEUSES, 1965 Signed lower left Titled & dated verso Signed lower left Titled & dated verso Souverbie painted compositions of figures, especially ...

‘ My pictures are painted to be listened to ‘Ivon Hitchens One of the foremost Modernists of his age, Hitchens was known as ‘ the painter in the woods ’. This picture is an exception...

JEAN SOUVERBIE (1891-1981) LES TROIS GRACES Signed lower right PROVENANCE Private Collection Paisnel Gallery, London Private Collection Souverbie painted compositions of figures, ...

This vertical format abstract painting by Modernist artist Stanley Bate measures at 26" x 50" framed. The original gold-hued floater frame pulls out the vibrant and warm pops of yell...

Anthony Panzera is a member of The National Academy and the Society of Mural Painters. He teaches at Hunter College in New York City, where he has been a member of the Fine Art faculty since 1968. He was also an artist-in-residence for the Michigan State...

Peter has an absolute love of oil painting and especially admires the masters of Dutch Painting of the 17th Century, which is reflected in his own work. Since 1995, after seeing the work of Estonian artist Olav Maran, Peter decided to review his paintings and started researching ‘Still Life’ painters such as Willem Kalf and De Heem. After experimenting with priming his own panels and canvases with different colours, then painting with thick and thin paint and glazing on top, in the way of the old masters, he has developed a style with detail and atmosphere that is essential in his portrayal of fine wine, fruit and cheeses etc. In a quirky and sometimes conceptual world, Peter makes no apologies for producing traditional subjects where the craftsmanship is evident in every brushstroke. His paintings bring much joy and pleasure to those who understand he has an obvious and underlying love of handling paint and observing his subject using techniques that take many years to acquire. Recently he has changed the view point for some of his paintings, to give them a bold contemporary look. Peter Kotka...

Peter has an absolute love of oil painting and especially admires the masters of Dutch Painting of the 17th Century, which is reflected in his own work. Since 1995, after seeing the work of Estonian artist Olav Maran, Peter decided to review his paintings and started researching ‘Still Life’ painters such as Willem Kalf and De Heem. After experimenting with priming his own panels and canvases with different colours, then painting with thick and thin paint and glazing on top, in the way of the old masters, he has developed a style with detail and atmosphere that is essential in his portrayal of fine wine, fruit and cheeses etc. In a quirky and sometimes conceptual world, Peter makes no apologies for producing traditional subjects where the craftsmanship is evident in every brushstroke. His paintings bring much joy and pleasure to those who understand he has an obvious and underlying love of handling paint and observing his subject using techniques that take many years to acquire. Recently he has changed the view point for some of his paintings, to give them a bold contemporary look. Peter Kotka...