Items Similar to Les buveurs
Want more images or videos?
Request additional images or videos from the seller
1 of 3
Jules PascinLes buveurs1917
1917
About the Item
Jules Pascin was a larger-than-life artist who defied easy categorisation. The Bulgarian-born, Viennese-trained artist moved to Paris in 1905 and quickly fell into influential circles, showing his paintings and prints in the Salon des Indépendants and satellite exhibitions of the Berlin Secession. Though most often remembered for his delicately-toned, thinly-painted studies of performers and prostitutes in various stages of undress, Pascin also depicted the villages and cafés of his surroundings in denser Cubist and German Expressionist styles.
When the Great War broke out in 1914, the 29-year-old Pascin relocated to the United States with the assistance of his friend and famed photographer, Alfred Stieglitz, and remained there until 1920. He began his American sojourn in New York, yet quickly became disenchanted with the harshness and near-vulgarity of northern cities and fled to the gentler American South. While in the United States, Pascin all but forwent oil painting in favour of ink drawings with gouache and watercolour overlaid, as exemplified by the present work of two men sharing a drink. In Les Buveurs, Pascin astutely articulates the patterns of the scene – the various textures of the men’s silken top hats and starched suits can be read through a patchwork of varied pigment-stained crosshatching. Pascin interweaves planes and lines in muted tones of blacks, greys, and ochres to create an outstanding example from the artist’s brief foray into the Cubist style, which he would abandon later that year.
- Creator:Jules Pascin (1885-1930, Bulgarian, French)
- Creation Year:1917
- Dimensions:Height: 7.88 in (20 cm)Width: 7.01 in (17.8 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU1414213350922
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Established in 2006
1stDibs seller since 2020
14 sales on 1stDibs
Typical response time: 1 to 2 days
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Abstract composition in blackBy Avigdor ArikhaLocated in London, GBGouache on paperCategory
20th Century Abstract Paintings
MaterialsGouache
- Sea CityBy Patrick HughesLocated in London, GBEdition of 100 plus 10 APCategory
2010s Contemporary Paintings
MaterialsArchival Ink, Oil
- Patrick Hughes - Maeght, contemporary, op art, optical, reverspective, fondationBy Patrick HughesLocated in London, GBPatrick Hughes (b.1939) Maeght 2019 hand painted multiple with archival inkjet 45 x 90 x 18 cm edition of 75 plus 10 AP Price: £7,200 GBP (inc. 20% UK VAT) Provenance: Direct from...Category
2010s Op Art Interior Prints
MaterialsPaint, Archival Ink, Inkjet
- Patrick Hughes - Jazz, contemporary, op art, optical, reverspective, matisseBy Patrick HughesLocated in London, GBPatrick Hughes (b.1939) Jazz 2016 hand painted multiple with archival inkjet 43.5 x 91.5 x 18.5 cm edition of 50 plus 10 AP Price: £7,200 GBP (inc. 20% UK VAT) Provenance: Direct f...Category
2010s Op Art Interior Prints
MaterialsPaint, Archival Ink, Inkjet
- BanksiBy Patrick HughesLocated in London, GBedition of 100 plus 15 APCategory
2010s Contemporary Prints and Multiples
MaterialsArchival Ink, Oil
- Les MeulesLocated in London, GBdated ‘Juli 94’ (lower left)Category
1890s Landscape Paintings
MaterialsLaid Paper, Oil
You May Also Like
- "Five Generations" Watercolor, gouache, and ink, botanical, floralLocated in Philadelphia, PAThis piece titled "Five Generations" is an original artwork by Al San Valentin and is made from watercolor, gouache, ink, and marker on watercolor paper. This piece measures 24”h x 1...Category
21st Century and Contemporary Contemporary Drawings and Watercolor Paint...
MaterialsWatercolor, Permanent Marker, Gouache, Ink, Paper
- Sonia Spider Quenell, Watercolor portrait on archive paper.By Manuel SantelicesLocated in Miami Beach, FLSonia "Spider" Quenell by Manuel Santelices Ink pen, watercolor, and gouache Image size: 11" x 14" Unframed 2022 Manuel Santelices explores the world of fashion, society, and pop c...Category
21st Century and Contemporary Contemporary Figurative Drawings and Water...
MaterialsInk, Paper, Watercolor, Gouache, Pen
- A Room by the Belgian visual artist and antque dealer Axel VervoortBy Manuel SantelicesLocated in Miami Beach, FLA Room by Axel Vervoort, by Manuel Santelices Ink pen, gouache, and watercolor on paper Image size: 6 in. H x 8 in. W One of a Kind Unframed 2021 The w...Category
21st Century and Contemporary Contemporary Interior Drawings and Waterco...
MaterialsInk, Paper, Watercolor, Gouache, Pen
- The Abduction of the Sabine Women , a Renaissance drawing by Biagio PupiniLocated in PARIS, FRThis vigorous drawing has long been attributed to Polidoro da Caravaggio: The Abduction of the Sabine Women is one of the scenes that Polidoro depicted between 1525 and 1527 on the façade of the Milesi Palazzo in Rome. However, the proximity to another drawing inspired by this same façade, kept at the Ecole des Beaux-Arts, and to other drawings inspired by Polidoro kept at the Musée du Louvre, leads us to propose an attribution to Biagio Pupini, a Bolognese artist whose life remains barely known, despite the abundant number of drawings attributed to him. 1. Biagio Pupini, a Bolognese artist in the light of the Roman Renaissance The early life of Biagio Pupini, an important figure of the first half of the Cinquecento in Bologna - Vasari mentions him several times - is still poorly known. Neither his date of birth (probably around 1490-1495) nor his training are known. He is said to have been a pupil of Francesco Francia (1450 - 1517) and his name appears for the first time in 1511 in a contract with the painter Bagnacavallo (c. 1484 - 1542) for the frescoes of a church in Faenza. He then collaborated with Girolamo da Carpi, at San Michele in Bosco and at the villa of Belriguardo. He must have gone to Rome for the first time with Bagnacavallo between 1511 and 1519. There he discovered the art of Raphael, with whom he might have worked, and that of Polidoro da Caravaggio. This first visit, and those that followed, were the occasion for an intense study of ancient and modern art, as illustrated by his abundant graphic production. Polidoro da Caravaggio had a particular influence on the technique adopted by Pupini. Executed on coloured paper, his drawings generally combine pen, brown ink and wash with abundant highlights of white gouache, as in the drawing presented here. 2. The Abduction of the Sabine Women Our drawing is an adaptation of a fresco painted between 1525 and 1527 by Polidoro da Caravaggio on the façade of the Milesi Palace in Rome. These painted façades were very famous from the moment they were painted and inspired many artists during their stay in Rome. These frescoes are now very deteriorated and difficult to see, as the palace is in a rather narrow street. The episode of the abduction of the Sabine women (which appears in the centre of the photo above) is a historical theme that goes back to the origins of Rome and is recounted both by Titus Livius (Ab Urbe condita I,13), by Ovid (Fasti III, 199-228) and by Plutarch (II, Romulus 14-19). After killing his twin brother Romus, Romulus populates the city of Rome by opening it up to refugees and brigands and finds himself with an excess of men. Because of their reputation, none of the inhabitants of the neighbouring cities want to give them their daughters in marriage. The Romans then decide to invite their Sabine neighbours to a great feast during which they slaughter the Sabines and kidnap their daughters. The engraving made by Giovanni Battista Gallestruzzi (1618 - 1677) around 1656-1658 gives us a good understanding of the Polidoro fresco, allowing us to see how Biagio Pupini reworked the scene to extract this dynamic group. With a remarkable economy of means, Biagio Pupini takes over the left-hand side of the fresco and depicts in a very dense space two main groups, each consisting of a Roman and a Sabine, completed by a group of three soldiers in the background (which seems to differ quite significantly from Polidoro's composition). The balance of the drawing is based on a very strongly structured composition. The drawing is organised around a median vertical axis, which runs along both the elbow of the kidnapped Sabine on the left and the foot of her captor, and the two main diagonals, reinforced by four secondary diagonals. This diamond-shaped structure creates an extremely dynamic space, in which centripetal movements (the legs of the Sabine on the right, the arm of the soldier on the back at the top right) and centrifugal movements (the arm of the kidnapper on the left and the legs of the Sabine he is carrying away, the arm of the Sabine on the right) oppose each other, giving the drawing the appearance of a whirlpool around a central point of support situated slightly to the left of the navel of the kidnapper on the right. 3. Polidoro da Caravaggio, and the decorations of Roman palaces Polidoro da Caravaggio was a paradoxical artist who entered Raphael's (1483 - 1520) workshop at a very young age, when he oversaw the Lodges in the Vatican. Most of his Roman work, which was the peak of his career, has disappeared, as he specialised in facade painting, and yet these paintings, which are eminently visible in urban spaces, have influenced generations of artists who copied them abundantly during their visits to Rome. Polidoro Caldara was born in Caravaggio around 1495-1500 (the birthplace of Michelangelo Merisi, known as Caravaggio, who was born there in 1571), some forty kilometres east of Milan. According to Vasari, he arrived as a mason on the Vatican's construction site and joined Raphael's workshop around 1517 (at the age of eighteen according to Vasari). This integration would have allowed Polidoro to work not only on the frescoes of the Lodges, but also on some of the frescoes of the Chambers, as well as on the flat of Cardinal Bibiena in the Vatican. After Raphael's death in 1520, Polidoro worked first with Perin del Vaga before joining forces with Maturino of Florence (1490 - 1528), whom he had also known in Raphael's workshop. Together they specialised in the painting of palace façades. They were to produce some forty façades decorated with grisaille paintings imitating antique bas-reliefs. The Sack of Rome in 1527, during which his friend Maturino was killed, led Polidoro to flee first to Naples (where he had already stayed in 1523), then to Messina. It was while he was preparing his return to the peninsula that he was murdered by one of his assistants, Tonno Calabrese, in 1543. In his Vite, Vasari celebrated Polidoro as the greatest façade decorator of his time, noting that "there is no flat, palace, garden or villa in Rome that does not contain a work by Polidoro". Polidoro's facade decorations, most of which have disappeared as they were displayed in the open air, constitute the most important lost chapter of Roman art of the Cinquecento. The few surviving drawings of the painter can, however, give an idea of the original appearance of his murals and show that he was an artist of remarkable and highly original genius. 4. The façade of the Milesi Palace Giovanni Antonio Milesi, who commissioned this palace, located not far from the Tiber, north of Piazza Navona, was a native of the Bergamo area, like Polidoro, with whom he maintained close friendly ties. Executed in the last years before the Sack of Rome, around 1526-1527, the decoration of Palazzo Milesi is considered Polidoro's greatest decorative success. An engraving by Ernesto Maccari made at the end of the nineteenth century allows us to understand the general balance of this façade, which was still well preserved at the time. The frescoes were not entirely monochrome, but alternated elements in chiaroscuro simulating marble bas-reliefs and those in ochre simulating bronze and gold vases...Category
16th Century Old Masters Figurative Drawings and Watercolors
MaterialsInk, Gouache, Pen
- Te ves?Located in MADRID, ESLas emociones negativas retienen toda la atención, impidiendo atender otra cosa.Category
2010s Figurative Paintings
MaterialsInk, Gouache, Pen
- Me ves?Located in MADRID, ESCuando hace frío comparto mi abrigo, si no tengo abrigo, comparto el frío.Category
2010s Figurative Paintings
MaterialsInk, Gouache, Pen