Kristen Olson Stone

Snorkeling In Hawaii, Painting, Oil on Canvas

2022

An original palette knife seascape oil painting of Sugar Cove on Maui with a view towards the island of Kahoolawe. Lava sea rocks frame the view of this ocean cove with numerous shad...

An original palette knife oil painting of Kailua Beach in Hawaii. This painting depicts the sun setting over the Pali (Hawaiian mountains), the evening colors cascade over the water,...

An original Maui seascape oil painting on canvas of a turquoise sea cove, sea rocks, a green sea turtle coming on shore and the offshore island of Kaho'olawe in the distance. The sce...

An original oil seascape painting of shells and shell fragments scattered in a tidal pool. This is the 5th in my series of tide pool paintings. The ...

* Title: Hawaii Coral Reef * Size: 12 x 8 inches * Materials: oil, stretched canvas, palette knife * Shipping: gallery standards packaging, express ship...

Painting with fishes, underwater world Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso. Works of artistic stone He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy. Nugzar's color preferences The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life. Source of inspiration Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties. Working style But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality. Exhibitions Nugzar Kakhiani is a matured and recognized master, as follows from the long list of his exhibitions and countries where his works reside. 1987 - Exhibition of Georgian Artists in the Museum of Ethnography, Saint-Petersburg, Russia 1989 - Exhibition of Artists of Leningrad-Lenexpo, Russia 1990 - Exhibition of Van Gogh's memory, "Palette" , Russia 1991 - Exhibition Gallery Palette 1991 - Festival of Leningrad galleries in Manege, Saint-Petersburg, Russia 1992 - Exhibition at Gallery Pinatin, Berlin. 1993 - Exhibition of Piraeus, Athens, Greece. 1993 - Exhibition Gallery 47...

‘Kiawe at Hilo Bay’ oil painting by American Realist artist Peter Loftus, who is known for captivating breathtaking color-rich nature scenes through shadow and light in his oil on canvas paintings that reflect western and Hawaiian environments. Loftus is known for his meticulous realist oil paintings that feature ocean-scenes, babbling brooks, mountain ranges and their vistas, as well as figures and people. 'Kiawe at Hilo Bay' is beautifully and skillfully painted in jewel like blues and warm earth hues with greens. An awe inspiring scene that is a pleasure to gaze upon. 24 x 36 inches. Artist signed, titled and dated Verso. Peter Loftus was born in 1948, in Washington DC. He received a BFA in painting from the Maryland Institute College of Art, in 1971. In 1974, Loftus earned an MFA from the University of Pennsylvania. Drawn by the glorious California light, Loftus moved to Santa Cruz in 1975. He has lived and painted there ever since. Loftus taught at both University of California at Santa Cruz and Cabrillo Community College between 1975, through the present (at UCSC). He taught Beginning, Intermediate and Advanced Drawing, and Painting, in both oil and aqueous media. During that time, he also sustained a rigorous exhibition schedule, showing regularly on the East and West coasts; in New York at Fischbach Gallery, and San Francisco at William Sawyer Gallery and later Hackett-Freedman Gallery. In addition, Loftus has participated in a number of group exhibitions. These include: American Realism: 20th Century Drawings and Watercolors (and accompanying book), San Francisco Museum of Modern Art, New Horizons in American Realism: Flint Institute of Arts, Flint, MI. Loftus is also included in several publications, including: "The Artist as Native: Reinventing Regionalism" by Alan Gussow, "Capturing at Distinct Light", Feature Cover and Article: American Artist Magazine; "Art in Embassies, Bagdad, Iraq", Feature Cover, and Article; Artworks Magazine: "Peter Loftus", feature article. Loftus' work has been avidly collected by public, corporate, and private collections. These include General Electric, Heinz Corporation, Hunter Museum, TN, San Jose Museum of Art, CA, The collection of the Saudi Royal Family, Jubail, Saudi Arabia...

Step into a world where the ocean's vibrant life is captured with breathtaking precision in Cees Penning's photo-realistic painting. This oversized masterpiece immerses viewers in a ...