Adamia Rezo

Moulin Rouge. Oil on canvas, 50 x 50 cm

Montmartre. Oil on canvas, 61x50 сm Paris landscape. View on the Montmartre. Colorful painting with dominant color blue

Grand Palace. Paris. Oil on canvas, 50x60 cm Paris Landscape. View on bridge and Grand Palace. Bright landscape in blue colors

St. Mary's Church in Daugavpils. 2009, canvas, acrylic, 50x50 cm Colorful painting with church Painter Osvalds Zvejsalnieks was born on 21 Marc...

Sunset in Paris. 2006, oil on cardboard, 33x45,8 cm Paris evening cityscape. View on the bridge. Colorful painting with yellow-pink sun, dominant color blue-lilac

The laundry is drying 1950s, oil on cardboard, 51x74 cm Published in the book "Biruta Baumane", Anda Treija, Juris Petraškevičs, publisher Galerija Da...

Paris. Oil on cardboard, 42,4x64 cm Paris landscape. View on the river from the top. Colorful painting with yellow-orange trees, dominant color blue

Vibrant oil on canvas abstracted coastline landscape by California artist Virginia Sevier Rogers (American, 1917-2015), 1995. Signed, dated, and titled "Coast V.R. 5/95" upper right....

French Mid Century late Fauvist oil on canvas Provencal landscape of Signes, South of France, by Olympe Silvy. Signed bottom right, annotated, titled and dated to the back stretchers...

The French Market by Michel Kritz (French 1925-1994) oil on canvas, unframed canvas: 24 x 32 inches provenance: private collection, France condition: very good and sound condition

CELSO LAGAR Spanish, 1891 - 1966 FORAINS SUR LA PLAGE signed "Lagar" (lower right) oil on canvas 11-1/2 x 16-1/8 inches (29 x 41 cm.) PROVENANCE Private French Collector Celso Laga...

RALPH DELLA-VOLPE (1923-2017) Fine Art Painter, American Contemporary Oil on canvas Hand signed lower right Artist Signed, Abstract Oil on Canvas. Figure in the distance. Approx: 30" x 27 1/2" framed, 26 1/2" x 23 1/2" canvas. TRAINING: National Academy of Design The Art Students League, NYC Ralph Eugene Della-Volpe's semi-abstract paintings of often simplified, minimalist, beach scenes and anonymous portraits "convey profound awareness of mood and character", and his paintings are hardly as literal as they may first appear (Arts Magazine. "New York Exhibitions". 1965). His brightly-colored, light-infused, ornamental compositions bring together aspects of many modernist art movements including Fauvism, Impressionism, Symbolism, and abstraction. Della-Volpe first studied painting at the prestigious National Academy of Design before joining the Army during World War II. As a soldier, the artist saw action on Utah Beach, winning a Purple Heart, and his experiences undoubtedly affected his later artistic style. The Fauvist "coloristic exuberance" found in the works beginning in the mid 1960's, with their vibrant fuschias and yellows, seem to offset what could be an otherwise solemn tone to many of his works at the time. Upon his return from military service, Della-Volpe’s style evolved significantly. In the years following the second world war, his work was solemn, imbued with a quiet darkness. Over time, this darkness faded: by the 1950s, influenced by his time at the Art Students League, his oeuvre was overtaken by the tenants of Abstract Expressionism. Paintings from this period boast bold brushwork, energetic compositions, and strong color. Although the next decade saw Della-Volpe trade expressionist abstraction for figuration, his love of color continued to shine through his work.Della-Volpe took a teaching position as the first artist-in-residence at Bennett College in Millbrook, New York where he remained for 28 years, serving as chairman of the Art Department for most of that time. Obviously influenced by impressionism 's preoccupation with the treatment of light, Della-Volpe's own works have a "faultless tonal quality, with its sense of failing light—the areas of silvery gray deepening into rosy tans" (Arts Magazine. "In the Galleries". 1960). Della-Volpe has exhibited widely throughout his career and has lectured on art at colleges, universities, and galleries across the country. He was included in the show Abstraction: 1950-1970 at Taylor Graham, Greenwich CT. A survey of post-war abstract art movements including Abstract Expressionism, Color Field, Hard Edge, Minimalism and Op-Art. Adolph Gottlieb, André Cottavoz, Carl Robert Holty, Cleve Gray, Friedel Dzubas, Ilya Bolotowsky, James Hiroshi Suzuki, Norman Bluhm, Ralph Della-Volpe, Theodore Appleby...

An important oil on canvas village landscape, probably Gassin in the South of France, by noted Dutch painter Willem Anthonie 'Wim' Oepts. The painting carries the atelier stamp botto...