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Dasha PogodinaWINDOW TO THE SECRET GARDEN, oil on canvas - 20*24in (50*60cm)2023
2023
About the Item
ABOUT THE ARTWORK
"Window to the Secret Garden" captures an intimate moment of seclusion, a stillness that speaks volumes in its hushed tones. As if caught in a silent dialogue with the viewer, the window acts as both a barrier and a gateway to a realm unseen but deeply felt, the warmth of the light suggesting a hidden lushness beyond the dark interior.
The artist’s use of chiaroscuro masterfully contrasts the stark shadows within the room against the soft, inviting glow from outside, creating a sense of yearning for the concealed verdant sanctuary. The textured strokes and subdued palette evoke a sense of nostalgia and quietude, inviting one to ponder the unseen gardens within our own minds.
- Creator:Dasha Pogodina (1992, Ukrainian)
- Creation Year:2023
- Dimensions:Height: 23.63 in (60 cm)Width: 19.69 in (50 cm)Depth: 0.79 in (2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Zofingen, CH
- Reference Number:1stDibs: LU2203212449352
Dasha Pogodina Ukrainian artist, based in Switzerland. Paintings are in private collections in the USA, South Korea, Italy, Great Britain, Germany, and Switzerland. Exhibitions
2022 Solo Exhibition Stärke und Verletzlichkeit / Escape Vide - Thun, Switzerland
2022 Group exhibitions In Ukraine / ZRC - Ljubljana, Slovenia
2018 Group exhibitions Room of my Minds, Ukraine
2017 Group exhibitions Garden as an Art, Kyiv, Ukraine
2014 Group exhibitions Gift of Volhvs Severodonetsk, Ukraine
2013 Group exhibitions Fragment of Life, Luhansk, Ukraine
2012 Collaborate Project Light of Hearts, Luhansk Ukraine Dasha Pogodina about her art New sexuality and personal integrity - are the basic areas of search in my artistic practice.
In my practice, I problematize the ideal of the metamodern world with its total moderation and the desire to return to high ideals and values. As an artist, I concentrate on the nature of the corporeal, I perceive the body as a membrane reflecting me into this world and communicating the world to me. In search of answers, I enter into dialogue with the body-sensory lexicon of Kiki Smith and Paula Modersohn Becker and also find support in the sublime physicality of the early Gothic of the 13th century from Giotto, unencumbered by the tension of formal anatomy. My works are filled with color, and ethnic decoration and are illustrative at the same time. This turns my paintings into light, at first glance, stories, which, however, do not call the viewer to cold contemplation, but, on the contrary, open up the opportunity to safely return to their secret “I”.
I use the space of naive archetypal images, creating a safe haven from aggressive modernity, with the opportunity to dive into the psychological depths of my own worldview. I build into my paintings the mechanics of oscillation of naivety and mockery, trust and cynicism, chastity and debauchery, strength and kindness, as a manifesto of courage to be vulnerable and herbivorous in a world where food chains still exist.
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