Angel Ramiro Sanchez

Bay View

2015

A small, horizontally oriented landscape painting by Nelson White. Painted en plein air on Shelter Island, where his family has owned property for generations. Situated in his back y...

Framed Dimensions: 17 x 20 inches Artist Bio Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and artists from the time he was born. He received his earliest art instruction from his grandfather, Henry Cooke White (1861-1952) and his father Nelson Cooke White (1900-1989), both important American artists. The family lived in Waterford, Connecticut and the elder White had been an early member of the art colony in Old Lyme, Connecticut. Known for his paintings of the Connecticut landscape and shoreline, Henry Cooke White became a teacher to his son, Nelson Cooke White. Living with his parents at the Florence Griswold house in Old Lyme, he met some of the most important and influential artists of the day, Childe Hassam, Will Howe Foote and Harry Hoffman. Later, Nelson White's father began to take his family to summer on Shelter Island and became friendly with many of the artists of the Peconic colony...

"Poppies, Jegun" is a contemporary Impressionist painting, painted en plein air in rural France. Tina Orsolic Dalessio is a figurative painter born and raised in Zagreb, Croatia. Sh...

Painted en plein-air in Italy, Nelson depicts a beach, sanding in the foreground, and then diagonally runs a shoreline, The horizon is met by a dark, mountainous, landform, and sits ...

An abstract depiction of a seascape during sunset. Painted from life in Waterford, Connecticut. Framed in a traditional black frame with gold inner trim (See pictures). Nelson H. Wh...

Painted en plein-air in Italy; A Tuscan farmhouse meets a line of green shrubbery on the horizon. Red gobs of paint are laid on thick, amidst harsh strokes of indigo shadows in the f...

"In the series “This is a real place!” I was fascinated by how the underside of the pier at Saint Simons Island, GA was like a readymade collage. The way the pilings and rails divide and frame the spaces between them looks artificially imposed on the scene until you notice the way the waves bounce off the pilings and the railings cast shadows on the water. In some iterations, I chose to simplify the structures of the pier and lighten the values so that it would emphasize the detail in the water. Likewise, I omitted a family of starlings and their droppings in favor of highlighting the geometry of the architecture and the colors and patterns of the water. Making paintings in a series allows me to investigate the results of making different decisions about an image. How I crop or stylize it, the manner in which I apply the paint, what gets included or excluded all add shades of meaning to each piece. Additionally, depictions of the same subject in different weather, seasons, times of day, and tides allows me a deeper understanding. I notice more relationships, colors, and details every time I paint the subject. Every painting is a pile of decisions. Playing with removing more and more details to see what is truly important sometimes improves the painting. The fewer elements you include in an image, the more each one means, and the more important it is to get each thing perfect. At times I like to paint every single detail I can find in a scene, and other times I feel like the unadorned components are sufficient to hold each other in a satisfying composition. I often add simplified shapes to my paintings to highlight the presence of absence or to heighten the importance of each area by creating stark visual contrasts. ⁠The physicality of the paint also plays a role. I used highly textured, thickly applied paint to construct the solid structural elements, and luminous layers of thinly glazed paint for the delicate linework and subtle blending of the water." - Brooke Lanier...

Oil, acrylic, ink and sand on wood panel Purple, blue, aqua, black, teal, indigo, violet, lavender, gray Geometric abstraction

Oil on panel. Tribute to the ocean and all the life within it.

A landscape involving the idea of quantum superposition or matter existing as a combination of multiple states with multiple outcomes. Only the viewer can determine which potential ...

Oil, acrylic, gesso on panel. One of a series. The UFO image has a compelling way of summing up or reflecting these norm-breaking times. These are also about composition, color, and ...

"Snow on Crocus" is an encaustic with oil paint and beeswax over watercolor, on a cradled panel measuring 10" high by 8" wide. The painting is framed. From Regina Quinn...