ANGLADE Gaston or Léon

Landscape from French Countryside

Circa 1880

COLIN François (1798-1864) The Declaration of love Oil on canves signed low left Old frame regilded with leaves Dim canvas : 41 X 57 - Dim frame : 56 X 71 cm COLIN François (1798-1...

BACHMANN Alfred Félix August (1863-1956) Bording near the Antique Temple Oil on canvas signed Low Left Frame gilded with leaves ...

GILBERT Pierre-Julien (1783-1860) Marines - Boats are Leaving for Fishing in Brittany Two Oils on wood panels in pair signed both low right Old frames re-gilded with leaves Dim wood ...

CERVETO RIBA Antonio (1876-1938) "The swing" Oil on canvas signed low right Gault frame (Paris) Dim canvas : 60 X 80 cm Dim frame : 81 X 102 cm CERVETO RIB...

After Ludwig Knaus (1829-1910) The Walk in Luxembourg Garden" in Paris, also called "The Privileged" The original dated 1855 is preserved at The Louvres Museum Oil on canvas signed ...

KNIP August (1819 - 1859) Starting Fox Hunting day in Baden-Baden Oil on canvas signed low right dated 1837 Old original frame gilded with leaves Dim canvas : 81 X 118 cm Dim frame :...

The Crossing, 1855, by Theodore Frere (1814-1888) Oil on wood panel 9 x 14 inches unframed (22.86 x 35.56 cm) 17 ¾ x 22 ½ inches framed (45.085 x 57.15 cm...

Josef THOMA (Vienna, 1828 - Vienna, 1899) On the shores of a lake in the Austrian Alps Oil on canvas Signed and dated lower right 53 x 80 cm 1877 Josef ...

Gustave BOURGAIN Paris, 1856 - Paris, 1921 Oil on paper 33 x 24 cm (44 x 35cm with frame) Signed above right "G. Bourgain" Excellent condition Gustave studied with Jean-Léon Gérôme ...

Eugène VERBOECKHOVEN Warneton, 1798 – Schaerbeek, 1881 Oil on wood panel 42 x 33.5 cm (58 x 50 cm with the frame) Signed, dated and located lower right “EJ Verboeckhoven / 1826 / à G...

Architectural sketch of an arch, executed at two different times of the day. A classic arch is represented, in the Paladian taste, in the greenery of a park, on a sunny day. Beautifu...

The Shepherd on a Rock is an emblematic youth’s work of the very versatile talented Irish artist WilliamShaw Sparrow 1862-1940. Son of a major ironworks W. S. Sparrow got to know in his boyhood many of his father's colliers, furnacemen, blacksmiths, carpenters and farmworkers, and gained respect and admiration for the men, whom he described as "so big, strong, simple-hearted, and kind". During long school holidays at home in his early teens (1875–1879), he spent time with the professional artist William Joseph J. C. Bond, who was staying with the family. Bond painted in oils; Sparrow learnt techniques from him and insight into pigments and varnishes and problems with their stability.[9] It was after discussions with Bond and with Walter's uncle, the architect George T...