Items Similar to Paesaggio con Figure, 1700s
Want more images or videos?
Request additional images or videos from the seller
1 of 14
Paesaggio con Figure, 1700s1700s
1700s
About the Item
Olio su tela.
La grande composizione propone un paesaggio che vede centrale un grande albero. a sormontare con le sue rade frasche la campagna sottostante, traversata da un corso d'acqua e animata da diverse figure di popolani intenti ad attività o a riposo; in alto a destra si erge una fortezza, che domina la vallata.
Già attribuito al marchigiano Peruzzini, il dipinto si può ricondurre senz'altro al suo ambito, per i tratti pittorici veloci e poco aggregati.
Antonio Francesco si specializzò nella pittura di paesaggio, subendo l'influenza di Salvator Rosa e di paesaggisti come Pietro Montanini e Pandolfo Reschi, e ulteriori influssi gli vennero anche da pittori nordici attivi in Italia, soprattutto da Pieter Mulier detto il Tempesta. Nelle sue prime opere si distingue già l'originalità della sua pittura data una stesura rapida e da un timbro cromatico intenso e brillante.
Dal principio degli anni Novanta iniziò il lungo legame artistico di Antonio Francesco Peruzzini con Alessandro Magnasco, in seguito al loro incontro avvenuto a Milano, ove il Peruzzini si era stabilito; da questo periodo in poi la sua pittura sembra sfaldarsi, attraverso forme che si fanno più dinamiche e leggere, quasi fantastiche, per approdare infine ad uno stile improntato ad una sempre maggiore disgregazione delle forme della natura ed al loro movimento.
Restaurato e ritelato, il dipinto è presentato in cornice in stile.
- Attributed to:Antonio Francesco Peruzzini 1
- Creation Year:1700s
- Dimensions:Height: 51.19 in (130 cm)Width: 41.54 in (105.5 cm)Depth: 1.97 in (5 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Milan, IT
- Reference Number:1stDibs: LU680312689132
About the Seller
4.8
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 2017
1stDibs seller since 2017
100 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: Milan, Italy
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Landscape With Horses RestingLocated in Milan, ITOil on canvas. The large scene is set at the entrance of a village near a stop for horses: numerous horsemen are standing with their animals, which are looked after by the servants...Category
18th Century Other Art Style Landscape Paintings
MaterialsOil, Canvas
- Dipinto Paesaggio con Figure, XVIII secoloLocated in Milan, ITOlio su tela. Scuola nord-italiana del XVIII secolo. Il paesaggio, ambientato in riva ad un ampio fiume, vede al centro alcune figure di contadini intenti a raccogliere della frutta ...Category
18th Century Other Art Style Landscape Paintings
MaterialsOil
- Couple of Paintings Oil on Canvas Northern Europe XVII-XVIII CenturyLocated in Milan, ITOil on canvas. The two paintings, certainly similar in terms of subject type and pictorial methods, offer two landscape glimpses typical of the 17th and 18th Nordic production. They ...Category
Late 17th Century Other Art Style Landscape Paintings
MaterialsOil
- Winter Landscape with Figures on Ice, XVII-XVIIIth centuryLocated in Milan, ITOil painting on canvas. Flemish school of the XVII-XVIII century. On the frame there is a label attributing to Thomas Heeremans (but with incorrect da...Category
Late 17th Century Other Art Style Landscape Paintings
MaterialsOil
- Stormy Sea Oil on Canvas Flemish School XVII CenturyLocated in Milan, ITOil on canvas. Flemish school of the seventeenth century. Already attributed to Jan Peeters (1624 -1677), the painting falls fully within the style and genre of the author who, worki...Category
17th Century Other Art Style Landscape Paintings
MaterialsOil
- Landscape Oil on Canvas Italy XIX CenturyLocated in Milan, ITOil painting on canvas. North European school of the 19th century. The romantic taste pervades this nocturnal landscape, illuminated by the light of the full moon, barely veiled by s...Category
19th Century Other Art Style Landscape Paintings
MaterialsOil
You May Also Like
- Bernhard ButerLocated in Saint Augustine, FLArtist: Bernhard Buter (1883-1959) German Title: Rhinish Landscape Medium: Oil on Canvas Dimensions: Framed 19” x 21” , Unframed 11 x 13” Bernhard Buter paints agrarian landscapes i...Category
Early 20th Century Realist Landscape Paintings
MaterialsCanvas, Oil
- "Les Falaise Normande" (The Cliffs Of Normand)By René GenisLocated in Berlin, MDRene Genis (French 1922-2004) “Les Falaise Normande” / The Cliffs of Normand. A sea scape with high cliffs, the beach, and two fishermen. The cliffs are in browns, tans and olives a...Category
1990s French School Landscape Paintings
MaterialsCanvas, Oil
- "Monument Valley"By René GenisLocated in Berlin, MDRene Genis (French 1922-2004) Monument Valley. 1967. Beautiful oranges, browns, greens against a turquoise blue sky. Oil on canvas, laid on mat. Si...Category
Mid-20th Century Landscape Paintings
MaterialsOil, Canvas
- Early oil depicting the Great Fire of LondonLocated in London, GBThe Great Fire of London in September 1666 was one of the greatest disasters in the city’s history. The City, with its wooden houses crowded together in narrow streets, was a natural fire risk, and predictions that London would burn down became a shocking reality. The fire began in a bakery in Pudding Lane, an area near the Thames teeming with warehouses and shops full of flammable materials, such as timber, oil, coal, pitch and turpentine. Inevitably the fire spread rapidly from this area into the City. Our painting depicts the impact of the fire on those who were caught in it and creates a very dramatic impression of what the fire was like. Closer inspection reveals a scene of chaos and panic with people running out of the gates. It shows Cripplegate in the north of the City, with St Giles without Cripplegate to its left, in flames (on the site of the present day Barbican). The painting probably represents the fire on the night of Tuesday 4 September, when four-fifths of the City was burning at once, including St Paul's Cathedral. Old St Paul’s can be seen to the right of the canvas, the medieval church with its thick stone walls, was considered a place of safety, but the building was covered in wooden scaffolding as it was in the midst of being restored by the then little known architect, Christopher Wren and caught fire. Our painting seems to depict a specific moment on the Tuesday night when the lead on St Paul’s caught fire and, as the diarist John Evelyn described: ‘the stones of Paul’s flew like grenades, the melting lead running down the streets in a stream and the very pavements glowing with the firey redness, so as no horse, nor man, was able to tread on them.’ Although the loss of life was minimal, some accounts record only sixteen perished, the magnitude of the property loss was shocking – some four hundred and thirty acres, about eighty per cent of the City proper was destroyed, including over thirteen thousand houses, eighty-nine churches, and fifty-two Guild Halls. Thousands were homeless and financially ruined. The Great Fire, and the subsequent fire of 1676, which destroyed over six hundred houses south of the Thames, changed the appearance of London forever. The one constructive outcome of the Great Fire was that the plague, which had devastated the population of London since 1665, diminished greatly, due to the mass death of the plague-carrying rats in the blaze. The fire was widely reported in eyewitness accounts, newspapers, letters and diaries. Samuel Pepys recorded climbing the steeple of Barking Church from which he viewed the destroyed City: ‘the saddest sight of desolation that I ever saw.’ There was an official enquiry into the causes of the fire, petitions to the King and Lord Mayor to rebuild, new legislation and building Acts. Naturally, the fire became a dramatic and extremely popular subject for painters and engravers. A group of works relatively closely related to the present picture have been traditionally ascribed to Jan Griffier...Category
17th Century Old Masters Landscape Paintings
MaterialsOil, Canvas
- Two Pink Trees in a Yellow FieldBy Zygmund JankowskiLocated in Gloucester, MAZygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...Category
1980s Contemporary Landscape Paintings
MaterialsCanvas, Oil
- Flat Ledge Quarry with Golden TreesLocated in Gloucester, MAFlat Ledge Quarry is one of the many granite quarries in Rockport MA, which actively produced granite for cobblestones until the early 20th century, when asphault became the preferre...Category
2010s Contemporary Landscape Paintings
MaterialsCanvas, Oil
Recently Viewed
View AllMore Ways To Browse
Susan Meeks
Thomas Locker
Timothy Mcguire
Vahe Yeremyan Summer View
Verbrugghe Charles
Vertunni Achille
After Felix Ziem
Antique Scottish Landscape Sunrise Paintings
Baby Boy Clothes
Ben Stahl
Cassis Pierre
Christopher Osborne
Christopher Witchall
Flatiron Building Model
Folder Bed
Frederic Goerg
Irving R Wiles
John Lees