Ben FenskeTree2014
2014
About the Item
- Creator:Ben Fenske (1978, American)
- Creation Year:2014
- Dimensions:Height: 35.5 in (90.17 cm)Width: 43 in (109.22 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Sag Harbor, NY
- Reference Number:
Ben Fenske
One of the foremost American Impressionists of the 21st century, artist Ben Fenske is known for his bold, energetic brushstrokes and signature use of vivid colors. His figurative paintings, still-lifes and interiors are flooded with warm natural light and dazzle in their wealth of blues, greens and soft violets.
Born in 1978, Fenske grew up in the small rural town of St. Joseph, Minnesota. His interest in art began at an early age. When he was 12 years old, Fenske would spend a minimum of two hours each day drawing and painting, working with charcoal, watercolors, acrylics and pastels. His passion for art broadened in high school, leading him to attend the Minnesota River School of Fine Art at age 18. There, he studied under artists including Joseph Paquet and Darren Rousar.
Following a brief stint as a graphic designer, Fenske studied in Minneapolis at the Bougie Studio, learning figure drawing and cast drawing from artist Peter Bougie. Later, when he was in his early 20s, Fenske decided to go to Florence, Italy, to study painting and drawing at the Florence Academy of Art.
While in Florence, Fenske became inspired by French Impressionism of the 19th and 20th centuries as well as Old Masters paintings and Russian and Soviet art — notably the works of brothers Aleksei and Sergei Tkachev.
For more than a decade, Fenske divides his time between Sag Harbor, New York, and Italy’s Tuscan hills, where he draws inspiration for his landscapes from the surrounding countryside. In addition to his paintings, Fenske has a considerable portfolio of portrait drawings and nude sketches. He has also delved into figurative sculpture, such as the bronze Wild Boar, which he created with artist Richard Zinon.
Fenske regularly exhibits throughout the United States, including annually at the Grenning Gallery in the Hamptons. In 2016, he participated in the “BP Portrait Award Exhibition” at the National Portrait Gallery in London. He was also named by American Artist magazine as one of the “Best 25 Living Artists” in 2012.
On 1stDibs, find a range of Ben Fenske paintings, drawings and sculptures.
- ShippingRetrieving quote...Ships From: Sag Harbor, NY
- Return PolicyA return for this item may be initiated within 3 days of delivery.
- "Oak in Spring" 1930 American Impressionist oil painting, oak tree landscapeBy Henry Cooke WhiteLocated in Sag Harbor, NY"Oak in Spring" is a 1930 American Impressionist oil painting of an oak tree landscape. Painted en plein-air, in an almost pointillist style, H.C. White depicts a classic Connecticut landscape. A Tall wiry tree stands as the focal point, having just bloomed its first leaves; foliage still thin enough to outline every single branch. Reds and browns scattered throughout the foreground connote autumn leaves that had yet to be cleared. Henry Cooke White (b. 1861) in Hartford Connecticut. His career in art was founded at the age of 14, when he met the famous American Tonalist painter, Dwight William Tyron. The two became lifelong friends, and White even wrote Tyron’s major biography, The Life and Art of Dwight William Tyron (pub. 1930). In the late 1880’s, Tyron pushed White to move to New York City to further his artistic training at the Art Students League. During this time, White studied under many talented artist’s; Kenyon Cox, John H. Twatchman, and William Merritt Chase. From 1896-1897, White spent time travelling in Europe. Upon his return to the states, he began to spend most of his time in Connecticut, following his favorite painting seasons. Spring in Hartford was followed a week later by spring in Old Lyme, and then finally at Waterford. He’d experience his favorite seasons three times over each year. Once immersed into Connecticut’s community, White was encouraged to paint habitually in Old Lyme; where an art colony was developing, beginning in the spring of 1903. Inspired by European artists, including Claude Monet, and Pierre Auguste-Renoir, the Old Lyme Art Colony defined American Impressionism by memorializing the serene qualities of rural New England life through use of vibrant palettes and broken strokes on wood and canvas. The Colony comprised upwards of 200 artists during its three decades of creating nature-based scenes in oils and pastels; Frederick Childe Hassam...Category
Mid-20th Century American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- Jess Panda, SketchBy Ben FenskeLocated in Sag Harbor, NYA contemporary oil painting of a woman stepping out of her small car, a Fiat Panda. Painted from life, shadows are purple and atmospheric. She's parked on bright green grass, in rura...Category
21st Century and Contemporary American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "Sailboat" contemporary impressionist oil painting of boat on the beach, summerBy Ben FenskeLocated in Sag Harbor, NY"Sailboat" is a contemporary impressionist oil painting of boat on the beach, in summer. Painted en plein-air in Sag Harbor, New York. A single sailboat rests on the shore of a quiet...Category
21st Century and Contemporary American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "Parked Panda" plein air painting of Fenske's Fiat in Tuscan landscapeBy Ben FenskeLocated in Sag Harbor, NY"Parked Panda" is a plein air oil painting of Fenske's Fiat in Tuscan landscape, where he lives. Frame Dimensions 33 x 41in Ben Fenske (b. 1978) although a native of Minnesota, a...Category
2010s American Impressionist Landscape Paintings
MaterialsCanvas, Oil, Linen
- "Three Trees" - Contemporary painting, bold bright colors - Timothy A. McGuireBy Tim McGuireLocated in Sag Harbor, NY“Three Trees”, is an oil painting of an ordinary residential street, lined with tall skinny trees. Houses are blocks of color, which diagonally recede alon...Category
21st Century and Contemporary American Impressionist Landscape Paintings
MaterialsOil, Canvas
- "Soft Yellow Sunset" soft contemporary impressionist oil painting in Sag HarborBy Ben FenskeLocated in Sag Harbor, NY"Soft Yellow Sunset" soft contemporary impressionist oil painting of the sun setting over Noyack Bay in Sag Harbor, New York. Fenske works in a loose-impressionistic style, it's almo...Category
2010s American Impressionist Abstract Paintings
MaterialsLinen, Oil, Canvas
- At the ClotheslineBy Irving Ramsey WilesLocated in New York, NYSigned lower right: Irving R. WilesCategory
Late 19th Century American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "Alley Fiends"By John R. GrabachLocated in Lambertville, NJJim’s of Lambertville is proud to offer this artwork by: John R. Grabach (1886 - 1981) John Grabach was a highly regarded New Jersey artist, teacher, and author of the classic text...Category
1930s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "Forest Strongholds"By John F. CarlsonLocated in Lambertville, NJSigned lower right. Complemented by a hand carved and gilt frame. Exhibited at the National Academy of Design, 1928Category
20th Century American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "Solebury Valley"By William Langson LathropLocated in Lambertville, NJSigned lower right. Complemented by a period frame. William L. Lathrop (1859-1938) Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades...Category
1910s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- Winter MoonlightBy George William SotterLocated in Lambertville, NJsigned lower rightCategory
1910s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "The Canal"By Edward Willis RedfieldLocated in Lambertville, NJJim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Illustrated in "Edward Redfield: Just Values and Fine Seeing" by Constance Kimmerle and the Pennsylvania Academy of the Fine Arts's Exhibition of Paintings by Edward Redfield (April 17 to May 16, 1909) brochure Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...Category
Early 1900s American Impressionist Landscape Paintings
MaterialsCanvas, Oil