Bernard Krigstein

Untitled, Abstract Landscape Colorful Nature By Bernard Krigstein

1983

Katheryn Holt paints memory. Her abstract paintings are infused with half-remembered landscapes. She has been documenting her interior and exterior life through painting since she wa...

The upper half of the composition unveils a mesmerizing interplay of green and white, creating the illusion of a misty, ethereal sky. It's a vista where imagination takes flight, evo...

This intricate artwork unfolds as a multi-dimensional tapestry, where each layer contributes to a narrative that resonates with the soul. At the uppermost layer, a delicate dance of...

From the pinnacle of the canvas, a shimmering metallic purple descends gracefully, leading the eye into a lush, dark green expanse. This, in turn, gives way to a serene layer of ligh...

Katheryn Holt paints memory. Her abstract paintings are infused with half-remembered landscapes. She has been documenting her interior and exterior life through painting since she wa...

A Lebanese-born, Italian artist, Masri has developed a style that captures Mideastern mood with A Lucien Freud brush touch. His work is varied and known e...

Laimdots Murnieks had a significant influence on the development of Latvian painting at the end of the 20th century. His work 'Holiday' conveys the feeling lightness and joy, which i...

Motke Blum was born in Racacun, Romania in 1925. Early in his childhood, the Blum family moved to Bucharest where they settled in a house situated near a circus. The circus would become young Blum's greatest love. He befriended several of the clowns and other performers and, when not painting or playing in clay, Blum could be found enjoying the company of these spirited entertainers. These experiences would later become a recurring theme in many of his works of art. In 1938, he was taken by the Romanian Iron Guard. When the Germans invaded Romania, Blum was taken to a forced labor camp. Even during his imprisonment, he continued to create art, painting on the walls of the camp. He escaped the Nazi camp in 1944 and boarded an immigrants' ship to Israel. One of the three ships in the convoy was sunk by a German torpedo. Motke later incorporated shipwrecks, boats, and other maritime subjects into several of his paintings. Studies, Bezalel, Jerusalem, Enamel, Silversmithing, Painting and Sculpture. 1956 Seminar in the dep. of design in the royal silver factory of Zeist, The Netherlands. Over the course of his long and fruitful career, Blum showed internationally at over fifty one-man-shows with exhibits in Israel, Holland, England, Belgium, the United States, France, Australia, and more. His art has been commissioned for public buildings and by prominent figures in Israel and around the world, and a series of posters were commissioned by the Justice Ministry and the Ministry of Tourism. Group exhibition Rina Gallery, Jerusalem Artists: Motke Blum, Efraim Fima (Roytenberg, Ephraim) Zelig Segal, David Sharir, Joseph Halevi...

Oil on board, signed verso. Reynolds made numerous paintings on the theme of ‘moth barn’, in addition to a lithograph dating from 1956. Moth Barn Interior 3 (1952) is a diminutive va...

Signed lower right. From the later 1950s, Vaughan painted landscapes without figures that verged towards complete abstraction: works in which colour is tessellated into compositions ...

COASTAL SPLENDOUR Size: 35 x 43 cm 13.8 x 16.9 inches (including frame) Oil on Board A mesmerising mid-century abstract coastal landscape where earth, sea, and sky converge in a...

Original vintage painting of a Lightning Storm, Southwestern Mountain Landcape. Oil painting on textured board by Morton Lawrence Schneider (1919-2000). This large scale semi abstrac...