Bernard Labbe

1950's Modernist/ Cubist Painting - Blue French Landscape

1950's

French Landscape by Bernard Labbe (French mid 20th century) original watercolour with biro on artist paper, unframed stamped verso size: 8.25 x 11.75 inches condition: very good and ...

The Roadside Tavern by Bernard Labbe (French mid 20th century) signed original watercolour/ gouache painting on paper board, unframed size: 11 x 13.75 inches condition: very good and...

Tall French Landscape by Bernard Labbe (French mid 20th century) signed original watercolour/ gouache painting on paper , unframed size: 18.5 x 12.5 inches condition: very good and r...

French Town Square by Bernard Labbe (French mid 20th century) original watercolour/ gouache painting on paper , unframed size: 12 x 17.5 inches condition: very good and ready to be e...

Milan Cathedral by Bernard Labbe (French mid 20th century) signed original watercolour/ gouache painting on paper , unframed size: 16.5 x 11.75 inches condition: very good and ready ...

French Buildings by Bernard Labbe (French mid 20th century), signed, stamped verso original watercolour/ gouache painting on paper , overall size: 19.5 x 25.5 inches condition: very...

A fine mixed media plien air painting by Gradwell. The Amalfi coast, Italy . An evening study in low light. mixed media on paper: 34cmx 54cm Glazed gallery frame: 52cm x 73cm

'Amalfi, Italy'. Mixed media on paper . circa 2005. painting 41cm x 54cm glazed frame 62cmx 82cm Atmospheric view of the seafront topography and buildings of the famous coastal town...

Original Painting Fortune Cover Published 1937 American Modern - Met Museum NEWS: A printed copy of this magazine is included in The Metropolitan Museum of Art’s recent exhibition, “Art for the Millions: American Culture and Politics in the 1930s” Antonio Petruccelli...

Airacuda Fighter Planes Art Deco Machine Age 20th Century American Modernism Arthur Rosenman Ross (1913 - 1981) Bell YFM-1 Airacuda Fighter Planes 17 1/2 x 26 1/2 inches Gouache, Airbrush and Ink on Illustration Board, 1938 Signed A. Ross lower right Provenance: Estate of the artist. BIO Arthur Rosenman Ross was a key figure in automotive design at General Motors during America's "Golden Age" of auto design, the 1930's through the 1950s. He attended the Art Institute of Chicago from age 17, exhibiting a special interest for automotive renderings and the female figure. In 1934, he changed his name from Rosenman to Ross, fearing his Jewish ancestry could prejudice his career prospects. At age 20, he turned down job offers from MGM Studios in Hollywood and Duesenberg to work at General Motors alongside the Legendary Harley Earl in 1935. He was hand picked by Mr. Earl and assigned to GM's War and Camouflage Division in 1937 through WW2. It was during this pivotal period in which he executed some extraordinary military aircraft artworks, likely used between GM and America's military aeronautics companies in design preparation for WW2. General Motors played an important role in helping America's aircraft manufacturers preceding and during the war. Just after the war in 1945, Mr. Ross was rewarded by GM, being made Chief Designer of Cadillac, then two years later becoming Chief at Oldsmobile until his retirement in 1959. He was in large part responsible for some of GM's classic Cadillac designs such as the Cadillac Sixty Special, Fleetwood, LaSalle and GM's first concept car, the extraordinary Buick Y-Job. Mr. Ross was an exceptionally charismatic and vivacious man who quite by chance, befriended His idol, Salvador Dali at GM in 1955. They talked about art, cars and girls late into the evening, according to his son, Carter Ross. He had a gift in rendering the erotic arts...

This lovely blue watercolor painting is by M. Godier, France (20th Century). The artwork is signed in the bottom right corner. The composition features an unusual representation of t...

Early 1960s work on paper of a group of trees at Buckfast Abbey in Devon, England, by Alban Atkins. Signed bottom left, titled and dated to the reverse. There is also a collection or accession number to the backboard. Atkins has captured the sculptural nature of the tree trunks as they have grown in the landscape giving the work a feeling of living, writhing things as well as an abstract feel in the composition. Atkins was one of the group of important artists chosen and commissioned by Sir Kenneth Clark...