Bryan Mark Taylor

"Fisherman's Junk" Oil Painting of River In Mainland China by Bryan Mark Taylor

2017

"Grand Overlook, Sorrento" is a colorful example of Bryan Mark Taylor's modern approach to Impressionism. This beautiful oil on canvas captures the mood and feel of the Amalfi Coast...

"Gray Afternoon" is a dynamic oil that captures the energy and movement of a glistening street scene in downtown Los Angeles, and is an excellent example of Pil Ho Lee's modern appr...

"Portland Streetcar" is a dynamic oil that captures the energy and movement of a richly glistening street scene in Portland, Oregon, and is an excellent example of Pil Ho Lee's mod...

"Last Light, Joshua Tree" is a dynamic oil that captures the energy and movement of the sun setting in the unique desert landscape, and is an excellent example of Pil Ho Lee's modern...

A sun drenched oil painted on location on the North Shore of Oahu in Hawaii by noted California and Hawaii artist Jacobus Baas, this plein air painting "Surfer At Chun's Beach," exhibits the subtle touch and beautiful light that the artist is known for. Capturing the clarity of the tropical light...

An atmospheric oil painted on from a study created on location in Maine by noted California artist Jacobus Baas, "Winter Tree Shadows " exhibits the subtle touch and beautiful light ...

Myers creates an atmospheric scene from the perspective of the inlet looking towards Marine Street, St. Augustine. The burning sunset sky reflects onto the historic skyline casting ...

This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act...

This is a 'Plein Air" landscape Painting by Jane Chapin as seen in the viewing room exhibition on Silas VON MORISSE GALLERY. “Plein-Air” is the French expression to describe the act of painting in situ within the landscape, capturing the ever changing weather and light with tonal qualities, colour, loose brushwork and softness of form... The practice of “Plein Air Painting” goes back for centuries but was truly made into an art form by the French Impressionists such as Claude Monet, Camille Pissarro, Alfred Sisley, and Pierre-Auguste Renoir who were advocating of plein air painting. Much of their work was done outdoors in the diffuse light of a large white umbrella. Another major proponent of Plein Air was Jean Baptiste Camille Corot whom Claude Monet considered as “The only One Master here”. Corot provides a transition from the sharp academic style that ruled in his day with focus on the natural world and the lyrical expressiveness of one's work. With her "Plein Air Paintings", Jane Chapin is part of one of the largest art movements in history. Her paintings carry human emotions. We can read her moods and feelings with places that carry deep remembrances for the artist that go beyond the descriptive. "My paintings grow from observing and interpretating light as it emerges from, surrounds and reflects on everyday people and scenes. They seek to remind us of the beauty of our common surroundings, regardless of where we are." - Jane Chapin Jane Chapin Painting the Land of the Free...

This work by Nell Blaine was exhibited at the Poindexter Gallery, as well as the Tibor de Nagy Gallery, both in New York City. It is signed lower left, and signed, titled, and dated ...

One of Johann Berthelsen's iconic nocturne views of New York City across the Hudson River. Bridge Nocturne (c.1945) Oil on canvas, 22" x 28" 29 ½" x 36" x 2" framed Signed "Johann ...

I Came to Where the Lone Pilgrim Lay by Michael Ome Untiedt Oil on Canvas, 36" x 48", 43" x 55" (framed), hanging hardware included. From the artist: "In Memory of Tom Horn: This is another of my feeble attempts to break down, to rage against the tyranny of time. I have fought this battle for a half century, yet my limbs grow slower, my hair more moon-bleached. I ponder as I apply brush strokes to the canvas, what thoughts pass through the viewer of this work a hundred years hence, two hundred years later? Will they know what I carry in my heart today? Am I on a great mandala of life, and will I return one day to this same experience, or am I adrift on a great "river" flowing endlessly through the Cosmos, heeding shoal water and seeking shoreline that is forever changing? A dear friend passed this week from the plague scourging our fair land. When and where will I hear his sweet self deprecating laughter again?" Born and raised in rural southeastern Colorado, Michael Ome Untiedt maintains a studio in Denver. Traveling extensively, he is known as a painter of the world who sees with a westerner’s eye. Through the color, brush strokes, and symbolic subject matter of his paintings, he attempts to examine the human predicament and its connections to the landscape and history of the American West. He is driven to portray twenty-first-century psychology on a nineteenth-century saddle! Untiedt has participated in numerous shows including the Western Masters Art Show and Sale, Settler’s West Miniatures Show and Art of the American West...